Contents

Information Page

Acknowledgments

Chapter 1    The Birth Of America’s Good Girl

Chapter 2    Seduced By The Sound Of Music

Chapter 3    Nashville – The Place Where Country Dreams Come True

Chapter 4    Singing For Survival

Chapter 5    On A Rocket To A Dying Star

Chapter 6    Named And Shamed

Chapter 7    A Fairytale Romance Gone Bad

Chapter 8    A Fearless Fairytale

Chapter 9    Sticks And Stones

Chapter 10  Speak Now Or Forever Hold Your Peace

Acknowledgments

Special thanks go to my interviewees:

Ashley Eidam, a child actress who played alongside Taylor in her schooldays.

Pat Garrett, the country musician who gave Taylor one of her first tastes of the stage. His music website is www.patgarrett.com and his sheepskin store is located at Route 78, Exit 19, Strausstown, PA, 19559, USA (www.sickafus.com).

Super producer Steve Migliore, whose mix of LeAnn Rimes’ track ‘How Do I Live’ made the number-one spot on American radio, and who then went on to work with Taylor pre-fame.

An extra special thanks goes to:

Kaylin Politzer for her detailed and colourful recollections of being Taylor’s best friend back in Wyomissing, Pennsylvania.

Blu Sanders, who provided his memories of songwriting sessions with Taylor in her teenage years.

Damla Taner, who attended Hendersonville High with Taylor on a dance scholarship.

Family friend Adriana Whitman. Also Mathew Lyons.

Plus all of the anonymous friends, teachers and even school bullies who declined to be named but volunteered information and quotes to give greater depth to Taylor’s story.

Thanks also go to David Barraclough, Jacqui Black, Chris Charlesworth, Charlie Harris and everyone at Omnibus Press who was involved in the making of this book.

Finally, thanks to Cookie Monster for the near endless supply of chocolate cake!

Chapter 1

The Birth Of America’s Good Girl

“I’m so gangsta, you can find me baking cookies at night!” joked America’s number one good girl, Taylor Swift. If a rock ‘n’ roll star told the world she had an unlikely penchant for baking, it might well have suggested something very different from a plate of chocolate brownies.

Yet, unlike musical hell-raisers such as Amy Winehouse, whose definition of baking was more likely to mean preparing an illicit drug, Taylor was clean-cut in the extreme. While Amy’s idea of a quiet night in, pipe-and-slippers style, during her short and troubled life might have meant settling down in an armchair with a crack pipe and a DVD, the closest Taylor ever came to hedonism was a midnight cereal party with her mother.

What was more, she broke the mould for a young millionaire celebrity when she reported getting home before midnight on New Year’s Eve – the very same year she had reached drinking age. As for alcohol, she still hasn’t touched a drop.

The music industry wasn’t exactly famed for teetotal singers, but Taylor was determined to be one. She also set herself apart from other songstresses by avoiding excessive vanity. She wasn’t the type of celebrity who had a plastic surgeon on speed dial. In fact, she had pledged to “grow old gracefully” and to welcome a head of grey hair when the time came, telling Glamour: “I don’t need to be blonde when I’m 60!”

What was more, she had insisted to Elle Girl that, “as far as beauty tips go, there’s really nothing that reads better than confidence”. She felt that, rough diamond or polished gem, she would still be talented – and that how she looked on the outside could never detract from her music.

On that note, there was also Taylor’s style. She was more high fashion than high exposure, more modestly tantalising than tawdry – and she was someone who was more likely to grace the cover of Vogue than Playboy. In other words, she wasn’t in the game to be a sex symbol.

While other young female chart-toppers were smiling salaciously, writhing provocatively in lingerie and thrusting their hips at the camera, Taylor was dressing down in a demure outfit with an obligatory pair of country-style cowboy boots. Some of her pop peers might have turned up the temperature by resembling fetish models, but Taylor was determined for her chart domination to be a non-sexual conquest, winning people over by her music alone. She never flashed the flesh – in fact, the only type of model she wanted to be was a role model.

The irony was that Taylor was 5 feet, 11 inches of natural beauty, with blonde hair and blue eyes – but she hadn’t earned the title ‘The Anti-Britney’ for nothing, and she was keeping her assets under wraps.

What was more, it wasn’t just her refusal to hit the clubs in a see-through dress or flash her vulva as she climbed out of a car at the start of a night out that set her apart from the fallen pop princess. Taylor wrote or co-wrote all of her own songs, too. While Britney was suffering criticism in the press for not contributing to any of the numbers she sang, Taylor’s conscience was clear.

Maybe so, but her parents hadn’t exactly been all-night ravers either. Her father, Scott, had been a high-flyer in the banking world, first graduating from Delaware University with a first-class degree in business and then going on to found an investment banking and financial advisory company called the Swift Group. His surname was fitting, as he was scaling the corporate ladder at top speed.

Meanwhile Taylor’s mother, then known as Andrea Finlay, was equally ambitious, working as a marketing executive in the finance industry. A busy career woman, marriage hadn’t crossed her mind until Scott entered her life, while visiting her home town of Harris, Texas on a business trip from Delaware.

“Before she had me, she was this really big business executive that worked for an ad agency,” Taylor later admiringly recalled to cable television network Great American Country. “I really look up to that. I respect that she had a career on her own and lived alone … and was supporting herself [financially].”

Indeed, in the late Seventies, when Andrea began her career, career women were a rare breed – and taking up traditional male professions could be seen as controversial. Sure, there were plenty of secretaries, waitresses, air hostesses and Playboy bunnies, but back then the odds were stacked against an abundance of female bankers. In fact, all the top earners seemed destined to be male.

Even by 1988, according to Cosmopolitan magazine in a feature of the same year, only a “tiny minority [of women] have made it through to the ranks of management – the majority work as inadequately paid support personnel”.

Another Cosmopolitan feature asserted that women who did make it to the top alienated prospective husbands. “Most men … still have a vested interest in women being traditional and feminine,” it read. “[Otherwise] who will run their homes? Bring up the children? Do the shopping? Find their socks?”

It also quoted a male model – allegedly the epitome of women’s desires – as saying: “You have to be tough to get where she’s got. Who wants to live with a tough woman?”

Back in the day, before feminism changed the workplace, it wasn’t easy for a working woman to find a good job, let alone balance the demands of her life when she had one – so Andrea was happily married to her career.

She had no time for a man, but – a romantic at heart, like her daughter – when she met Scott, she was reluctantly struck down by the love bug. After a whirlwind romance, the two got married and moved to the small town of West Reading in Berks County, Pennsylvania, where Andrea quickly became pregnant.

Their first child, to be christened Taylor Alison Swift, was due to arrive a few months before Andrea turned 31, and gradually the corporate world became less important to her. That said, business was never too far from her mind – as soon as Andrea learned she was having a girl, she quickly decided upon a unisex name to make sure her daughter wouldn’t fall prey to workplace sexism.

“She named me Taylor so that if anybody saw on a business card the name Taylor, they wouldn’t know if it was a girl or a boy if they were thinking of hiring me,” Taylor revealed to The Toronto Star.

Evidently, there was no question in her parents’ eyes that the child in Andrea’s womb would one day become a high-flying business woman herself – it was only a matter of time. However, their strong-minded child would turn out to have other ideas.

“My parents were in finance [so] they thought I was going to be a stockbroker and go to business school,” Taylor groaned to The Wall Street Journal.

What was more, her father was so involved with the profession that, instead of “Bye bye”, his favourite parting shot was “Buy bonds!” An impressionable young Taylor wanted to be just like her father, too. “When I was probably six or seven, I used to follow my dad around and say, ‘I’m gonna be a stockbroker like you!’” she revealed. “I had no idea what a stockbroker was, of course!”

Even before Taylor had started life, it seemed as though she was destined for a world of stocks, shares and spreadsheets – but there was more genetic material in her family than just business ambition.

One of Taylor’s ancestors in the early 18th century was the legendary Irish writer and satirist Jonathan Swift, most famous for his novel Gulliver’s Travels.

Yet it was her maternal grandmother, Marjorie Finlay, who really came to Taylor’s rescue. An outgoing woman with a voracious appetite for travelling, she had married an international oil worker and lived a nomadic existence, filling her spare time with a love of opera.

She sang around the world and even tried her hand at TV presenting in Latin America. “In Puerto Rico, my grandmother was the hostess of the top-rated TV variety show called The Pan American Show,” Taylor revealed to Wood & Steel magazine. “[Her] Spanish was so bad that the Puerto Ricans thought she was hysterically funny! She went on to become the ‘madrina’ [symbolic grandmother figure] of their air force. They really loved her!”

Aside from having viewers in hysterics with her paltry command of Spanish, she was earning success and notoriety back home too. “She starred in a lot of operas and was a member of the Houston Grand Opera,” continued Taylor. “I think that’s where I get most of my musical ability.”

Taylor herself came into the world on December 13, 1989. The number 13 might have been unlucky for some, but Andrea and Scott were delighted to welcome the new arrival.

What was more, she was turning heads almost from the moment she was born. “Taylor was maybe just a few hours old when a paediatrician said: ‘She’s a really good-natured baby, but she knows exactly what she wants and how to get it!’” her mother recalled. “I thought: ‘What is this guy on?’ but he just gave me this interesting description of her which absolutely fit her to a T!”

She wasn’t only bright either – she was beautiful. Their first-born child was a natural blonde with corkscrew curls and a wide smile – and she was instantly the subject of public adoration. Even before she could sing a note, her parents would find themselves stopped in the street by passers-by eager to compliment Taylor on her beauty.

However, her quiet phase wasn’t to last long. By the time she was three, her voice took over. “I would come out of Disney movies and my parents used to get freaked out because I’d be singing the entire soundtrack of the movie after hearing it once,” Taylor told the Daily Mail. “I retained music more than anything else.”

Plus, now that she could walk, it wasn’t other people approaching her anymore – she was initiating contact with them. “There are videos of me walking up to strangers and singing songs from The Lion King when I was a baby,” Taylor added to The Philadelphia Enquirer. Little more than a toddler, she was already desperate for an audience and to be where she felt she belonged – on the stage.

Her parents’ memories were equally vivid. “The first movie I saw was The Little Mermaid, and my parents still tell me stories about going to see that movie,” Taylor explained. “I was in the car in the back seat [afterwards] singing the words to the songs that I’d heard in the movie and they kind of looked at each other and were really confused as to how I was remembering the words after seeing the movie only once.”

Taylor might have shown an early aptitude for belting out Disney tunes, but at that stage her family merely saw it as an endearing hobby. “Yes, Taylor sang, but her parents’ attitude was that all kids sang,” an anonymous friend of the family told the author. “They didn’t really think much of it.”

When her parents saw Taylor bashing away on a toy keyboard while half-singing, half-shouting ‘Twinkle, Twinkle, Little Star’, they didn’t see a musical prodigy – they saw a normal boisterous three-year-old. Even when she was serenading strangers on the beach, running from towel to towel to impress sunbathers with yet another impromptu performance, her family still didn’t believe she had an extraordinary talent – she was just their Taylor.

Keen to prove them wrong and eventually tiring of the lyrics from The Lion King, she started to compose her own songs, featuring words such as “I love my dolly!” and, in one case, “I can’t wait to be great!” Perhaps it was a prophecy.

Together with her award-winning former opera-singer grandmother, Taylor had an opportunity to show off her singing skills in church too. The pair – devout Catholics, like the rest of the family – turned heads every Sunday when they out sang the choir. “I can remember [my grandmother] singing, the thrill of it,” Taylor recalled of their times at church together. “She was one of my first inspirations.”

In addition to Sunday school, Taylor would take an occasional Bible retreat course in the summer too, where she would reflect on God’s teachings in rural parts of Pennsylvania. However, even there, she never missed an opportunity to sing, leading the hymns from time to time.

By now, she had also enrolled at Alvernia Montessori in West Reading, Pennsylvania, a Catholic pre-school run by nuns which contained just 56 children. The school’s headmistress, Sister Ann Marie Coll, recalled: “She was kind of shy, but not too shy, and she always liked to sing. Taylor wasn’t stubborn, but she was a determined little girl. When she put her mind to something, she was very intent.”

While Taylor was unleashing the power of her lungs at pre-school, her parents were trying for another baby – and, on March 4, 1993, a younger brother named Austin completed their family. Her hands now full with two mischievous children, Andrea decided that motherhood was a full-time job within itself and withdrew from professional work once and for all.

Hankering after a taste of country life, Andrea persuaded her husband to move home – and soon after, they fell in love with a Christmas tree farm in rural Pennsylvania. It had once been the property of Taylor’s paternal grandfather. Located off Freemansville Road in the township of Cumru, it was just six miles away from the town of Reading on Route 625.

However, despite the blood connection, it wasn’t exactly the archetypal home of a high-flying career-conscious businessman and his young family. Nearby Reading was considered to be a hotspot for poverty, unemployment, drug addiction and soaring rates of violent crime. Known throughout Pennsylvania as a troubled area, it was hardly the place to be.

And while Cumru was a much safer neighbourhood, the average household income in the township was just $40,000 (£25,000) – a tiny fraction of the Swift family’s wages. Some people from outside the community sneeringly dismissed its inhabitants as “country bumpkins”. Not only that, but the family would have to sacrifice their usual creature comforts to get an authentic taste of country living.

While Taylor had a fondness for “old buildings with paint chipping off the walls”, her parents – both from wealthy and privileged backgrounds – might have been a little more fazed by it.

Her father also had to juggle rural life with the fast-paced world of finance – with interesting consequences. After yet another stressful day of trading on the stock market, Scott would come home to the stench of horse manure and the prospect of some DIY work around the house before cleaning out the stables. It wasn’t pretty.

Yet, in spite of that, he soon warmed to farm life. “My husband and I were both professionals, we weren’t farmers, but we loved the idea of living on the farm,” Andrea later confessed to Teen Superstar.

What was more, a young Taylor loved the idea just as much. It was a place for her to be at one with nature and have experiences that would fuel her imagination and pave the way for prolific poem and songwriting in the future. The 665-acre Nolde Forest – a haven for hikers, birdwatchers and photographers – was close by, with pine trees stretching as far as the eye could see. Yet Taylor rarely visited – after all, she had more than 10 acres of land of her own to play on.

“Having room to run and having just the space to use your imagination and create stories and fairytales out of everyday life – I think that had a lot to do with me wanting to write songs,” Taylor mused to Teen Superstar.

However, some inspirations were a little more gory than others. “We had barn cats and we’d go out in the morning and there’d be absolute carnage on the driveway, anything from little squirrels to birds,” Andrea recalled. “Taylor would literally start to create little conversations and storylines involving all the little dead animals on the driveway!”

These mangled corpses might have sounded more like the theme for a horror novel than the subject of an innocent pre-teen girl’s thoughts, but Taylor was no ordinary girl – and the farm provided her with endless entertainment.

“Her favourite thing to do was saddle up the pony for a trail ride or build a fort in the hay loft,” Andrea recalled. She would also run freely in the fruit orchards, find herself pets among the woodland creatures on the farm and hitch a ride on one of the family’s tractors. There would be hayrides too – both for Taylor and her friends.

Her once immaculate curls turned into an unruly mess, but she was having too much fun to care. “[At least] I grew up with all this space to run around and the freedom to be a crazy kid with tangled hair,” she later reminisced to Glamour.

Still, she would have to make sacrifices too. Her earliest job, long before the glamour of her country-music career, was picking praying mantis eggs off the trees. Not only did the trees have to be free of them before being sold – thousands of insects hatching out on a family’s Christmas tree would not be good for the Swifts’ business reputation – but the insects were also useful as a form of organic pest control. Each egg case can yield up to 300 praying mantises, which – on reaching maturity – eat smaller pests such as beetles, crickets and grasshoppers. For farmers who needed pest control without resorting to chemical pesticides, it was the perfect solution. Taylor and her brother would meticulously scour the trees for egg-cases each season to earn some pocket money from their parents.

However, it wasn’t all work and no play as – nestled in her countryside hideaway – Taylor quickly discovered music. The country music culture in rural Pennsylvania was virtually non-existent – but that didn’t bother Taylor who, by the age of six, had persuaded her parents to buy her LeAnn Rimes’ entire collection. “Le Ann Rimes was my first impression of country music,” she told The Guardian. “I just really loved how she could be making music and having a career at such a young age.”

Indeed, LeAnn had released her debut album, Blue, at just 13. From then on, Taylor made it her mission to learn every song by heart, which took a matter of days. When she had done that, she moved on to other big names in the genre. “I went back and learned the history,” she told Great American Country. “I listened to legends like Dolly [Parton] and Patsy Cline – women who were the essence of country music.”

At six, then, Taylor was already a connoisseur of country. Keen to follow in the footsteps of her new-found idols, she memorised song lyrics and longed to learn the guitar to try out her own tunes – but she had her family and their wildly different musical tastes to contend with first.

It was a battle of wills at home to secure her favourite radio station or select that day’s soundtrack. Her grandmother, who visited regularly, would blast out her favourite opera tracks, while her mother was obsessed with heavy rock group Def Leppard. Her father, when he was around, was more inclined towards pop and easy listening – and then there was Taylor. Country had been her favourite from the start.

While still a child, she went on to see her idol LeAnn Rimes live in concert. “I saw her in Atlantic City,” Taylor later told The Seven Mile Times. “She touched my hand! I bragged about that for about a year.”

The same year that she discovered music, Taylor also began her primary education at the Wyndcroft School in Pottstown. The area was leafy, peaceful and semi-rural with a backdrop of rolling hills, yet was located just 40 miles from Philadelphia. The school was founded in 1918, a significant year, because it saw laws passed that gave American women the right to vote. The school’s aim was “to provide not only for academic excellence, but for the healthful wellbeing of a child”. Back in the days when measles, tuberculosis and even a simple bout of the flu could be fatal, Wyndcroft established itself as a disease-free zone by offering classes in an open-air environment.

The East Coast’s bitterly cold winters might have seen children shivering stoically as they received their early morning algebra classes under an almost pitch black sky, but at least it was for the benefit of their health. As the years passed, the school expanded both in size and popularity – and, of course, by the time Taylor joined in 1996, it had plenty of indoor classrooms.

It had a prestigious reputation and was renowned for its academic excellence, but six-year-old Taylor was still reportedly head and shoulders above many of her peers. One second-grade assignment aimed at teaching sentence structure had asked pupils to write just two sentences – but Taylor handed in a three-page essay.

“She was incredibly quick-witted,” one tutor, who prefers not to be named, told the author. “She would come up with these complex ideas that you just wouldn’t expect from someone her age and it would leave people open-mouthed. She was always making up her own stories to entertain the class. She wasn’t a show-off, but she was just genuinely excited to be learning.”

Taylor’s teacher added: “I had no idea that Taylor would become a singer, but I knew she would probably be famous for something. It would be an injustice if she hadn’t been – she just stood out from the rest. She was very tenacious and focused, which is a very big achievement for someone in elementary school. Some of the other kids, while they were bright, had frustratingly short attention spans, but she’d always remember when you told her something. This was no ordinary child. For all her shyness on the surface, there was just something incredibly awe-inspiring and different and special about her.”

By the time Taylor reached her final year at Wyndcroft, the fourth grade, she was able to read music in the treble clef, play the recorder competently and sing two-part harmonies. As well as excelling at music, she quickly made a name for herself as a talented and imaginative English student who often wrote her own short stories. One of her tutors revealed: “Even as early as first grade, she was using positional phrases unheard of from kids that age, and by fourth, she was still standing out as smart.”

Taylor proved that fact by winning a national competition for the best children’s poem in America at just 10 years old. When she heard about the contest, she was instantly up for the challenge, revealing later: “Poetry was my favourite thing. I loved putting things down on paper – it was so fascinating to me.”

She added to Rolling Stone: “Poetry was the first thing that ever fascinated me about words and about writing. Poetry is what turned me into a songwriter.”

During her early days of practising, she had composed some deep and meaningful poems, but decided that the one she submitted for the contest should be more light-hearted and mainstream. She was, after all, no stranger to jokey, gimmicky stories. As a child, she had avidly read the books of Dr Seuss, author of such fantastical rhymed stories as The Cat In The Hat and How The Grinch Stole Christmas. The rhyme Taylor submitted was equally fun and nonsensical.

“It was a long poem called ‘Monster In My Closet’,” Taylor recalled. “I picked the most gimmicky one I had … I didn’t want to get too dark on them.” With playful couplets such as “There’s a monster in my closet and I don’t know what to do/Have you ever seen him? Has he ever pounced on you?”, there was little chance of that.

Yet, contrary to what the jokey-sounding topic implied, Taylor had put a lot of work into devising the winning strategy. “[I was] trying to figure out the perfect combination of words, with the perfect amount of syllables and the perfect rhyme to make it completely pop off the page,” she recalled.

After winning, a thrilled Taylor became “consumed” with beating her best efforts and writing more poetry, but that wasn’t all she was up to at school. Taylor was exceptionally numerate too, and even had a soft spot for sciences.

Taylor also joined her class on an overnight trip to a nature camp to learn more about science and survival in the wild. Plus, although Andrea had enjoyed her first illicit sip of alcohol at the age of 17, Taylor was enrolled in a Drug Abuse Resistance Education, which taught facts about the effects of alcohol, tobacco and marijuana on the brain and behaviour and warned children away from temptation.

It was a broad-based education, but what Taylor loved doing the most was singing and acting. She was desperate to secure the lead role for her first major school play, since the character was the only one who would have the chance to sing solo. But, unfortunately for Taylor, the character was male. Many might have given up there and then but, not to be deterred, she donned a disguise and tried out for the part.

“There was one solo, but it was a guy,” she groaned in memory of it. “There was this character called Freddie Fast Talk and it was the bad guy. I didn’t care, I was like: ‘I will dress up like a guy, I want to sing that song!’”

Her persistence paid off. “I remember I had like a moustache,” Taylor continued, “and we drew on eyebrows and I put my hair up in this hat and I dressed like a guy and I sang the solo!”

The other children might have raised an eyebrow at her gender-bending antics, but the teachers saw it as proof of her dedication to the art. “After that, her music teacher said: ‘You’re going to have to find another outlet for her because she just loves it!’” Andrea recalled. Luckily, Taylor wouldn’t have to wait long.

The very next year, 1999, the family packed up and moved again, leaving their farm life behind them. Taylor’s new home was a large white detached mansion set back from the road on a tree-lined avenue in the heart of the Wyomissing Hills.

They hadn’t travelled far, but this thriving town was miles apart from the rural idyll Taylor had previously known. The new community even had a local actors’ association, Berks County Youth Theater Academy (BYTA), and, following her music teacher’s advice, Andrea instantly signed Taylor up.

It was here that the former farm girl would satisfy her early hunger for being on the stage.

Chapter 2

Seduced By The Sound Of Music

When Taylor first arrived in Wyomissing, she was a stranger. “No-one talked to me,” she lamented to The Reading Eagle. “I didn’t know anybody.”

While she might have moved just a few miles from her former home, it was a totally different world for her. To confuse matters further, when she enrolled at West Reading Elementary School, she found herself straddling two postcode boundaries – one of almost limitless wealth and privilege and one of abject poverty.

“The area of Wyomissing is comprised of two parts, the borough of Wyomissing and the borough of West Reading,” one anonymous resident told the author. “Wyomissing is defined by its luscious park system, bordered by rich houses and mansions. West Reading, however, is an extension of the crime-ridden city of Reading, which often earns top honours in crime, murder and rape rates. The citizens of West Reading are mostly illegal immigrants and other fatherless families deprived of guidance and money. These kids are thrown into a school system along with the wealthy children of the doctors, lawyers and business owners working in the city of Reading.”

According to this source, the hotspot for wealthy young girls was the King of Prussia mall, where they could shop to perfect a look of shabby chic that fitted in with their surroundings. “The most popular stores include AX and BCBG, [at] which you can pay $70 for a faded shirt that has been ‘professionally aged’ so that the buyer can pretend to be ghetto and poor,” he said. “Kids dress to impress, often saying things like: ‘Woah, man, your BMW is so mad ghetto!’ For the cash it takes to buy the sports cars that are cruising around, you could buy and refurbish an entire ghetto.”

Indeed, while some of Taylor’s classmates could barely afford the bus fare to school in the morning, others were arriving in style, in cars that would cost their less privileged peers a decade’s wages. “If five minutes pass in Wyomissing without seeing a BMW or a Mercedes cruising by, it’s a miracle,” the resident added. This was a place where the rich and the poor collided – but Taylor was firmly in the first category. Not only did she have her own room – unlike some West Reading residents who shared with their siblings – but she had an entire floor of the house all to herself.

“The Swifts’ home was beautiful,” revealed childhood friend Kaylin Politzer. “The stately white house had black shutters with silver moons carved in the sides and was perched on a hill overlooking the city and its surroundings. Taylor had the entire attic to herself – a floor comprised of a game room, painting room and bedroom complete with a canopy bed. I vividly remember Taylor singing along to Nelly Furtado’s ‘I’m Like A Bird’ as I watched from that canopy bed.”

She might have been on top of the world at home, but her life of luxury isolated her from her classmates, some of whom were green with envy. “Taylor found it hard to make friends,” explained a Wyomissing local who preferred only to be known as Sara. “People used to call her stuck up, I guess because they were jealous. She wanted for nothing, when some of them couldn’t scrape a few cents together. She was daddy’s little princess and had parents who adored her, whereas some of the other kids were from broken homes. One girl I know would even fake retching when Taylor walked by. She felt Taylor’s parents were so unconditionally supportive of her that it made her nauseous. Taylor also got good grades and had a perfect home life so she was an easy target for jealousy. What did she not have? She made the others feel inadequate and envious without even trying.”

It cannot have helped that while the others in the class were fans of pop music, Taylor craved country – something that, for West Reading pre-teen girls, was firmly out of fashion. Perhaps in a bid to fit in, Taylor started to listen to The Spice Girls, Natasha Bedingfield and Hanson. (She had had a crush on one of the Hanson brothers, also named Taylor, since the group’s first hit single, ‘Doo Wop’, hit the charts when she was eight.)

She even joined in with family friend Adriana Whitman in spending hours composing singing and dancing routines. “We used to belt out [TLC song] ‘Waterfalls’,” Adriana revealed to the author. “We also made up dances to The Backstreet Boys and Britney Spears songs and wouldn’t let anyone see them until we were done!”

In spite of joining in with the mainstream girls, Taylor was still feeling like a square peg in a round hole at school. However, when she joined the local theatre association, BYTA, the group rescued her from loneliness and helped her to connect with fiercely ambitious likeminded peers. “To be a BYTA kid meant an instant welcome into a clique,” fellow child-actress Kaylin Politzer told the author. “We did three productions a year and some of us also did Theater Kids Live – a cross between The Broadway Kids and Saturday Night Live. In those days, I spent six days a week in that rehearsal studio and more time with my theatre friends than anyone else.”

Unlike most people Taylor met at school, these girls were dedicated to the world of performance and lived for the moment they could be on stage. They were disciplined, desperate for the limelight and, in some cases, so confident that they didn’t even know the meaning of the word ‘stage-fright’.

It was while she was at her very first audition, for a performance of Annie, that Taylor met Kaylin for the first time – a girl who would go on to become her best friend. “Already having been a member of BYTA for over a year, I remember feeling like a regular at that audition and I was quite satisfied with the familiarity of the process and how comfortable I felt among my peers,” Kaylin told the author.

That day, she would show an uncharacteristically nervous Taylor the ropes and introduce her to the world of professional children’s theatre.

“She seemed reserved and shy,” Kaylin continued. “She towered over most of the kids there and was awkward and clunky in her movements, especially in the dance auditions. Not that I should be one to make such observations – I was lanky as they come at 10 years old! I can’t say she made much of an impression on me that day, though our mothers hit it off straight away!”

Another girl Taylor had met at the auditions, Ashley Eidam, had similar recollections. “I remember her being a quiet, shy girl,” she chuckled, “which we all know is not the case anymore!”

The musical, set in Depression-era America. follows the adventures of the eponymous young girl, whose life begins as little more than a piece of excess baggage. As a baby, Annie is dumped at an orphanage by her parents, together with a note promising that one day they will return for her. Desperate to be reunited with the parents she never knew, Annie lives most of her childhood in forlorn hope – and the play chronicles her misadventures as she waits for that day to arrive.

As a newcomer to the theatre, Taylor landed just a minor part in the production, as an ‘extra orphan’ in the ensemble, while the more experienced Kaylin played the part of Pepper, one of Annie’s fellow orphans. It might have been humiliating for an ever-ambitious Taylor not to have scored a more prestigious role – after all, according to Kaylin, “almost everyone who auditioned was cast, even if only in the ensemble”.

However, while she started off as a shy observer, standing on the sidelines, the tables were about to turn – and, before too long, she was the centre of attention at all the BYTA shows. “I used to get all the lead roles because I was the tallest person,” she later told The Reading Eagle.

But whether she was the tallest or not, it wasn’t the reason she got the starring roles, as her first major show – playing Maria, the lead part in The Sound Of Music – proved.

Hidden away in the Austrian Alps is the notoriously strict Salzburg Abbey, where Maria is training to become a nun. But she is unhappy there and it has become an open prison to her – until the kindly Mother Abbess suggests that she might be more suited to a life outside the convent.

Maria breaks free from its womb-like surroundings and the sheltered life it offers to become a governess for a former First World War captain in the Austro-Hungarian navy – but she must now decide whether she wants to become a woman of God or quit the convent altogether. On arrival at her new home, the Von Trapp household, she is shocked to find that the captain’s seven children are well versed in military training, but know very little about affection and love.

Instead of burying their heads in textbooks, she teaches them music and, in doing so, awakens a passion for it within herself. She is also awakened by her feelings for the captain and is eventually forced to confess to herself that she is falling in love. Within months, she returns to the abbey where she had once planned to become a nun – only this time, she is there to marry the captain. No sooner have the happy couple returned from their honeymoon, however, than Austria comes under Nazi occupation and the pair find themselves fleeing over the mountains in a bid for safety.

The self-assured yet modest and demure Taylor must have seemed the perfect match for the equally modest, devoutly religious character of Maria. According to Kaylin, the role somewhat represented who Taylor was in real life. “She did an exceptional job as Maria,” she explained. “It is [usually] hard to consider matching child personalities with roles in adult theatre, because most often 11-year-olds shouldn’t be able to relate to the things their 20-year-old characters are dealing with … However, Taylor’s wide-eyed naiveté brought depth to her character. I thought Taylor made a lovely Maria – Maria is inherently still just a child with a crazy imagination and optimistic aspirations, hopes and dreams. To exhibit these qualities, Taylor didn’t even have to pretend she was someone else.”

In fact, Taylor had so perfected the role that, unlike most of the children, who played their parts on rotation, she kept the lead for the entirety of the production’s run, including four shows over the weekend. “In order to give more kids the chance to play leading roles, our director arranged for each of us to play a second role for the Saturday matinee only,” Kaylin confirmed. “Taylor was one of the few to keep her role for all four shows.”

However, Taylor was developing other musical interests, outside of BYTA, as she explained to The Reading Eagle. “My interest [in musical theatre] soon drew me to country music. I was infatuated with the sound, with the story-telling. I could relate to it. I can’t really tell you why. With me, it was just instinctual.”

With her grandmother boasting awards for her opera singing, perhaps it was genetic. But when Taylor played the leading lady, Sandy, in the Fifties-based musical Grease that same year, she got the chance to bring her two overlapping passions together in the one role.

The plot of Grease sees two teenagers, Sandy and Danny – famously played in the film version by Olivia Newton-John and John Travolta – embark on an ill-fated holiday romance. Because Sandy lives in Australia, the pair thought they would never meet again, but a change of plan means she has to stay in town and attend the same school as Danny – which is when harsh reality really sets in. Danny is as cold as ice, keen to keep his reputation intact as a smooth operator and someone who plays the field, while Sandy is soft and sensitive, preferring to wear her heart on her sleeve.

Sandy also loses points in the cool stakes by refusing to join in with her new friends’ penchant for partying. A whiff of smoke from a cigarette makes her choke, she vomits at the sight of blood, she is terrified of having her ears pierced and she is staunchly anti-alcohol. In a teenage world of sex, drugs and rock ‘n’ roll, Danny’s friends see Sandy’s abstinence as lame, while she sees their antics as out of control and wayward.

Danny, who is torn between declaring his love for her and earning kudos from his school friends, eventually gives Sandy a ring, which momentarily makes her happy. However, she then storms out of his car in indignation when he tries to kiss and touch her, an action which comes in stark contrast to some of her already sexually active friends. The musical ends as the two reconcile their differences and make a relationship work between them, driving away into the sunset as a couple.

Interestingly, the role, which typecast Sandy as a prude and a spoilsport, was not unlike Taylor’s own stance towards sex and alcohol.

Taylor also shared some of her character’s awkwardness. While the last few scenes see Sandy throw caution to the winds by donning leather, skin-tight lycra and bright red high-heeled sandals to seduce Danny, it is worlds apart from her usual modest clothing.

“I will never forget the work Taylor did to get down her ‘walk’ as the revamped Sandy at the end of Grease,” Kaylin told the author. “Watching Taylor to learn to walk in high heels was a slow, painful and sometimes hysterical experience! Some girls aren’t made for heels!”

She added: “I think we were all at an awkward stage during those years too – pre-teen girls are just plain uncoordinated. But watching Taylor wear heels during awards shows or in commercials still makes me think about her heel-walking lessons and laugh a little!”

Like her character, Taylor had been practising losing her innocence – and it was something that would certainly pay off in the future.

However, it wasn’t all about learning to strut her stuff. This was the moment when Taylor would discover the pleasure of singing in a country style in front of an audience for the first time. “It just came out sounding country,” she told Great American Country of her time playing Sandy. “It was all I had listened to, so I guess it was just kind of natural. I decided [there and then] country music was what I needed to be doing.”

Unfortunately for her, the theatre company’s director, Kirk Cremer, disagreed. “He worked with Taylor in private voice lessons to train her to stay on pitch,” explained Kaylin, “and he tirelessly tried to extricate the ‘Southern twang’ from Taylor’s style, often complaining at rehearsals that it just didn’t work for her. He didn’t want a Southern Sandy – I bet he is kicking himself now!”

Indeed, if anyone had been expecting a glamorous Broadway-style Sandy – who would wow the audience with a sexy show-girl outfit before breaking into the song ‘Hopelessly Devoted To You’ – they were to be sorely disappointed. By now, country was running through Taylor’s veins, and – although pop and Broadway music were part of her vocabulary – those genres were never where her interests lay.

“I was totally taken by Broadway with ambitions to make it in New York. I think Taylor had the same ambition but envisioned a different stage,” Kaylin confirmed. “I think she got her Southern twang from continually listening to country music. I remember she was always listening to The Dixie Chicks, Shania Twain and LeAnn Rimes. I wasn’t as into it as she was, but I remember her blasting the music for me from her bedroom stereo. She knew all the words and I had no clue.”

Not only were Taylor’s country influences causing her to stand out, but by this point she was earning a reputation for scoring the lead roles time and time again – and on stage, she was always the centre of attention.

As in many youth theatres, there was an atmosphere of intense competition – and soon Taylor’s peers were consumed with jealousy at her success. “Taylor definitely formed friendships and respect among the group, but jealousy is an ugly beast and she definitely had some enemies too,” continued Kaylin. “I think there was some general nasty talk behind Taylor’s back when she kept scoring lead roles among the girls who hoped to be the lead and ended up in the ensemble.”

It wasn’t only the fury of envious girls that Taylor had to contend with – it was their parents too. “Stage moms were often more judgemental and provocative than the kids,” Kaylin added. “So it goes with the children’s theatre – no mom wants to hear another child is more talented or deserving than hers.”

However, even Taylor was not immune from the green-eyed monster and, to her surprise, Kaylin soon found out that her new friend often felt inferior to her, too. “I once peeked in a journal she brought over to my house and was sorry I did,” Kaylin confided. “Taylor wrote an entry about our friendship and said that she was jealous, she thought our director favoured me over her. I remember feeling embarrassed she felt that way and even more envious of her beautiful poems. I was shocked when Taylor said she envied my director’s favouritism towards me.”

What had fuelled Taylor’s jealousy? After all, Kaylin had played the lesser role of Liesel in The Sound Of Music, one of the captain’s seven children, and, for the duration of the play, Taylor would be governing over her. However, a humiliating moment had come between them when Kaylin had switched to the role of the Baroness for an afternoon and it had threatened to destroy the show.