
Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 707 Collins Street, Melbourne, Victoria 3008, Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi – 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, Block D, Rosebank Office Park, 181 Jan Smuts Avenue, Parktown North, Gauteng 2193, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
www.penguin.com
First published in the United States of America by Random House, Inc., 1990
Published in the United States of America by Penguin Books 1991
This edition published in Great Britain by Penguin Classics 2013
Copyright © Wallace Stegner, 1938, 1940, 1941, 1942, 1943, 1944, 1945, 1946, 1947, 1948, 1950, 1951, 1953, 1954, 1955, 1956, 1958, 1959, 1990
Copyright renewed © Wallace Stegner, 1965, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1977, 1978, 1980, 1981, 1982, 1983, 1986, 1987
All rights reserved
All stories in this work originally appeared in the following publications: The Atlantic Monthly, Contact Magazine, Cosmpolitan, Esquire, Harper’s Magazine, Mademoiselle, Rocky Mountain Review, Southern Review, The Virginia Quarterly and Woman’s Day
The moral right of the author has been asserted
ISBN: 978-0-71-819749-0
Foreword by Wallace Stegner
COLLECTED STORIES
The Traveler
Buglesong
Beyond the Glass Mountain
The Berry Patch
The Women on the Wall
Balance His, Swing Yours
Saw Gang
Goin’ to Town
The View from the Balcony
Volcano
Two Rivers
Hostage
In the Twilight
Butcher Bird
The Double Corner
The Colt
The Chink
Chip off the Old Block
The Sweetness of the Twisted Apples
The Blue-Winged Teal
Pop Goes the Alley Cat
Maiden in a Tower
Impasse
The Volunteer
A Field Guide to the Western Birds
Something Spurious from the Mindanao Deep
Genesis
The Wolfer
Carrion Spring
He Who Spits at the Sky
The City of the Living
PENGUIN MODERN CLASSICS
Wallace Stegner (1909–1993) was born in Lake Mills, Iowa. The son of Scandinavian immigrants, he travelled with his parents and brother all over the West – to North Dakota, Washington, Saskatchewan, Montana and Wyoming – before settling in Salt Lake City in 1921. Many of the landscapes he encountered in his peripatetic youth figure largely in his work, as do characters based on his stern father and athletic, outgoing brother. Stegner graduated from university in Utah in 1930, and subsequently received a master’s and a doctoral degree from the University of Iowa. He married Mary Stuart Page in 1934, and for the next decade the couple followed Wallace’s teaching career – to the University of Wisconsin, Harvard, and eventually to Stanford University, where he founded the creative writing program, and where he was to remain until his retirement in 1971.
Stegner’s first novel, Remembering Laughter, was published in 1937. By the time of his death in 1993, he had published some two dozen works of fiction, history, biography and essays. Among his many literary prizes were the Pulitzer Prize for Angle of Repose (1971) and the National Book Award for The Spectator Bird (1976). His collection of essays, Where the Bluebird Sings to the Lemonade Springs (1992), was nominated for the National Book Critics Circle Award. Other notable works include The Big Rock Candy Mountain (1943), A Shooting Star (1961), Wolf Willow (1962), All the Little Live Things (1967), Recapitulation (1979), Crossing to Safety (1987) and the Collected Stories (1990), all of which are available in Penguin Modern Classics.
For Mary, in gratitude for
fifty-three years of close
collaboration, and for
patience beyond the call of duty
It would not be accurate to say that these stories gathered up near the end of a lifetime of writing constitute an autobiography, even a fragmentary one. I have tried autobiography and found that I am not to be trusted with it. I hate the restrictiveness of facts; I can’t control my impulse to rearrange, suppress, add, heighten, invent, and improve. Accuracy means less to me than suggestiveness; my memory is as much an inventor as a recorder, and when it has operated in these stories it has operated almost as freely as if no personal history were involved.
Nevertheless the thirty-one stories in this volume do make a sort of personal record. I lived them, either as participant or spectator or auditor, before I made fictions of them. Because I have a tyrannous sense of place, they are laid in places that I know well—many of them in Saskatchewan, where I spent my childhood, and in Salt Lake City, where I misspent my youth, and in California, where I have lived for forty-five years, and in Vermont, where I have spent at least part of the last fifty summers. I have written about the kind of people I know, in the places where I have known them. If art is a by-product of living, and I believe it is, then I want my own efforts to stay as close to earth and human experience as possible—and the only earth I know is the one I have lived on, the only human experience I am at all sure of is my own.
Any reasonably long life, looked back upon, irresistibly suggests a journey. I see these stories, inventions on a base of experience, as rest stops, pauses while I tried to understand something or digest some action or clarify some response. As a journey, my life has covered a good part of the twentieth century, and it has been quintessentially American, though it could not now be reproduced: childhood on a belated and benighted frontier, youth in a provincial capital, maturity with the whole confused world to run in. And along with the expansion of my physical universe, a corresponding social and intellectual expansion; for as a child I knew little beyond the atomic, migrant western family that pursued an American dream already over for almost everyone else, and pursued it sometimes beyond the boundaries of the law. I had a long way to go, and the faster I traveled, the faster the world rolled under me and the further I got from the primitive, deprived, barren, lawless, and sometimes idyllic condition from which I started.
But few lives take the shortest distance between two points. Certainly mine did not. It backed and filled and lost the way and found it and lost it again. The traveler, moreover, has been largely created by the conditions of his beginning, and retains the tastes, prejudices, and responses that the early stages have bred into him. That is why I have made no attempt to arrange these stories so that they make a nice progression from simplicity to complexity, past to present, primitive to civilized, sensuous to intellectual. They lie as they fell, perhaps because I don’t believe there is any clear progression to illustrate, or that this journey has any clear destination.
Because the individual stories were written over a span of many years, and because many of them, especially the Saskatchewan stories, look back twenty years or more from the time when they were written, and because the world and I were changing at an ever-accelerating rate, some stories reflect events, social attitudes, and even diction that now seem dated. (For instance, the boy Johnny Bane in “Pop Goes the Alley Cat,” written just after World War II, is referred to as a Negro, not a Black, because Negro is what he was when I wrote the story.) I could have written that sort of thing out of the stories, and changed social and sexual attitudes, and altered dialogue, only at the cost of a fabric that had been carefully woven in another time.
I have not written a short story for many years. It seems to me a young writer’s form, made for discoveries and nuances and epiphanies and superbly adapted for trial syntheses. Increasingly, in my own writing, the novel has tended to swallow and absorb potential stories. (Bernice Baumgarten, my first agent, who handled all my early stories, used to say that a short-story writer lives on his principal, using up beginnings and endings.) Whether because of a shortage of beginnings and endings or for other reasons, I found fairly early that even stories begun without the intention of being anything but independent tended to cluster, wanting to be part of something longer. That is why several stories written and first published as stories were later cannibalized and used as chapters in The Big Rock Candy Mountain and Recapitulation and Wolf Willow. I have juggled these back to their original state and let them fall as randomly into this collection as they fell into Harper’s or Atlantic or some other magazine in the 1930s and 1940s and 1950s. In their independent form, they actually mark the traveler’s route better than they do as segments of longer books.
WALLACE STEGNER
Greensboro, Vermont
September 7, 1989
He was rolling in the first early dark down a snowy road, his headlights pinched between dark walls of trees, when the engine coughed, recovered, coughed again, and died. Down a slight hill he coasted in compression, working the choke, but at the bottom he had to pull over against the three-foot wall of plowed snow. Snow creaked under the tires as the car eased to a stop. The heater fan unwound with a final tinny sigh.
Here in its middle age this hitherto dependable mechanism had betrayed him, but he refused to admit immediately that he was betrayed. Some speck of dirt or bubble of water in the gas line, some momentary short circuit, some splash of snow on distributor points or plug connections—something that would cure itself before long. But turning off the lights and pressing on the starter brought no result; he held the choke out for several seconds, and got only the hopeful stink of gasoline; he waited and let the flooded carburetor rest and tried again, and nothing. Eventually he opened the door and stepped out onto the packed snow of the road.
It was so cold that his first breath turned to iron in his throat, the hairs in his nostrils webbed into instant ice, his eyes stung and watered. In the faint starlight and the bluish luminescence of the snow everything beyond a few yards away swam deceptive and without depth, glimmering with things half seen or imagined. Beside the dead car he stood with his head bent, listening, and there was not a sound. Everything on the planet might have died in the cold.
Indecisively seeking help, he walked to the top of the next rise, but the faintly darker furrow of the road blurred and disappeared in the murk, the shadows pressed inward, there was no sign of a light. Back at the car he made the efforts that the morality of self-reliance demanded: trying to see by the backward diffusion of the headlamps, he groped over the motor, feeling for broken wires or loose connections, until he had satisfied himself that he was helpless. He had known all along that he was.
His hands were already stung with cold, and around his ankles between low shoes and trouser cuffs he felt the chill like leg irons. When he had last stopped, twenty miles back, it had been below zero. It could be ten or fifteen below now. So what did he do, stranded in mid-journey fifty miles or more from his destination? He could hardly go in for help, leaving the sample cases, because the right rear door didn’t lock properly. A little jiggling swung it open. And all those drugs, some of them designed to cure anything—wonder drugs, sulfas, streptomycin, Aureomycin, penicillin, pills and anti-toxins and unguents—represented not only a value but a danger. They should not be left around loose. Someone might think they really would cure anything.
Not quite everything, he told the blue darkness. Not a fouled-up distributor or a cranky coil box. Absurdly, there came into his mind a fragment of an ancient hymn to mechanical transport:
If she runs out of dope, just fill her up with soap
And the little Ford will ramble right along.
He saw himself pouring a bottle of penicillin into the gas tank and driving off with the exhaust blowing happy smoke rings. A mock-heroic montage of scientific discovery unreeled itself—white-coated scientists peering into microscopes, adjusting gauges, pipetting precious liquids, weighing grains of powder on minuscule scales. Messenger boys sped with telegrams to the desks of busy executives. A group of observers stood beside an assembly line while the first tests were made. They broke a car’s axle with sledges, gave it a drink of the wonder compound, and drove it off. They demolished the carburetor and cured it with one application. They yanked loose all the wires and watched the same magic set the motor purring.
But here he stood in light overcoat and thin leather gloves, without overshoes, and his car all but blocked the road, and the door could not be locked, and there was not a possibility that he could carry the heavy cases with him to the next farm or village. He switched on the headlights again and studied the roadside they revealed, and saw a rail fence, with cedars and spruces behind it. When more complex gadgets and more complex cures failed, there was always the lucifer match.
Ten minutes later he was sitting with the auto robe over his head and shoulders and his back against the plowed snowbank, digging the half-melted snow from inside his shoes and gloating over the growing light and warmth of the fire. He had a supply of fence rails good for an hour. In that time, someone would come along and he could get a push or two. In this country, in winter, no one ever passed up a stranded motorist.
In the stillness the flames went straight upward; the heat was wonderfully pleasant on icy hands and numb ankles and stiffened face. He looked across the road, stained by horses, broken by wheel and runner tracks, and saw how the roadside acquired definition and sharp angles and shadows in the firelight. He saw too how he would look to anyone coming along: like a calendar picture.
But no one came along. Fifteen minutes stretched into a half hour, he had only two broken pieces of rail left, the fire sizzled, half floating in the puddle of its melting. Restlessly he rose with the blanket around him and walked back up the road a hundred steps. Eastward, above jagged trees, he saw the sky where it lightened to moonrise, but here there was still only the blue glimmer of starlight on the snow. Something long buried and forgotten tugged in him, and a shiver not entirely from cold prickled his whole body with gooseflesh. There had been times in his childhood when he had walked home alone and been temporarily lost in nights like this. In many years he could not remember being out alone under such a sky. He felt spooked, his feet were chilled lumps, his nose leaked. Down the hill, car and snow swam deceptively together; the red wink of the fire seemed inexpressibly far off.
Abruptly he did not want to wait in that lonely snow-banked ditch any longer. The sample cases could look after themselves, any motorist who passed could take his own chances. He would walk ahead to the nearest help, and if he found himself getting too cold on the way, he could always build another fire. The thought of action cheered him; he admitted to himself that he was all but terrified at the silence and the iron cold.
Closing the car doors, he dropped his key case, and panic stopped his pulse as he bent and frantically, with bare hand, brushed away the snow until he found it. The powdery snow ached and burned at his fingertips. He held them a last moment to the fire, and then, bundled like a squaw, with the blanket held across nose and mouth to ease the harshness of the cold in his lungs, he started up the road that looked as smooth as a tablecloth, but was deceptively rough and broken. He thought of what he had had every right to expect for this evening. By now, eight o’clock or so, he should have had a smoking supper, the luxury of a hot bath, the pleasure of a brandy in a comradely bar. By now he should be in pajamas making out sales reports by the bedlight, in a room where steam knocked comfortingly in the radiators and the help of a hundred hands was available to him at a word into the telephone. For all of this to be torn away suddenly, for him to be stumbling up a deserted road in danger of freezing to death, just because some simple mechanical part that had functioned for thirty thousand miles refused to function any longer, this was outrage, and he hated it. He thought of garage men and service station attendants he could blame. Ignoring the evidence of the flooded carburetor, he brooded about watered gas that could make ice in the gas line. A man was dependent on too many people; he was at everybody’s mercy.
And then, on top of the second long rise, he met the moon.
Instantly the character of the night changed. The uncertain starlight was replaced at a step by an even flood of blue-white radiance. He looked across a snow meadow and saw how a rail fence had every stake and rider doubled in solid shadow, and how the edge of woods beyond was blackest India ink. The road ahead was drawn with a ruler, one bank smoothed by the flood of light, the other deeply shadowed. As he looked into the eye of the moon he saw the air shiver and glint with falling particles of frost.
In this White Christmas night, this Good King Wenceslas night, he went warily, not to be caught in sentimentality, and to an invisible audience he deprecated it profanely as a night in which no one would believe. Yet here it was, and he in it. With the coming of the moon the night even seemed to warm; he found that he could drop the blanket from across his face and drink the still air.
Along the roadside as he passed the meadow and entered woods again the moon showed him things. In moonlit openings he saw the snow stitched with tiny perfect tracks, mouse or weasel or the three-toed crowding tracks of partridge. These too, an indigenous part of the night, came back to him as things once known and long forgotten. In his boyhood he had trapped and hunted the animals that made such tracks as these; it was as if his mind were a snowfield where the marks of their secret little feet had been printed long ago. With a queer tightening of the throat, with an odd pride, he read the trail of a fox that had wallowed through the soft snow from the woods, angling into the packed road and along it for a little way and out again, still angling, across the plowed bank, and then left a purposeful trail of cleanly punched tracks, the hind feet in line with the front, across the clean snow and into the opposite woods, from shadow across moonlight and into shadow again.
Turning with the road, he passed through the stretch of woods and came into the open to see the moon-white, shadow-black buildings of a farm, and the weak bloom of light in a window.
His feet whined on the snow, dry as metal powder, as he turned in the loop of drive the county plow had cleared. But as he approached the house doubt touched him. In spite of the light, the place looked unused, somehow. No dog welcomed him. The sound of his feet in the snow was alien, the hammer of his knuckles on the door an intrusion. Looking upward for some trace of telephone wires, he saw none, and he could not tell whether the quivering of the air that he thought he saw above the chimney was heat or smoke or the phantasmal falling frost.
“Hello?” he said, and knocked again. “Anybody home?” No sound answered him. He saw the moon glint on the great icicles along the eaves. His numb hand ached with the pain of knocking; he pounded with the soft edge of his fist.
Answer finally came, not from the door before which he stood, but from the barn, down at the end of a staggered string of attached sheds. A door creaked open against a snowbank and a figure with a lantern appeared, stood for a moment, and came running. The traveler wondered at the way it came, lurching and stumbling in the uneven snow, until it arrived at the porch and he saw that it was a boy of eleven or twelve. The boy set his lantern on the porch; between the upturned collar of his mackinaw and the down-pulled stocking cap his face was a pinched whiteness, his eyes enormous. He stared at the traveler until the traveler became aware of the blanket he still held over head and shoulders, and began to laugh.
“My car stopped on me, a mile or so up the road,” he said. “I was just hunting a telephone or some place where I could get help.”
The boy swallowed, wiped the back of his mitt across his nose. “Grandpa’s sick!” he blurted, and opened the door. Warmth rushed in their faces, cold rushed in at their backs, warm and cold mingled in an eddy of air as the door closed. The traveler saw a cot bed pulled close to the kitchen range, and on the cot an old man covered with a quilt, who breathed heavily and whose closed eyes did not open when the two came near. The gray-whiskered cheeks were sunken, the mouth open to expose toothless gums in a parody look of ancient mischief.
“He must’ve had a shock,” the boy said. “I came in from chores and he was on the floor.” He stared at the mummy under the quilt, and he swallowed.
“Has he come to at all?”
“No.”
“Only the two of you live here?”
“Yes.”
“No telephone?”
“No.”
“How long ago did you find him?”
“Chore time. About six.”
“Why didn’t you go for help?”
The boy looked down, ashamed. “It’s near two miles. I was afraid he’d …”
“But you left him. You were out in the barn.”
“I was hitching up to go,” the boy said. “I’d made up my mind.”
The traveler backed away from the stove, his face smarting with the heat, his fingers and feet beginning to ache. He looked at the old man and knew that here, as at the car, he was helpless. The boy’s thin anxious face told him how thoroughly his own emergency had been swallowed up in this other one. He had been altered from a man in need of help to one who must give it. Salesman of wonder cures, he must now produce something to calm this over-worried boy, restore a dying man. Rebelliously, victimized by circumstances, he said, “Where were you going for help?”
“The Hill place. They’ve got a phone.”
“How far are they from a town?”
“About five miles.”
“Doctor there?”
“Yes.”
“If I took your horse and—what is it, sleigh?—could someone at the Hills’ bring them back, do you think?”
“Cutter. One of the Hill boys could, I should say.”
“Or would you rather go, while I look after your grandpa?”
“He don’t know you,” the boy said directly. “If he should wake up he might … wonder … it might …”
The traveler grudgingly gave up the prospect of staying in the warm kitchen while the boy did the work. And he granted that it was extraordinarily sensitive of the boy to know how it might disturb a man to wake from sickness in his own house and stare into the face of an utter stranger. “Yes,” he said. “Well, I could call the doctor from the Hills’. Two miles, did you say?”
“About.” The boy had pulled the stocking cap off so that his hair stood on end above his white forehead. He had odd eyes, very large and dark and intelligent, with an expectancy in them.
The traveler, watching him with interest, said, “How long have you lived with your grandfather?”
“Two years.”
“Parents living?”
“No, sir, that’s why.”
“Go to school?”
He got a queer sidling look. “Have to till you’re sixteen.”
“Is that the only reason you go?”
What he was trying to force out of the boy came out indirectly, with a shrugging of the shoulders. “Grandpa would take me out if he could.”
“Would you be glad?”
“No, sir,” the boy said, but would not look at him. “I like school.”
The traveler consciously corked his flow of questions. Once he himself had been an orphan living with his grandparents on a back farm; he wondered if this boy went as he had gone, knocking in imagination at all of life’s closed doors.
The old man’s harsh breathing filled the overwarm room. “Well,” the traveler said, “maybe you’d better go finish hitching up. It’s been thirty years since I harnessed a horse. I’ll keep an eye on your grandpa.”
Pulling the stocking cap over his disheveled hair, the boy slid out of the door. The traveler unbuttoned his overcoat and sat down beside the old man, felt the spurting weak pulse, raised one eyelid with his thumb and looked without comprehension at the uprolled eye. He knew it was like feeling over a chilling motor for loose wires, and after two or three abortive motions he gave it up and sat contemplating the gray, sunken face, the unfamiliar face of an old man who would die, and thinking that the face was the only unfamiliar thing about the whole night. The kitchen smells, coffee and peanut butter and the moldy, barky smell of wood from the woodbox, and the smell of the hot range and of paint baking in the heat, those were as familiar as light or dark. The spectacular night outside, the snowfields and the moon and the mysterious woods, the tracks venturing out across the snow from the protective eaves of firs and skunk spruce, the speculative, imagining expression of the boy’s eyes, were just as familiar. He sat bemused, touching some brink as a man will walk along a cutbank trying to knock loose the crumbling overhang with an outstretched foot. The ways a man fitted in with himself and with other human beings were curious and complex.
And when he heard the jingle and creak outside, and buttoned himself into the overcoat again and wrapped his shoulders in the blanket and stepped out into the yard, there was a moment when the boy passed him the lines and they stood facing each other in the broken snow.
It was a moment like farewell, like a poignant parting. Touched by his pressing sense of familiarity and by a sort of compassion, the traveler reached out and laid his hand on the boy’s shoulder. “Don’t worry,” he said. “I’ll have someone back here right away. Your grandfather will be all right. Just keep him warm and don’t worry.”
He climbed into the cutter and pulled over his lap the balding buffalo robe he found there; the scallop of its felt edges was like a key that fitted a door. The horses breathed jets of steam in the moonlight, restlessly moving, jingling their harness bells, as the moment lengthened itself. The traveler saw how the boy, now that his anxiety was somewhat quieted, now that he had been able to unload part of his burden, watched him with a thousand questions in his face, and he remembered how he himself, thirty years ago, had searched the faces of passing strangers for something he could not name, how he had listened to their steps and seen their shadows lengthen ahead of them down roads that led to unimaginable places, and how he had ached with the desire to know them, who they were. But none of them had looked back at him as he tried now to look at this boy.
He was glad that no names had been spoken and no personal histories exchanged to obscure this meeting, for sitting in the sleigh above the boy’s white upturned serious face, he felt that some profound contact had unintentionally, almost casually, been made.
For half a breath he was utterly bewitched, frozen at the heart of some icy dream. Abruptly he slapped the reins across the backs of the horses; the cutter jerked and then slid smoothly out towards the road. The traveler looked back once, to fix forever the picture of himself standing silently watching himself go. As he slid into the road the horses broke into a trot. The icy flow of air locked his throat and made him let go the reins with one hand to pull the hairy, wool-smelling edge of the blanket all but shut across his face.
Along a road he had never driven he went swiftly towards an unknown farm and an unknown town, to distribute according to some wise law part of the burden of the boy’s emergency and his own; but he bore in his mind, bright as moonlight over snow, a vivid wonder, almost an awe. For from the most chronic and incurable of ills, identity, he had looked outward and for one unmistakable instant recognized himself.
There had been a wind during the night, and all the loneliness of the world had swept up out of the southwest. The boy had heard it wailing through the screens of the sleeping porch where he lay, and he had heard the washtub bang loose from the outside wall and roll down toward the coulee, and the slam of the screen doors, and his mother’s padding feet after she rose to fasten things down. Through one half-open eye he had peered up from his pillow to see the moon skimming windily in a luminous sky; in his mind he had seen the prairie outside with its woolly grass and cactus white under the moon, and the wind, whining across that endless oceanic land, sang in the screens, and sang him back to sleep.
Now, after breakfast, when he set out through the west pasture on the morning round of his gopher traps, there was no more wind, but the air smelled somehow recently swept and dusted, as the house in town sometimes smelled after his mother’s whirlwind cleaning. The sun was gently warm on the bony shoulder blades of the boy, and he whistled, and whistling turned to see if the Bearpaws were in sight to the south. There they were, a ghostly tenuous outline of white just breaking over the bulge of the world: the Mountains of the Moon, the place of running streams and timber and cool heights that he had never seen—only dreamed of on days when the baked clay of the farmyard cracked in the heat and the sun brought cedar smells from fence posts long since split and dry and odorless, when he lay dreaming on the bed in the sleeping porch with a Sears, Roebuck catalogue open before him, picking out the presents he would buy for his mother and his father and his friends next Christmas, or the Christmas after that. On those days he looked often and long at the snowy mountains to the south, while the dreams rose in him like heat waves, blurring the reality of the unfinished shack that was his summer home.
The Bearpaws were there now, and he watched them a moment, walking, his feet dodging cactus clumps automatically, before he turned his attention again to the traps before him, their locations marked by a zigzag line of stakes. He ran the line at a half-trot, whistling.
At the first stake the chain was stretched tightly into the hole. The pull on its lower end had dug a little channel in the soft earth of the mound. Gently, so as not to break the gopher’s leg off, the boy eased the trap out of the burrow, held the chain in his left hand, and loosened the stake with his right. The gopher lunged against the heavy trap, but it did not squeal. They squealed, the boy had noticed, only when at a distance, or when the weasel had them. Otherwise they kept still.
For a moment the boy debated whether to keep this one alive for the weasel or to wait till the last trap so that he wouldn’t have to carry the live one around. Deciding to wait, he held the chain out, measured the rodent for a moment, and swung. The knobbed end of the stake crushed the animal’s skull, and the eyes popped out of the head, round and blue. A trickle of blood started from nose and ears.
Releasing the gopher, the boy lifted it by the tail and snapped its tail-fur off with a dexterous flip. Then he stowed the trophy carefully in the breast pocket of his overalls. For the last two years he had won the grand prize offered by the province of Saskatchewan to the school child who destroyed the most gophers. On the mantel in town were two silver loving cups, and in a shoe box under his bed in the farmhouse there were already eight hundred and forty tails, the catch of three weeks. His whole life on the farm was devoted to the destruction of the rodents. In the wheat fields he distributed poison, but in the pasture, where stock might get the tainted grain, he trapped, snared, or shot them. Any method he preferred to poisoning: that offered no excitement, and he seldom got the tails because the gophers crawled down their holes to die.
Picking up trap and stake, the boy kicked the dead animal down its burrow and scraped dirt over it with his foot. They stunk up the pasture if they weren’t buried, and the bugs got into them. Frequently he had stood to windward of a dead and swollen gopher, watching the body shift and move with the movements of the beetles and crawling things working through it. If such an infested corpse were turned over, the beetles would roar out of it, great orange-colored, hard-shelled, scavenging things that made his blood curdle at the thought of their touching him, and after they were gone and he looked again he would see the little black ones, undisturbed, seething through the rotten flesh. So he always buried his dead, now.
Through the gardens of red and yellow cactus blooms he went whistling, half trotting, setting the traps anew whenever a gopher shot upright, squeaked, and ducked down its burrow at his approach. All but two of the first seventeen traps held gophers, and he came to the eighteenth confidently, expecting to take this one alive. But this gopher had gone into the trap head first, and the boy put back into his pocket the salt sack he had brought along as a game bag. He would have to snare or trap one down by the dam.
On the way back he stopped with bent head while he counted his day’s catch of tails, mentally adding this lot of sixteen to the eight hundred and forty he already had, trying to remember how many he had had at this time last year. As he finished his mathematics his whistle broke out again, and he galloped down through the pasture, running for very abundance of life, until he came to the chicken house just within the plowed fireguard.
Under the eaves of the chicken house, so close that the hens were constantly pecking up to its very door and then almost losing their wits with fright, was the made-over beer case that contained the weasel. Screen had been tacked tightly under the wooden lid, which latched, and in the screen was cut a tiny wire door. In the front, along the bottom, a single board had been removed and replaced with screen.
The boy lifted the hinged top and looked down into the cage.
“Hello,” he said. “Hungry?”
The weasel crouched, its long snaky body humped, its head thrust forward and its malevolent eyes staring with lidless savagery into the boy’s.
“Tough, ain’t you?” said the boy. “Just wait, you bloodthirsty old stinker, you. Wait’ll you turn into an ermine. Won’t I skin you quick, hah?”
There was no dislike or emotion in his tone. He took the weasel’s malignant ferocity with the same indifference he displayed in his gopher killing. Weasels, if you could keep them long enough, were valuable. He would catch a lot, keep them until they turned white, and sell their hides as ermine. Maybe he could breed them and have an ermine farm. He was the best gopher trapper in Saskatchewan. Once he had even caught a badger. Why not weasels? The trap broke their leg, but nothing could really hurt a weasel permanently. This one, though virtually three-legged, was as savage and lively as ever. Every morning he had a live gopher for his breakfast, in spite of the protests of the boy’s mother that it was cruel. But nothing, she had said, was cruel to the boy.
When she argued that the gopher had no chance when thrown into the cage, the boy retorted that he didn’t have a chance when the weasel came down the hole after him either. If she said that the real job he should devote himself to was exterminating the weasels, he replied that then the gophers would get so thick they would eat the fields down to stubble. At last she gave up, and the weasel continued to have his warm meals.
For some time the boy stood watching his captive, and then he turned and went into the house, where he opened the oat box in the kitchen and took out a chunk of dried beef. From this he cut a thick slice with the butcher knife, and went munching into the sleeping porch where his mother was making beds.
“Where’s that little double naught?” he asked.
“That what?”
“That little wee trap. The one I use for catching live ones for the weasel.”
“Hanging out by the laundry bench, I think. Are you going out trapping again now?”
“Lucifer hasn’t had his breakfast yet.”
“How about your reading?”
“I’n take the book along and read while I wait,” the boy said. “I’m just goin’ down to the coulee at the edge of the dam.”
“I can, not ‘Ine,’ son.”
“I can,” the boy said. “I am most delighted to comply with your request.”
He grinned at his mother. He could always floor her with a quotation from a letter or the Sears, Roebuck catalogue.
With the trap swinging from his hand, and under his arm the book—Narrative and Lyric Poems, edited by Somebody-or-other—which his mother kept him reading during the summer “so that next year he could be at the head of his class again,” the boy walked out into the growing heat.
From the northwest the coulee angled down through the pasture, a shallow swale dammed just above the house to catch the spring run-off of snow water. In the moist dirt of the dam grew ten-foot willows planted as slips by the boy’s father. They were the only things resembling trees in sixty miles. Below the dam, watered by the slow seepage from above, the coulee bottom was a parterre of flowers, buttercups in broad sheets, wild sweet pea, and “stinkweed.” On the slopes were evening primroses, pale pink and white and delicately fragrant, and on the flats above the yellow and red burgeoning of the cactuses.
Just under the slope of the coulee a female gopher and three half-grown puppies basked on their warm mound. The boy chased them squeaking down their hole and set the trap carefully, embedding it partially in the soft earth. Then he retired back up the shoulder of the swale, where he lay full length on his stomach, opened the book, shifted so that the glare of the sun across the pages was blocked by the shadow of his head and shoulders, and began to read.
From time to time he stopped reading to roll on his side and stare out across the coulee, across the barren plains pimpled with gopher mounds and bitten with fire and haired with dusty woolly grass. Apparently as flat as a table, the land sloped imperceptibly to the south, so that nothing interfered with his view of the ghostly line of mountains, now more plainly visible as the heat increased. Between the boy’s eyes and that smoky outline sixty miles away the heat waves rose writhing like fine wavy hair. He knew that in an hour Pankhurst’s farm would lift above the swelling knoll to the west. Many times he had seen that phenomenon—had seen his friend Jason Pankhurst playing in the yard or watering horses when he knew that the whole farm was out of sight. It was the heat waves that did it, his father said.
The gophers below had been thoroughly scared, and for a long time nothing happened. Idly the boy read through his poetry lesson, dreamfully conscious of the hard ground under him, feeling the gouge of a rock under his stomach without making any effort to remove it. The sun was a hot caress between his shoulder blades, and on the bare flesh where his overalls pulled above his sneakers it bit like a burning glass. Still he was comfortable, supremely relaxed and peaceful, lulled into a half-trance by the heat and the steamy flower smells and the mist of yellow in the buttercup coulee below.
And beyond the coulee was the dim profile of the Bearpaws, the Mountains of the Moon.
The boy’s eyes, pulled out of focus by his tranced state, fixed on the page before him. Here was a poem he knew … but it wasn’t a poem, it was a song. His mother sang it often, working at the sewing machine in winter.
It struck him as odd that a poem should also be a song, and because he found it hard to read without bringing in the tune, he lay quietly in the full glare of the sun, singing the page softly to himself. As he sang the trance grew on him again; he lost himself entirely. The bright hard dividing lines between individual senses blurred, and buttercups, smell of primrose, feel of hard gravel under body and elbows, sight of the ghosts of mountains haunting the southern horizon, were one intensely felt experience focused by the song the book had evoked.
And the song was the loveliest thing he had ever known. He felt the words, tasted them, breathed upon them with all the ardor of his captivated senses.
The splendor falls on castle walls
And snowy summits old in story. …
The current of his imagination flowed southward over the strong gentle shoulder of the world to the ghostly outline of the Mountains of the Moon, haunting the heat-distorted horizon.
O, hark, O hear! How thin and clear,
And thinner, clearer, farther going!
O, sweet and far, from cliff and scar. …
In the enchanted forests of his mind the horns of elfland blew, and his breath was held in the slow-falling cadence of their dying. The weight of the sun had been lifted from his back. The empty prairie of his home was castled and pillared with the magnificence of his imagining, and the sound of horns died thinly in the direction of the Mountains of the Moon.
From the coulee below came the sudden metallic clash of the trap, and an explosion of frantic squeals smothered almost immediately in the burrow. The boy leaped up, thrusting the book into the wide pocket of his overalls, and ran down to the mound. The chain, stretched down the hole, jerked convulsively, and when the boy took hold of it he felt the terrified life at the end of it strain to escape. Tugging gently, he forced loose the gopher’s digging claws, and hauled the squirming captive from the hole.
On the way up to the chicken house the dangling gopher with a tremendous muscular effort convulsed itself upward from the broken and imprisoned leg, and bit with a sharp rasp of teeth on the iron. Its eyes, the boy noticed impersonally, were shining black, like the head of a hatpin. He thought it odd that when they popped out of the head after a blow they were blue.
At the cage by the chicken house he lifted the cover and peered through the screen. The weasel, scenting the blood of the gopher’s leg, backed against the far wall of the box, yellow body tense as a spring, teeth showing in a tiny soundless snarl.
Undoing the wire door with his left hand, the boy held the trap over the hole. Then he bore down with all his strength on the spring, releasing the gopher, which dropped on the straw-littered floor and scurried into the corner opposite its enemy.
The weasel’s three good feet gathered under it and it circled, very slowly, around the wall, its lips still lifted to expose the soundless snarl. The abject gopher crowded against the boards, turned once and tried to scramble up the side, fell back on its broken leg, and whirled like lightning to face its executioner again. The weasel moved carefully, circling.
Then the gopher screamed, a wild, agonized, despairing squeal that made the watching boy swallow and wet his lips. Another scream, wilder and louder than before, and before the sound had ended the weasel struck. There was a fierce flurry in the straw of the cage before the killer got its hold just back of the gopher’s right ear, and its teeth began tearing ravenously at the still-quivering body. In a few minutes, the boy knew, the gopher’s carcass would be as limp as an empty skin, with all its blood sucked out and a hole as big as the ends of his two thumbs where the weasel had dined.
Still the boy remained staring through the screen top of the cage, face rapt and body completely lost. And after a few minutes he went into the sleeping porch, stretched out on the bed, opened the Sears, Roebuck catalogue, and dived so deeply into its fascinating pictures and legends that his mother had to shake him to make him hear her call to lunch.