by Kitty Burns Florey
Family Matters
Chez Cordelia
The Garden Path
The Garden Path
A Novel
For Dan Wickenden
Chapter One
A Wind from the West
Rosie Mortimer’s Garden, the one that has been seen and admired on television by millions, was as bleak as anyone else’s in the middle of January. Rosie looked out the window at it that cold morning, as she did every morning before doing anything else. In spite of the weather-stripping Barney had installed on all the windows, a thin gust of the cold got to her, and she pulled her old wool bathrobe tighter as she stood there. She didn’t enjoy getting out of bed at seven in the morning in the dead of winter. Who does? thought Rosie, trying for some kind of kinship with those who had no choice. She had set her alarm so she could get to work on the book she was supposed to be writing: Rosie Mortimer’s Garden Book. She hadn’t had much luck in the afternoons or evenings, so she thought she must be an early-morning writer. She was beginning to be afraid she wasn’t any kind of a writer at all, and her morale was low as she stood there and shivered.
The sight of her backyard, dearly though she loved it, didn’t help. It was an untidy pattern of browns: brown earth, dead-brown trees, shrubs and bushes in dull khakis and tans, brown leaves in loose piles thrown by the wind against the compost fence. Six stubborn hydrangea snowballs, bleached beige, still clung to their branches. The few bits of color—purply red holly-grape leaves, periwinkle still green under the burlapped rose bushes, scarlet berries on the euonymus—were overwhelmed by the drabness, and so, nearly, was Rosie. It took a gardener’s imagination to see the garden as alive and potent, full of change and slow growth, with juices running in its chilled veins. And that was the way she did see it; part of her did, anyway, the most ancient and basic part, and the professional side as well. She made her living by such observations. “Rosie Mortimer’s Garden”—check your local listing for time and channel.
One of her most well-received programs was the tour of her January garden—not this one, but two Januarys ago, when she had demonstrated to her faithful viewers evidence of life and renewal designed to chase away the winter doldrums: forsythia buds, snowdrop tips, leaflets on the azaleas, and scaly tufts on the pussywillow. “In the Midst of Death” was the gloomy title Janice, her producer, had given that show. “Nature doesn’t hibernate in winter along with the bears,” Rosie informed her audience—tartly, as usual. Tartness was her trademark—not tartiness, which her producer firmly suppressed. All attempts at ribald humor were considered out of place in the bosom of Mother Nature, who was seen by the folks at WEZL–TV as a bit of a prude. All off-color remarks were deleted, and if on a summer day Rosie should wear a shirt that exposed even one millimeter of cleavage, on went the old canvas gardening apron along with the makeup and the hidden mike. So she came across all brisk and hearty, and she said things like, “Nature doesn’t hibernate in winter along with the bears. It’s only the gardener who does that, for want of a better occupation. Hibernates with the seed catalogs, that is,” and she twinkled her eyes at the cameras and they followed her indoors to her fireside, the pot of tea, the plate of scones and jam, the pile of seed catalogs on the old trestle table. Her producer had provided the nice new pot—one of those fat brown ones that scream England—and the scones and the jam. Jampot, too. The seed catalogs were Rosie’s, though, and she had made the fire because no one else understood her fireplace.
But in spite of all the cheery, upbeat gardening talk for the cameras, January always depressed her, and she thought, as she stood there looking at the scene and shivering, that it was nice, it was reassuring, it was even quite beautiful, really, that Nature was so busy with her fecund underground life; but what showed when you looked out the window was simply winter, the weary brown look of it. The garden was like an empty house before the movers come with the furniture and pictures—better yet, like an unattractive pregnant woman. She was pleased with that last image. She looked around for a pen and paper to write it down for her book, found nothing, closed her eyes and said it over three times to imprint it on her brain. By the third time it sounded far less clever. When she opened her eyes it was snowing, and she stood and watched as the snow slowly, silently covered the dull garden browns with nets of snowflakes, softening and cleansing, getting heavier and quicker and more substantial, until the primroses were covered, the brick borders, the hay mulch on the strawberry bed. Even the lower shrubs threatened to be lost as snow gathered on their bare branches and piled up on the cold earth around them.
But enough. Rosie dressed quickly, in old jeans and a red sweater, and went downstairs to get herself some hot breakfast: instant oatmeal, one of the great advances of our time, and only a hundred calories if you don’t count the butter and the brown sugar.
She was outside knocking the snow off the conifers with the broom when her son Peter telephoned, and he drove over to see why she hadn’t answered the phone.
“You were worried about me,” Rosie accused, after she hugged him and kissed him. She was aware that she had been, perhaps, an excessively fond mother to her son, but it was too late to do anything about it now.
“I wasn’t.” He sat there in his favorite chair, handsome and blandly smiling. Rosie’s son looked like her father—not like his own father, her ex-husband. This made her happy every time she looked at him, even at that particular moment, when he was irritating her.
“You were. You’d think I was elderly. You’d think I was helpless and decrepit. I am not quite fifty years old, Peter. I’ll be forty-nine until May. I had a complete physical last month. I am in perfect health. Just because I don’t answer my phone is no reason you have to drive twenty-five miles to check up on me.” Her voice, meant to be humorously reprimanding, came out fretful and fussy—overemphatic.
“Oh, Ma,” he said, responding to her tone, waving one hand around aimlessly and slouching down in his chair. For years those words and that gesture had meant let’s drop it.
Rosie was willing. She looked out the window. The snow had stopped; there were a few wan rays of sunshine. The backyard was blue-white. The shrubs she had cleaned off were blackish against the snow. “This will thaw before evening,” she predicted. “Won’t amount to a row of pins, as Grandma used to say.”
“I had a letter from Susannah.”
Rosie looked from the backyard to Peter. “I beg your pardon. You had what?”
“A letter from my sweet sister Sue. After all these long, peaceful years. That’s why I called you.”
He was slouched so low in the rose-patterned wing chair that he was almost flat, his head propped at an angle that gave him a double chin. She wanted to tell him to sit up, then realized that wasn’t the proper response to what he had said. She stayed silent.
“She and her hubby are moving back East.”
Rosie knew he was watching her, and she made herself look out the window again, gazing hard at the snow, the side of the garage, a chickadee in the feeder. “Where East?” she asked.
“Chiswick. Practically the old home turf.”
She clenched her fist and banged it down on her knee. “Damnation,” she said, glaring at him. “And will you please sit up straight? You look deformed.”
He sat up. “Don’t get mad at me. I didn’t invite them here. She and Vladimir or Nikolai or whatever his name is are going into business.”
“Ivan. What kind of business, may I ask?” Rosie tried to imagine—her coldhearted, hippie daughter and her son-in-law the expriest. What business? Penny arcade. Massage parlor. Crackpot church. Hypnosis/acupuncture/meditation center.
“Are you ready for this one?”
Rosie wasn’t. She wasn’t ready for the fact of their arrival, much less for the harebrained project that was bringing them. “Tell me,” she said, wearily but not without interest.
“Health food restaurant. They’ve rented a place on the Post Road, right near Dunkin’ Donuts, with some friend of theirs who lives near here. Remember that bookstore that closed up a couple of months ago? In there.”
“Damnation,” Rosie said again, but absently, thinking hard. She was trying to imagine her daughter, who used to scatter candy wrappers behind her like falling leaves and who couldn’t, Rosie believed, have much more business sense than a cat, running a health food restaurant in a location partnered by fast-food chains, auto body shops, a roller dome. Another thought struck her. “Why here, Peter? Why so close to me and to you? Did she tell you that?”
“No, she didn’t, but it ain’t nostalgia. I’ll give you one guess.”
Rosie stood up and went around the corner into the kitchen to hide her agitation. “Well, they certainly won’t get one cent out of me.” She filled the kettle and put it on to boil, and stayed in the kitchen to wait for it. She needed to be alone to compose herself; the anger that gripped her at Peter’s announcement was a complete surprise. She had thought her daughter’s life had long ceased to affect or involve her, and here was her heart thumping loudly and her pulse beating audibly in her left ear and her breath coming short. What if I die? she thought. What if the news kills me? She imagined Peter hearing her fall, finding her in a heap on the kitchen floor, stretching her out, trying the CPR techniques he had learned in a class at the Y, in vain, and then blaming Susannah for it, and Susannah … Rosie saw her daughter’s triumphant smile and pressed her hands to her heart, forced herself to breathe deeply, to relax. She looked out the kitchen window. There—the sun was out properly, shining yellow on the snow. Brown patches showed already on top of the stone wall. The triumph of the sun, she thought. The idea rubbed away the image of Susannah’s smile and cheered her. The phrase might do for her book. A chapter title? For a chapter about what? She must at least do an outline today—this afternoon, before Barney came.
“You making tea?”
“Yes.”
“Ah—good old Mum.”
Dear Peter. The thought of Susannah prompted the sentiment, though it was never far from her mind. The dear boy. Except for the fact that his sexual preferences precluded grandchildren, he was a perfect son—a daughterly son who dropped in for tea and gossip. And as for her daughter, who at the age of ten had rejected her mother and chosen to live with her deplorable father, Rosie hadn’t seen her in seventeen years, except for one disastrous incident. But there were her letters. The first one had arrived when Susannah was in college, an attempt at mollification with a plea for money at the end of it. Rosie burned the letter, then regretted it. It was an unbeatable specimen of sheer gall, and she wished she had it to read over periodically as a reminder of the depths to which human nature could sink. And though she didn’t answer it, more letters came, erratically, maybe two a year on the average. They got subtler as Susannah got older. One or two didn’t mention money at all, or did so only obliquely, with statements like, “It’s dreadfully expensive living in San Francisco, and Dad is so busy sometimes he seems to forget I exist.” This sort of thing failed to touch Rosie’s heart; her heart, alas, had become untouchable from that particular quarter. She did pay off Susannah’s last college loan, though, not because of Susannah’s plea but because of Peter’s, after he saw his sister on a trip out there and said she was unemployed, undernourished and unhappy. But Rosie gave the money to Peter and made him pay it off in his own name, and directly to the Financial Aid Office, not to Susannah. Lord knows what she would have done with it—or what heights her begging letters would have reached if she’d known who was her fairy godmother. Shortly after the loan was paid, Rosie got a letter from her, reproachful in tone, in praise of Peter’s generosity and, by implication, lamenting her mother’s lack of same.
During the first few years after Edwin and Rosie split up, when he and Susannah were living in New Mexico and then California and she heard from them only via child support payments and their occasional letters and cards to Peter, Rosie’s feelings toward her daughter had been composed, she admitted readily, as much of hurt pride as of dislike. If Susannah had chosen to stay with her and Peter, Rosie could still have viewed her as a troublesome but salvageable brat. At least Edwin would have been out of the way, unable to spoil the child and make excuses for her behavior. But with the coming of the letters, active animosity entered Rosie’s heart and expanded there until the day she had come face to face with Susannah, three summers ago, and made the scene that became family history. After it, the letters ceased. And now the wretched child was on her way to Connecticut, to settle with her hippie husband and her insane business in the next town.
I’ll go to Florida, she thought wildly, knowing she wouldn’t. Her friends the Sheffields were there for the winter. A pelican had stolen Kiki Sheffield’s handbag when she set it down to snap the bird’s picture—just picked it up in his bill and dropped it out in the ocean somewhere, with her pills and two hundred dollars and three exposed rolls of film in it. The Sheffields sent postcards of garish tropical vegetation. “Azalea blossoms the size of grapefruits,” they wrote. “Grapefruits the size of basketballs. Avocados in our backyard. Roses in January. Wish you were here. Love, Jim and Kiki.”
No thanks, Rosie always thought when the postcards came. They can have it. She knew she wouldn’t change her mind, even with Susannah and her husband in the vicinity. Even if war was declared, she would stand her ground. Let them back off if anyone did. I was here first, she thought, knowing she was being childish and not caring a damn.
The kettle boiled, and Peter and Rosie sat by the fire with their mugs of tea. Rosie saw them there, in imagination, with the eyes of someone looking in through the dirty weather-stripped window: a woman in jeans, busty and big-bottomed, with her hair gone scraggly, needing a cut; and her fashionable—foppish?—son in a toast-colored sweater patterned across the chest with a row of red hens, his mustache waxed upward at the corners, and his brown eyes—like hers, like his grandfather’s—soft with sympathy.
“I don’t mean to jump to conclusions,” he said. “She may not have money on her mind at all. She says they’re both sick to death of California. They’re homesick for weather, she says.” The fire’s fangs gnashed at the logs, and Rosie held her cold hands toward the blaze. Peter sipped his tea and smiled at her. “Poor Ma. What do you do if you meet her on the street?”
“Just what I always do! Go on about my business. And Dunkin’ Donuts is not an establishment I frequent. Neither are health food restaurants.” This was said in her best tart TV manner, but the scene entered her imagination for a painful second: herself versus Susannah on the street, in a store, thrown into inescapable proximity on line, in a waiting room, at a restaurant. What then? Rosie’s mind numbed and went blank, and she shivered. The fire failed to warm her.
“Knowing Susannah, she’ll be going down to McDonald’s for her lunch break,” Peter said. “I don’t see her going the bean curd route. Though I suppose California could do it to anyone.”
“I’m sure I won’t run into them.”
“They just might look you up.”
“She wouldn’t have the nerve.”
“Don’t underestimate her.”
Florida, Rosie thought desperately, hugging her tea mug with cold hands. Her pulse pounded in her ear like the surf. It was true—Susannah had the nerve of a pelican. Just because her mother had slapped her and insulted her and cursed her in public, it didn’t mean she would stop trying. Edwin, never very generous anyway, was, last anyone had heard, in Mexico with his new popsie, who was younger than his daughter. And not too long ago, People magazine had spilled the beans about what kind of money Rosie was making from her television show. She should have expected to hear from Susannah.
“Well, they won’t be here until spring,” Peter said. “And who knows if it’ll come off, anyway? I don’t get the impression she and Dmitri are the world’s most stable individuals.”
“Ivan,” she said, trying to remember what her son-in-law, the expriest turned painter, looked like. Ivan Cord, his name was—short for something unpronounceably Slavic, probably. She had seen him just once, and she had a vague recollection of a large and hairy man with a pale, sullen face and thick lips. “He looks like something from a monster movie, if I recall,” she said to Peter. “The Creature from the Black Lagoon, or White Pongo. I’m sure he’s some kind of an addict.”
“I don’t think so,” said Peter. “He’s not so bad, really. Probably better than Susannah deserves.” Peter’s derogatory remarks about his sister were halfhearted, automatic, designed to please, and almost without any connection to the real Susannah, who had achieved, with the two of them, the hazy status of myth, she’d been gone so long. “He’s not my type, of course,” Peter added, looking at Rosie for reaction. Such remarks were still fairly daring: he’d confessed his homosexuality to her only a little over a year ago—for Christmas. “Too macho.”
“Hmm,” was all Rosie said.
“Or yours, either,” said Peter. “Too counterculture.”
“Please, Peter.” Sometimes he went too far. “What amazes me,” she said, maliciously, “is that he and Susannah are still together. What is it—four years since the wedding we were so kindly not invited to? He must be a dreadful man.” In the midst of anger and dismay, Rosie felt curiosity creep up.
Peter refused lunch. It was a Friday, and he always spent Friday afternoons in the computer center at the university. Rosie wasn’t sure why a dissertation on Dante required the assistance of a computer, but Friday had been Peter’s computer day for so long she no longer questioned it, or even thought about it—just as she took it for granted that Barney Macrae got up from her warm bed to go to church on Sunday mornings.
“Mr. Chips coming for the weekend?” Unlike Peter’s sex life, hers had been common ground between them for years. “You two going to sit around the fire in your shawls talking about the good old days before there were Cuisinarts and indoor plumbing?”
“Something like that,” she said, regarding him fondly as he put on his camel-hair coat, his plaid muffler, his red earmuffs. There was always a campy touch, like the earmuffs, or a satin tie with palm trees on it, or a Dumbo watch.
“Really, Ma—can an old guy like Barney still cut the mustard?”
“Old guy indeed! You should be in such good shape when you’re fifty-five. And it’s none of your damned business.” She kissed him and patted the knot of his muffler. “Have fun with your little machines, dearie.”
He picked his way down the slushy front walk, and Rosie watched him from the door until he got into his Volkswagen and drove off, honking. The sun was gone, the sky flat gray, and it looked like snow again; it was as if the dark shadow of Susannah was already blighting the weather, putting any sunny predictions out of whack. Rosie slammed the door and returned, shivering, to the fire to think about her daughter.
It’s not that she hadn’t been a good mother. She was dedicated to Peter from the start, from the minute he was handed to her by a perky nurse, his eight pounds swaddled in blue flannel, his eyes shut and his mouth open, and his red fingers, with their tiny ragged nails, opening and closing in a way that seemed to Rosie heartbreaking. She fastened him to her breast as if he were a little lost thing in a storm and she the Saint Bernard with the cask of brandy, and felt a pang of unprecedented joy—symbolized, she always felt, by the pinching pains that tugged at her uterus whenever the baby nursed. The organs tightening up again, the doctor told her, getting ready for the next one, heh heh heh. But Rosie knew better—they were the bittersweet pains of motherhood, and she welcomed them.
She tended him gladly, restless while he slept, running to the crib at his first waking cry to change him, nurse him, cuddle him, exchange baby talk—anything. She was a mother before all else; when her baby was asleep it was as if she ceased to exist. She bragged, like any mother, about what a good baby Peter was—meaning he slept a lot, slept through the night after a couple of weeks, took long naps—but she would have actually preferred him colicky or high-strung or just plain active, so long as he was awake.
“I don’t know anyone who’s such good company,” she used to say to people, especially the other mothers she met on the Common. While they complained about night feedings and diaper rash, Rosie confounded them with her unbroken serenity, and she must have disgusted them with her smugness. She was unpopular, but she didn’t care. She had Peter, after all—her snugglewumps, her baby bunny, her muffin, her piggywig.
She was twenty years old when Peter was born. She had been married to Edwin for a year and already things were going badly. Peter was her refuge, and though she had a glimpse now of how unhealthy that was, then it saved her from certain despair. She left Edwin out completely, deliberately, laughing at his disgust when he came upon her cooing and making silly noises at the baby. “Oh, Edwin, you old prune,” she used to say, smiling a little as if she were joking.
“You’re spoiling him with all that attention,” Edwin would say, and Rosie would turn to Peter. “Was oo a spoiled muffin? Was oo?” watching Edwin’s disapproval from the corner of her eye.
He was five years older than she, just out of law school, working in the legal department of a big Boston insurance company. They lived in a dark, grubby building on Marlborough Street, in a third floor apartment at the back. Rosie had been plucked from her parents’ vast green acres—Liliano’s Garden Center, on Route 1 near Westerly, R.I.—and transplanted to the barren wastes of the city, where the only garden she had was a row of houseplants that grew in the one window of the apartment that didn’t face north. During that first year, before Peter was born, she used to walk not only in the Common and in the Public Garden with its bright formal beds of annuals, but out as far as the Fenway where there were wildflowers, and vegetable plots grown by city dwellers, and one gorgeous rose garden tended by an old Scotsman in knickers and a cap. She had wondered how one went about getting a plot there, and always meant to ask Mr. McPherson, but she never did because then Peter was born and she no longer needed a garden. Peter was her plot, her lovely, lush flowerbed, and she was his Mr. McPherson; she was little Mary Lennox, and he was her secret garden.
Rosie was a gardener, of course, the daughter and granddaughter of gardeners. It was in her blood—green veins run in the family, her father used to say. Rosie’s father was Peter Liliano—named for the owner of the estate in southern England where her grandfather, Massimo Liliano, had worked as a gardener. He had been imported from Italy for the purpose in 1896 when Peter Elliot-Casson, a wealthy young fellow on the Grand Tour, admired the work he was doing at a villa near Naples and decided the gardens at Silvergate needed restoring. He had a vision, he said, at the Villa Bianca, on the steps that swept down to the goldfish pond bordered with box and camellias, of the way life should be—green and verdant and full of flowers. He offered Rosie’s grandfather a job on the spot, and Massimo and his wife, Anna, arrived in England less than a month later, in August. Silvergate was a wreck. The following summer it had become a promising wreck, a year later a charming wreck, and by the time the century turned it was on its way to being a showplace.
The Lilianos emigrated enthusiastically to England, and like typical converts they became more English than most Englishmen. Times had been hard in Italy; their padrone was mean and stingy—so tight he squeaked, as Massimo learned to say when he got to England. A real skinflint, Anna would add, but you had to know her well to catch the words through the maze of Italian inflections they were lost in. They both learned English quickly, but they never lost their accents—Rosie’s grandmother especially, who always called her Rose in three elongated syllables. No one else, Rosie was sure, had ever spoken her name so beautifully.
Rosie was born at Silvergate in 1931, and she always thought her grandparents’ story was better than a story in a book: the two simple young Italians brought by a great lord to the ruined estate, to turn its brambly wastes into a place of beauty, and succeeding beyond anyone’s dreams, and founding their modest dynasty there. Anna and Massimo had three boys, all given English names—Frank and James and finally Peter, named after their new padrone. All of them became gardeners at Silvergate, all three married English girls, and all three—in the late thirties, when old Sir Peter was dead, Massimo was dead, Anna was an old woman gone blind, Silvergate belonged to the National Trust, and war was on the way even to the gardens of Kent—all three emigrated to America. Peter was the last. He had hoped to stay at Silvergate forever, but he didn’t get on with the caretaker the National Trust had installed to oversee the place, Mr. Horace Hogg, who called Italians “Eye-ties” and wrote a monograph for tourists stating that Sir Peter Elliott-Casson had designed the gardens himself and carried out his plans “with the help of imported peasant labor.” No mention of Massimo Liliano, whose genius had cleared away the decades of brambles and brush and neglect and put in their place the roses, the delphinium borders, the lily pond, the clipped box hedge that people traveled to Kent especially to see. Peter Liliano took his mother and wife and daughter, his copy of Gertrude Jekyll’s Wood and Garden and his back issues of The Countryman, and sailed to New England to work in the garden center where his brother Frank was manager. In three years he had his own place—Liliano’s Garden Center, as famous in its way as Silvergate had been. Where else could you buy Bramshill lilies and the double bloodroot?
Rosie was six years old when she arrived in Rhode Island with her Italian father and her English mother, and she already knew about rose blight, and bone meal for bulbs, and the proper pruning time for japonica. Her knees were usually dirty or greenish, crisscrossed with the print of grass blades or stuck with tiny stones, and her hair was so often matted with dirt and leaves that her mother cut it short. None of them cared about such things. What the Lilianos liked was getting out in the garden and digging in it. Rosie was given The Secret Garden one Christmas. She was sure it was her book, written for her pleasure, and she knew much of it by heart, including the parts in Yorkshire dialect. She used to amuse her parents by asking, plaintively, “Might I have a bit of earth?” in an accent so thick as to be, like her Nonna Anna’s Italian one, nearly incomprehensible. She always had a bit of earth, too—even at age five she had a six-by-six patch behind the gardener’s cottage, between her mother’s grape arbor and her father’s rose bed, where she grew, in neat rows, daffodils, cosmos, coral bells, sweet peas, and strawberries—so that at nearly fifty she could say, “I’ve grown strawberries since I was five years old,” leaving out the seven years on Marlborough Street where nothing grew but geraniums and spider plants in the one sunny window. And babies.
And her dislike of Edwin. During the first year of marriage, Rosie had declined from being madly in love with him to disliking him profoundly. It seems a short time for such an enormous change, but it happened, and it was, Rosie insisted, Edwin’s fault, though she was sure he blamed her. But he was the coldest man she had ever met; any warmth in him was faked, and temporary. They never discussed their problems. Both of them sensed they were insoluble, not really problems at all but simply the results of a mating error—two different species coming together by hazard in a monstrous union that no amount of discussion could ever put right. They despised each other quietly for twelve and a half years, and then one day, after two wild, bitter, violent months of arguing, Rosie threw him out. At that point she stopped hating him and seldom, in fact, thought about Edwin any more at all, considering him, when she did allow him to enter her consciousness, faintly disgusting—an old guy pushing sixty living his warped conception of the good life, last heard of in Mexico with a twenty-year-old chippie who he really believed loved him for his fine mind and his gorgeous body and not for his bank account. Poor old Edwin.
Susannah was his idea. She was born when Peter was two years old. Rosie had suspected that Edwin wanted a second child, from his sudden unwelcome ardor after Peter’s first birthday and his denunciation of rubbers as unnatural. She didn’t mind having another baby. Edwin wanted it, she was sure, so he’d have a child on his side as she had Peter on hers, and she looked forward to the sheer fun of getting the second one in her camp too, imagining Edwin’s dismay when he found himself on the short side of a 3–1 score.
But Rosie didn’t take to Susannah as she had to Peter, especially after the child passed out of the purely helpless stage. She was a difficult child, unresponsive to cuddling, and nothing like the good sport Peter had been. And she resembled Edwin, especially when she was getting ready to cry and the closed-in, stubborn look turned her face an angry red.
Rosie was shocked at herself when she realized that she wasn’t warming up to her troublesome new baby, but she blamed it all on Edwin. He’d forced this second child on her before she was ready, and she spent her days in a blur of exhaustion that he did hardly anything to ease. She felt they were in league against her, Edwin and Susannah, to wear her out, to turn her into a shrew; and the more Rosie looked at Susannah’s petulant little face the more the child resembled not only Edwin but Edwin’s mother. She’s not mine, Rosie thought to herself almost from the beginning, both sickened and fascinated by the way the thought persisted. And it was as if Susannah shared her conviction. She would look up at Rosie with her hard blue eyes antagonistic and knowing, unimpressed by Rosie’s attempts at mother-love, and the expression on her face said I’m not yours.
Rosie used to walk both children laboriously down to the Public Garden, Susannah in her carriage, Peter toddling haltingly along Commonwealth Avenue at her side. Now Rosie joined the other mothers in complaint, and understood the solace to be derived from communal bitching. The mothers in the park were mostly a new bunch. No one remembered Rosie’s old boasts about Peter’s charms, though she had no doubt they were appalled by her blatant favoring of Peter over his whiny sister, and gossiped about it, predicting woe for the gallant little lad. But Rosie always told herself, with conscious liberality and a touch of defiance, that if Peter’s homosexuality flowered from her love for the boy, then homosexuality must not be such a bad thing.
Peter used to wobble over to his sister’s crib and look at her in wonder as she lay there squalling. “Baby cry,” he would say, looking puzzled.
“I know,” Rosie would answer, weary from her efforts to comfort and placate. “Baby cry all the time.”
And Edwin would stalk over, put the baby up on his shoulder, and cuddle her magically into silence, glaring at wife and son over Susannah’s red, bald head.
When, at the age of ten, Susannah said, “I don’t want to live with you any more—I want to go to New Mexico with Dad,” that must have been the sort of thing she remembered: her father coming angrily to her defense, her brother looking on calmly, secure in his good behavior, her mother turning away with a sigh. Or so Rosie thought, helplessly, in later years, when all the harm had been irrevocably done.
They moved out of Boston, finally, when the children were still small. Edwin was transferred to the Hartford office of his company, and he commuted there from the town where they finally bought a house, after much looking, that suited their needs.
Rosie’s needs were simple—she wanted a place where she could garden. And so were Edwin’s—he wanted something more impressive than his brother Art’s house on Long Island. They agreed, without discussing it, that a long commute wasn’t a drawback. When they were looking in East Chiswick and the real estate agent, dubious, pointed out that it was a good hour away from Hartford, Edwin and Rosie looked at each other briefly, then away, and said, in unison, “That’s no problem.”
They both knew that the less time they spent together the better they got along. In fact, as years went by and their marriage was increasingly revealed as a disastrous mistake, they admitted it—not openly, because, from the first, little with them was ever honest and open, but by a series of tacit machinations that struck Rosie later as absurd, even crazy. If she told Edwin, for instance, that she and Peter would be spending Saturday afternoon baking cookies for the first grade Halloween party, then he’d volunteer to take Susannah to the park. He was capable of pushing her on the swing there for an hour or more at a time, and she was capable of sitting there just as long, going down and up, down and up, her skinny little legs dangling, making no effort to push herself. Or they would go for long, pointless bike rides, racking up the miles on their odometers. Or they would drive to the other end of the state to see a dog show, or a planetarium show they had already seen three times. But Rosie was glad they had their diversions, just as they were no doubt glad she and Peter had theirs. She could think of only a few things the Mortimers did en famille—the circus, once, at which both children cried when the lion-tamer flicked his whip at the animals. Things like Thanksgiving dinners, of course, with one or the other set of grandparents and in-laws. Now and then the beach, which Rosie hated but the rest of them loved—and she wouldn’t let Peter go with Edwin and Susannah alone for fear Edwin wouldn’t watch him closely enough and he would drown. She used to picture the police coming to the door, her son’s bloated, wet body dripping seaweed, and her hands around Edwin’s throat, squeezing and squeezing, her nails digging in. So she would put on her bathing suit, pack a lunch, and sit grimly on the blanket in the sun getting a headache from trying to distinguish Peter’s wet bobbing head from a hundred others while Edwin, a strong swimmer, swam back and forth along the ropes, steady and determined, his elbows going up like fins, his head swiveling from side to side—and anyone who failed to get out of his way was out of luck.
So they bought the house in East Chiswick, a tiny town attached to Chiswick like a nose to a face. The shopping centers were in Chiswick, and the auto body shops, the McDonald’s, the Dunkin’ Donuts; East Chiswick had an old wooden-floored Woolworth’s, two antique shops, a florist, a greengrocer, a butcher, a French restaurant, and a store called Trade Winds that sold imported china. All this appealed to Edwin. It’s a well-known fact that to be able to afford to live in a sleepy, simple little hamlet like East Chiswick you have to have plenty of money. It pleased Edwin to advertise the fact that he had moved up in the legal department of his company with a rapidity that startled even his mother, who thought he was a genius and who had told Rosie on her wedding day that her son was quite a catch and she hoped Rosie could live up to the responsibility of being married to him. And this is how naive Rosie had been—she said she would try; she even took Mrs. Mortimer’s fat hand and squeezed it.
The house itself was too small for them. “Buy the community, not the house,” the real estate man told them. “Better a three-room shack in East Chiswick than a palace in someplace like Middletown or Danbury.” So they ended up with not quite a three-room shack but a small, tidy Cape Cod on a dead-end street with an acre of land. The acre was what sold Rosie. Edwin liked the land, too, because Art had only half an acre, but what finally sold Edwin was Susannah’s discovery of a shed that had been converted to a playhouse, complete with window boxes and a doorknocker. “Buy this one, Daddy,” she pleaded in the imperious way that Edwin found so winning. “If you buy this house, you get two—one for me and one for you.” She gave Peter and her mother an excluding frown and pulled on Edwin’s arm with both hands. “Please, Daddy, please, please.” He grinned down at her and ruffled her blonde hair. “Well,” he said, and then he looked at Rosie and pretended to become serious and businesslike. “It does have a nice kitchen, Rose. Two bathrooms. Good yard. Just about what we need.”
“Only three bedrooms,” she pointed out. “And don’t forget it needs a new roof.”
“Still …” Susannah tugged at his arm. “I don’t know. Let’s make an offer on it. I don’t think we can do better.”
“Daddy! Daddy! Daddy!” Susannah yelled, and streaked off toward the playhouse, Peter following her and trying to look nonchalant.
“I don’t seem to have much choice, do I?” Rosie said with a shrug and a facial expression she had mastered over the years—a magnanimous but pained smile, as if the goodness of her heart forced her to squeeze it out against terrible odds. “We might as well take it. I suppose we’re all sick of looking.” Her lukewarm approval, hiding the fact that she had fallen in love with the place as quickly as Susannah had, was meant to ruin any pleasure Edwin might find in the purchase. Oh yes, she was a terrible bitch, but she felt she had to pay him back for tricking her into marriage.
Edwin had tricked her into marriage, when she was nineteen and he twenty-four, by pretending to be interesting. He kept it up for an entire year, from the day they met until the wedding. By the time they were married he was thin and tired and nervous and unable to go on with it—the pretense. It crumbled on their Caribbean honeymoon, when he spent long hours simply lying in the sun, and stopped talking to her in restaurants while they waited for their crayfish and their mango pie and their exotic rum drinks served in hollowed-out pineapples, and while the steel band played with a black intensity that made Rosie sad. She thought Edwin was tired of her already, that she had begun to bore him, and she cried into her pillow every night after they made love and he went to sleep. She thought he had decided she was good for only one thing. It took her months to discover that he was simply tired of being fascinating—of taking her to the theater and the opera, of telling her funny stories from his college days, of asking intelligent questions about gardening, of promising to take her to see the gardens of England and France and Italy, of devouring Newsweek and the Sunday Times so he could wow her with his knowledge of the world. He settled, as if with a grunt, into the cold dullness that was natural to him. The repetitive acts that she came to associate with him—the back and forth swimming, the long sessions pushing Susannah on the swing, the tolerance for those daily drives up and down Route 91, even his incredible but, in the end, tedious endurance in bed—were, she decided, his way of winding himself up for life. He was always in danger of running down. He was a taciturn, introverted, selfish, incurious man who wanted most of all to be left alone. If she had a meatball for every time he said that all he asked was a little peace and quiet she could open a restaurant.
She must have been, at nineteen, just the kind of wife Edwin wanted—young, pathetically naive, and upwardly mobile. She loved her parents dearly, and she loved her old Nonna Anna, who was still living with them, blind and arthritic but funny and full of beans. She was fond of Liliano’s Garden Center, too, and she was perfectly content to work there on weekends all through high school and, when she graduated, to work full-time, either behind the cash register or outside taking care of the plants and shrubs. But she didn’t want to spend her life there. She had grand ideas, vaguely incorporating an estate not unlike Silvergate. She wanted to be the grande dame ordering the viburnum and the wisteria, not the person who delivered them and sent the bill. At this utterly inane period in her life, she met Edwin. Edwin was a clerk in a law firm in Providence that summer. He was in his last year of law school at Harvard. He used to drive his fat and patronizing mother to Liliano’s to pick out flats of boring annuals, or he used to stop by for bags of fertilizer and grass seed. Mrs. Mortimer fancied herself a gardener because every spring she had her favorite son, dear Edwin, plant the perimeter of her lawns with lavish borders of red and white petunias and impatiens and salvia, outlined in blue ageratum for a patriotic effect. By the end of the summer, these garishly florabundant plots, cultivated and fertilized and pinched back every weekend by dutiful Edwin—who gardened in bathing trunks so he would tan—were undeniably an impressive sight. So, incidentally, was Edwin.
“You should see my mother’s garden,” he said to Rosie one day when she was selling him a length of garden hose. He was in his bathing trunks and a T-shirt. His legs were long and golden-haired.
“I’d love to,” she said.
“Hop in the car. I’ll take you over.”
She admired the red, white and blue extravaganza, then—sensing she hadn’t gone far enough—gushed heartily. Mrs. Mortimer, after all, was a good customer. She beamed at Rosie when she finally hit the proper level of enthusiasm and offered her a lemonade. It was hot out on the lawn, and she accepted. Rosie discoursed on the benefits of planting perennials rather than annuals: the financial saving, the greater variety, the satisfaction of watching something grow from year to year. Edwin, pretending to be interested, asked intelligent questions. His mother nodded patiently for a while, then quit listening and smirked with satisfaction at her petunias. Rosie had a second glass of lemonade and a tuna sandwich. While Mrs. Mortimer was inside fetching the food, Edwin asked Rosie to go to the movies with him. She accepted. They went to see High Noon, and Edwin impressed her profoundly by comparing it to the Iliad. She assumed later that he lifted the comparison from a movie review he had read, but at the time she was limp with admiration—a 24-year-old Harvard law student with intellectual leanings and a passionate curiosity about perennials was a far cry from Roger Mitchell, the boy she’d been dating, a freshman at the University of Rhode Island whose favorite activities were bowling and drinking beer. Rosie would never forgive herself for being taken in by Edwin, and often thought she’d have done better to stick with Roger, a good-hearted boy without a phony bone in his body. But a year later, dazzled by his ersatz culture, Rosie married Edwin Mortimer, who carried within him the seed that sparked Susannah.
Barney was due for dinner. Their weekends were unvarying—on Friday nights Rosie cooked for him, on Saturdays he took her out to eat. In between, they watched TV, played Scrabble, made love, and—weather permitting—worked in the yard. They were pleasant weekends. Neither of them wanted to elongate them into marriage.
So after Peter left, and Rosie had brooded a while over another cup of tea and a peanut butter sandwich, she put together the makings of a beef stew and set it to simmer. And then, she decided, it was time to get to work on her book.
She had signed the contract for Rosie Mortimer’s Garden Book in the fall, soon after they finished taping the shows for the new season. She was scheduled to take two years off from television in order to, as her producer Janice put it, “have a fling at the print media.” The deal was arranged between WEZL and Rosie’s publisher, which were owned by the same vast conglomerate. So far no one had said anything about a major motion picture, but there were pots of money involved. All she needed to do was write the book. So far, she had the title, a thick pile of pages from Janice containing the transcripts of the shows, and an uneasy feeling that writers are born, not made, and that the fairies had failed to sprinkle the proper dust over her wicker cradle in the gardener’s cottage at Silvergate.
Barney kept saying that any intelligent person could write a book. He was writing one about his twenty years as an elementary school principal, to be called Giant Among Pygmies. It was pretty good, too—a nice mix of theory, advice, and anecdote, which was exactly what Rosie wanted to do in her garden book. But so far, every time she sat down to work on it, she turned in a performance something like Jane Fonda’s portrayal of Lillian Hellman in Julia: she had an overflowing wastebasket, the urge to throw the typewriter out the window and the need for a stiff drink.
She was at that point when Barney arrived. He was early, and Rosie was glad. If the Muse wouldn’t visit her, at least she could count on Barney Macrae. School had let out early, he said, so the kids could be taken to a performance of The Pirates of Penzance given by the Drama Club of the local high school, a treat Barney had bowed out of. “I decided I’d rather pull your knickers down,” he said, drinking Scotch and warming his feet at Rosie’s fire. The snow had ceased, but so had the sunshine, and the weather appeared to be settling in for a freeze.
Barney was lovable the way Bertie Wooster would be lovable if he had a sex drive. He had a corny sense of humor, with a strong silly streak, and he had very strange tastes. He once gave Rosie a silver lamé hostess apron, and he steadily lavished on her a supply of filmy nightgowns so sexy they were comical. On the other hand, he always sent her a singing telegram on her birthday, and one February when she had the flu he brought over a huge bouquet of violets and a teddy bear. He had been born in Georgia and had a sweet Southern accent that was, probably, what had won Rosie when she first met him, four years before.
She had needed some children for one of her programs, “A Child’s Garden,” and she made an appointment at the Helen Palmer Elementary School in Chiswick. When she arrived, Mr. Bernard Macrae, the principal, was playing chess in his office with a skinny black boy of about ten. He waited while the boy completed his move, looked at it a minute, and then introduced him to Rosie (as “Scott Garnett, the chess king of Palmer School”), sent him back to his classroom, and motioned her to a chair.
“I’m glad you showed up,” he said. “That kid was killing me. This’ll give me until tomorrow to come up with a move.” He looked dubiously down at the pieces, and sighed. On his desk-top, besides the chess board, were a small, smooth white stone, a piece of a two-by-four, a photograph of what appeared to be a girls’ baseball team, and a miniature taxicab with one wheel gone. He toyed with one of the chess pieces, a knight—picked it up, put it down, tapped the board with it.
“You play every day?” Rosie asked, to remind him she was there.
“It depends.” He put down the knight and picked up the piece of wood. He balanced it between his palms, then twiddled it between his fingers. He always had to have something in his hands. If nothing else was around, he’d crack his knuckles. “The kid is flunking everything except gym,” he went on. “But you put him in front of a chessboard and he’s a genius. I’m trying to get him to transfer some of that concentration from chess to schoolwork.”
“How do you do that?”
“I play him a game every time he passes a math test.”
“Bribery!”
“Sure—that’s what teaching kids is all about—didn’t you know?” He grinned, put down the piece of wood, and reached across the desk to shake her hand. “I’m glad to meet you,” he said. “I’m a real admirer of your show, but you look even better in person.”
He was wearing rimless glasses and a denim shirt with a frayed collar. His frizzy brown hair was both graying and receding, and it stuck out in all directions as if he’d clutched at it in despair during the chess game. He was tall and relaxed, and as skinny as Scott Garnett, and quite obviously a true, unaware eccentric.