A Pawn of Fate
Mrs. Lora Delane Porter dismissed the hireling who had brought her automobile around from the garage and seated herself at the wheel. It was her habit to refresh her mind and improve her health by a daily drive between the hours of two and four in the afternoon.
The world knows little of its greatest women, and it is possible that Mrs. Porter's name is not familiar to you. If this is the case, I am pained, but not surprised. It happens only too often that the uplifter of the public mind is baulked by a disinclination on the part of the public mind to meet him or her half-way. The uplifter does his share. He produces the uplifting book. But the public, instead of standing still to be uplifted, wanders off to browse on coloured supplements and magazine stories.
If you are ignorant of Lora Delane Porter's books that is your affair. Perhaps you are more to be pitied than censured. Nature probably gave you the wrong shape of forehead. Mrs. Porter herself would have put it down to some atavistic tendency or pre-natal influence. She put most things down to that. She blamed nearly all the defects of the modern world, from weak intellects to in-growing toe-nails, on long-dead ladies and gentlemen who, safe in the family vault, imagined that they had established their alibi. She subpoenaed grandfathers and even great-grandfathers to give evidence to show that the reason Twentieth-Century Willie squinted or had to spend his winters in Arizona was their own shocking health 'way back in the days beyond recall.
Mrs. Porter's mind worked backward and forward. She had one eye on the past, the other on the future. If she was strong on heredity, she was stronger on the future of the race. Most of her published works dealt with this subject. A careful perusal of them would have enabled the rising generation to select its ideal wife or husband with perfect ease, and, in the event of Heaven blessing the union, her little volume, entitled "The Hygienic Care of the Baby," which was all about germs and how to avoid them, would have insured the continuance of the direct succession.
Unfortunately, the rising generation did not seem disposed to a careful perusal of anything except the baseball scores and the beauty hints in the Sunday papers, and Mrs. Porter's public was small. In fact, her only real disciple, as she sometimes told herself in her rare moods of discouragement, was her niece, Ruth Bannister, daughter of John Bannister, the millionaire. It was not so long ago, she reflected with pride, that she had induced Ruth to refuse to marry Basil Milbank—a considerable feat, he being a young man of remarkable personal attractions and a great match in every way. Mrs. Porter's objection to him was that his father had died believing to the last that he was a teapot.
There is nothing evil or degrading in believing oneself a teapot, but it argues a certain inaccuracy of the thought processes; and Mrs. Porter had used all her influence with Ruth to make her reject Basil. It was her success that first showed her how great that influence was. She had come now to look on Ruth's destiny as something for which she was personally responsible—a fact which was noted and resented by others, in particular Ruth's brother Bailey, who regarded his aunt with a dislike and suspicion akin to that which a stray dog feels towards the boy who saunters towards him with a tin can in his hand.
To Bailey, his strong-minded relative was a perpetual menace, a sort of perambulating yellow peril, and the fact that she often alluded to him as a worm consolidated his distaste for her.
* * * * *
Mrs. Porter released the clutch and set out on her drive. She rarely had a settled route for these outings of hers, preferring to zigzag about New York, livening up the great city at random. She always drove herself and, having, like a good suffragist, a contempt for male prohibitions, took an honest pleasure in exceeding a man-made speed limit.
One hesitates to apply the term "joy-rider" to so eminent a leader of contemporary thought as the authoress of "The Dawn of Better Things," "Principles of Selection," and "What of To-morrow?" but candour compels the admission that she was a somewhat reckless driver. Perhaps it was due to some atavistic tendency. One of her ancestors may have been a Roman charioteer or a coach-racing maniac of the Regency days. At any rate, after a hard morning's work on her new book she felt that her mind needed cooling, and found that the rush of air against her face effected this satisfactorily. The greater the rush, the quicker the cooling. However, as the alert inhabitants of Manhattan Island, a hardy race trained from infancy to dodge taxicabs and ambulance wagons, had always removed themselves from her path with their usual agility, she had never yet had an accident.
But then she had never yet met George Pennicut. And George, pawn of fate, was even now waiting round the corner to upset her record.
George, man of all work to Kirk Winfield, one of the youngest and least efficient of New York's artist colony, was English. He had been in America some little time, but not long enough to accustom his rather unreceptive mind to the fact that, whereas in his native land vehicles kept to the left, in the country of his adoption they kept to the right; and it was still his bone-headed practice, when stepping off the sidewalk, to keep a wary look-out in precisely the wrong direction.
The only problem with regard to such a man is who will get him first.
Fate had decided that it should be Lora Delane Porter.
To-day Mrs. Porter, having circled the park in rapid time, turned her car down Central Park West. She was feeling much refreshed by the pleasant air. She was conscious of a glow of benevolence toward her species, not excluding even the young couple she had almost reduced to mincemeat in the neighbourhood of Ninety-Seventh Street. They had annoyed her extremely at the time of their meeting by occupying till the last possible moment a part of the road which she wanted herself.
On reaching Sixty-First Street she found her way blocked by a lumbering delivery wagon. She followed it slowly for a while; then, growing tired of being merely a unit in a procession, tugged at the steering-wheel, and turned to the right.
George Pennicut, his anxious eyes raking the middle distance—as usual, in the wrong direction—had just stepped off the kerb. He received the automobile in the small of the back, uttered a yell of surprise and dismay, performed a few improvised Texas Tommy steps, and fell in a heap.
In a situation which might have stimulated another to fervid speech, George Pennicut contented himself with saying "Goo!" He was a man of few words.
Mrs. Porter stopped the car. From all points of the compass citizens began to assemble, many swallowing their chewing-gum in their excitement. One, a devout believer in the inscrutable ways of Providence, told a friend as he ran that only two minutes before he had almost robbed himself of this spectacle by going into a moving-picture palace.
Mrs. Porter was annoyed. She had never run over anything before except a few chickens, and she regarded the incident as a blot on her escutcheon. She was incensed with this idiot who had flung himself before her car, not reflecting in her heat that he probably had a pre-natal tendency to this sort of thing inherited from some ancestor who had played "last across" in front of hansom cabs in the streets of London.
She bent over George and passed experienced hands over his portly form. For this remarkable woman was as competent at first aid as at anything else. The citizens gathered silently round in a circle.
"It was your fault," she said to her victim severely. "I accept no liability whatever. I did not run into you. You ran into me. I have a jolly good mind to have you arrested for attempted suicide."
This aspect of the affair had not struck Mr. Pennicut. Presented to him in these simple words, it checked the recriminatory speech which, his mind having recovered to some extent from the first shock of the meeting, he had intended to deliver. He swallowed his words, awed. He felt dazed and helpless. Mrs. Porter had that effect upon men.
Some more citizens arrived.
"No bones broken," reported Mrs. Porter, concluding her examination. "You are exceedingly fortunate. You have a few bruises, and one knee is slightly wrenched. Nothing to signify. More frightened than hurt. Where do you live?"
"There," said George meekly.
"Where?"
"Them studios."
"No. 90?"
"Yes, ma'am." George's voice was that of a crushed worm.
"Are you an artist?"
"No, ma'am. I'm Mr. Winfield's man."
"Whose?"
"Mr. Winfield's, ma'am."
"Is he in?"
"Yes, ma'am."
"I'll fetch him. And if the policeman comes along and wants to know why you're lying there, mind you tell him the truth, that you ran into me."
"Yes, ma'am."
"Very well. Don't forget."
"No, ma'am."
She crossed the street and rang the bell over which was a card hearing the name of "Kirk Winfield". Mr. Pennicut watched her in silence.
Mrs. Porter pressed the button a second time. Somebody came at a leisurely pace down the passage, whistling cheerfully. The door opened.
It did not often happen to Lora Delane Porter to feel insignificant, least of all in the presence of the opposite sex. She had well-defined views upon man. Yet, in the interval which elapsed between the opening of the door and her first words, a certain sensation of smallness overcame her.
The man who had opened the door was not, judged by any standard of regularity of features, handsome. He had a rather boyish face, pleasant eyes set wide apart, and a friendly mouth. He was rather an outsize in young men, and as he stood there he seemed to fill the doorway.
It was this sense of bigness that he conveyed, his cleanness, his magnificent fitness, that for the moment overcame Mrs. Porter. Physical fitness was her gospel. She stared at him in silent appreciation.
To the young man, however, her forceful gaze did not convey this quality. She seemed to him to be looking as if she had caught him in the act of endeavouring to snatch her purse. He had been thrown a little off his balance by the encounter.
Resource in moments of crisis is largely a matter of preparedness, and a man, who, having opened his door in the expectation of seeing a ginger-haired, bow-legged, grinning George Pennicut, is confronted by a masterful woman with eyes like gimlets, may be excused for not guessing that her piercing stare is an expression of admiration and respect.
Mrs. Porter broke the silence. It was ever her way to come swiftly to the matter in hand.
"Mr. Kirk Winfield?"
"Yes."
"Have you in your employment a red-haired, congenital idiot who ambles about New York in an absent-minded way, as if he were on a desert island? The man I refer to is a short, stout Englishman, clean-shaven, dressed in black."
"That sounds like George Pennicut."
"I have no doubt that that is his name. I did not inquire. It did not interest me. My name is Mrs. Lora Delane Porter. This man of yours has just run into my automobile."
"I beg your pardon?"
"I cannot put it more lucidly. I was driving along the street when this weak-minded person flung himself in front of my car. He is out there now. Kindly come and help him in."
"Is he hurt?"
"More frightened than hurt. I have examined him. His left knee appears to be slightly wrenched."
Kirk Winfield passed a hand over his left forehead and followed her.
Like George, he found Mrs. Porter a trifle overwhelming.
Out in the street George Pennicut, now the centre of quite a substantial section of the Four Million, was causing a granite-faced policeman to think that the age of miracles had returned by informing him that the accident had been his fault and no other's. He greeted the relief-party with a wan grin.
"Just broke my leg, sir," he announced to Kirk.
"You have done nothing of the sort," said Mrs. Porter. "You have wrenched your knee very slightly. Have you explained to the policeman that it was entirely your fault?"
"Yes, ma'am."
"That's right. Always speak the truth."
"Yes, ma'am."
"Mr. Winfield will help you indoors."
"Thank you, ma'am."
She turned to Kirk.
"Now, Mr. Winfield."
Kirk bent over the victim, gripped him, and lifted him like a baby.
"He's got his," observed one interested spectator.
"I should worry!" agreed another. "All broken up."
"Nothing of the kind," said Mrs. Porter severely. "The man is hardly hurt at all. Be more accurate in your remarks."
She eyed the speaker sternly. He wilted.
"Yes, ma'am," he mumbled sheepishly.
The policeman, with that lionlike courage which makes the New York constabulary what it is, endeavoured to assert himself at this point.
"Hey!" he boomed.
Mrs. Porter turned her gaze upon him, her cold, steely gaze.
"I beg your pardon?"
"This won't do, ma'am. I've me report to make. How did this happen?"
"You have already been informed. The man ran into my automobile."
"But——"
"I shall not charge him."
She turned and followed Kirk.
"But, say——" The policeman's voice was now almost plaintive.
Mrs. Porter ignored him and disappeared into the house. The policeman, having gulped several times in a disconsolate way, relieved his feelings by dispersing the crowd with well-directed prods of his locust stick. A small boy who lingered, squeezing the automobile's hooter, in a sort of trance he kicked. The boy vanished. The crowd melted. The policeman walked slowly toward Ninth Avenue. Peace reigned in the street.
"Put him to bed," said Mrs. Porter, as Kirk laid his burden on a couch in the studio. "You seem exceedingly muscular, Mr. Winfield. I noticed that you carried him without an effort. He is a stout man, too. Grossly out of condition, like ninety-nine per cent of men to-day."
"I'm not so young as I was, ma'am," protested George. "When I was in the harmy I was a fine figure of a man."
"The more shame to you that you have allowed yourself to deteriorate," commented Mrs. Porter. "Beer?"
A grateful smile irradiated George's face.
"Thank you, ma'am. It's very kind of you, ma'am. I don't mind if I do."
"The man appears a perfect imbecile," said Mrs. Porter, turning abruptly to Kirk. "I ask him if he attributes his physical decay to beer and he babbles."
"I think he thought you were offering him a drink," suggested Kirk. "As a matter of fact, a little brandy wouldn't hurt him, after the shock he has had."
"On no account. The worst thing possible."
"This isn't your lucky day, George," said Kirk. "Well, I guess I'll phone to the doctor."
"Quite unnecessary."
"I beg your pardon?"
"Entirely unnecessary. I have made an examination. There is practically nothing the matter with the man. Put him to bed, and let him sponge his knee with warm water."
"Are you a doctor, Mrs. Porter?"
"I have studied first aid."
"Well, I think, if you don't mind, I should like to have your opinion confirmed."
This was rank mutiny. Mrs. Porter stared haughtily at Kirk. He met her gaze with determination.
"As you please," she snapped.
"Thank you," said Kirk. "I don't want to take any risks with George. I couldn't afford to lose him. There aren't any more like him: they've mislaid the pattern."
He went to the telephone.
Mrs. Porter watched him narrowly. She was more than ever impressed by the perfection of his physique. She appraised his voice as he spoke to the doctor. It gave evidence of excellent lungs. He was a wonderfully perfect physical specimen.
An idea concerning this young man came into her mind, startling as all great ideas are at birth. The older it grew, the more she approved of it. She decided to put a few questions to him. She had a habit of questioning people, and it never occurred to her that they might resent it. If it had occurred to her, she would have done it just the same. She was like that.
"Mr. Winfield?"
"Yes?"
"I should like to ask you a few questions."
This woman delighted Kirk.
"Please do," he said.
Mrs. Porter scanned him closely.
"You are an extraordinarily healthy man, to all appearances. Have you ever suffered from bad health?"
"Measles."
"Immaterial."
"Very unpleasant, though."
"Nothing else?"
"Mumps."
"Unimportant."
"Not to me. I looked like a water-melon."
"Nothing besides? No serious illnesses?"
"None."
"What is your age?"
"Twenty-five."
"Are your parents living?"
"No."
"Were they healthy?"
"Fit as fiddles."
"And your grandparents?"
"Perfect bear-cats. I remember my grandfather at the age of about a hundred or something like that spanking me for breaking his pipe. I thought it was a steam-hammer. He was a wonderfully muscular old gentleman."
"Excellent."
"By the way," said Kirk casually, "my life is insured."
"Very sensible. There has been no serious illness in your family at all, then, as far as you know?"
"I could hunt up the records, if you like; but I don't think so."
"Consumption? No? Cancer? No? As far as you are aware, nothing? Very satisfactory."
"I'm glad you're pleased."
"Are you married?"
"Good Lord, no!"
"At your age you should be. With your magnificent physique and remarkable record of health, it is your duty to the future of the race to marry."
"I'm not sure I've been worrying much about the future of the race."
"No man does. It is the crying evil of the day, men's selfish absorption in the present, their utter lack of a sense of duty with regard to the future. Have you read my 'Dawn of Better Things'?"
"I'm afraid I read very few novels."
"It is not a novel. It is a treatise on the need for implanting a sense of personal duty to the future of the race in the modern young man."
"It sounds a crackerjack. I must get it."
"I will send you a copy. At the same time I will send you my 'Principles of Selection' and 'What of To-morrow?' They will make you think."
"I bet they will. Thank you very much."
"And now," said Mrs. Porter, switching the conversation to the gaping
George, "you had better put this man to bed."
George Pennicut's opinion of Mrs. Porter, to which he was destined to adhere on closer acquaintance, may be recorded.
"A hawful woman, sir," he whispered as Kirk bore him off.
"Nonsense, George," said Kirk. "One of the most entertaining ladies I have ever met. Already I love her like a son. But how she escaped from Bloomingdale beats me. There's been carelessness somewhere."
The bedrooms attached to the studio opened off the gallery that ran the length of the east wall. Looking over the edge of the gallery before coming downstairs Kirk perceived his visitor engaged in a tour of the studio. At that moment she was examining his masterpiece, "Ariadne in Naxos." He had called it that because that was what it had turned into.
At the beginning he had had no definite opinion as to its identity. It was rather a habit with his pictures to start out in a vague spirit of adventure and receive their label on completion. He had an airy and a dashing way in his dealings with the goddess Art.
Nevertheless, he had sufficient of the artist soul to resent the fact that Mrs. Porter was standing a great deal too close to the masterpiece to get its full value.
"You want to stand back a little," he suggested over the rail.
Mrs. Porter looked up.
"Oh, there you are!" she said.
"Yes, here I am," agreed Kirk affably.
"Is this yours?"
"It is."
"You painted it?"
"I did."
"It is poor. It shows a certain feeling for colour, but the drawing is weak," said Mrs. Porter. For this wonderful woman was as competent at art criticism as at automobile driving and first aid. "Where did you study?"
"In Paris, if you could call it studying. I'm afraid I was not the model pupil."
"Kindly come down. You are giving me a crick in the neck."
Kirk descended. He found Mrs. Porter still regarding the masterpiece with an unfavourable eye.
"Yes," she said, "the drawing is decidedly weak."
"I shouldn't wonder," assented Kirk. "The dealers to whom I've tried to sell it have not said that in so many words, but they've all begged me with tears in their eyes to take the darned thing away, so I guess you're right."
"Do you depend for a living on the sale of your pictures?"
"Thank Heaven, no. I'm the only artist in captivity with a private income."
"A large income?"
"'Tis not so deep as a well, nor so wide as a church door, but 'tis enough, 'twill serve. All told, about five thousand iron men per annum."
"Iron men?"
"Bones."
"Bones?"
"I should have said dollars."
"You should. I detest slang."
"Sorry," said Kirk.
Mrs. Porter resumed her tour of the studio. She was interrupted by the arrival of the doctor, a cheerful little old man with the bearing of one sure of his welcome. He was an old friend of Kirk's.
"Well, what's the trouble? I couldn't come sooner. I was visiting a case. I work."
"There is no trouble," said Mrs. Porter. The doctor spun round, startled. In the dimness of the studio he had not perceived her. "Mr. Winfield's servant has injured his knee very superficially. There is practically nothing wrong with him. I have made a thorough examination."
The doctor looked from one to the other.
"Is the case in other hands?" he asked.
"You bet it isn't," said Kirk. "Mrs. Porter just looked in for a family chat and a glimpse of my pictures. You'll find George in bed, first floor on the left upstairs, and a very remarkable sight he is. He is wearing red hair with purple pyjamas. Why go abroad when you have not yet seen the wonders of your native land?"
* * * * *
That night Lora Delane Porter wrote in the diary which, with that magnificent freedom from human weakness that marked every aspect of her life, she kept all the year round instead of only during the first week in January.
This is what she wrote:
"Worked steadily on my book. It progresses. In the afternoon an annoying occurrence. An imbecile with red hair placed himself in front of my automobile, fortunately without serious injury to the machine—though the sudden application of the brake cannot be good for the tyres. Out of evil, however, came good, for I have made the acquaintance of his employer, a Mr. Winfield, an artist. Mr. Winfield is a man of remarkable physique. I questioned him narrowly, and he appears thoroughly sound. As to his mental attainments, I cannot speak so highly; but all men are fools, and Mr. Winfield is not more so than most. I have decided that he shall marry my dear Ruth. They will make a magnificent pair."
Ruth States Her Intentions
At about the time when Lora Delane Porter was cross-examining Kirk
Winfield, Bailey Bannister left his club hurriedly.
Inside the club a sad, rabbit-faced young gentleman, who had been unburdening his soul to Bailey, was seeking further consolation in an amber drink with a cherry at the bottom of it. For this young man was one of nature's cherry-chasers. It was the only thing he did really well. His name was Grayling, his height five feet three, his socks pink, and his income enormous.
So much for Grayling. He is of absolutely no importance, either to the world or to this narrative, except in so far that the painful story he has been unfolding to Bailey Bannister has so wrought upon that exquisite as to send him galloping up Fifth Avenue at five miles an hour in search of his sister Ruth.
Let us now examine Bailey. He is a faultlessly dressed young man of about twenty-seven, who takes it as a compliment when people think him older. His mouth, at present gaping with agitation and the unwonted exercise, is, as a rule, primly closed. His eyes, peering through gold-rimmed glasses, protrude slightly, giving him something of the dumb pathos of a codfish.
His hair is pale and scanty, his nose sharp and narrow. He is a junior partner in the firm of Bannister & Son, and it is his unalterable conviction that, if his father would only give him a chance, he could show Wall Street some high finance that would astonish it.
The afternoon was warm. The sun beat down on the avenue. Bailey had not gone two blocks before it occurred to him that swifter and more comfortable progress could be made in a taxicab than on his admirably trousered legs. No more significant proof of the magnitude of his agitation could be brought forward than the fact that he had so far forgotten himself as to walk at all. He hailed a cab and gave the address of a house on the upper avenue.
He leaned back against the cushions, trying to achieve a coolness of mind and body. But the heat of the day kept him unpleasantly soluble, and dismay, that perspiration of the soul, refused to be absorbed by the pocket-handkerchief of philosophy.
Bailey Bannister was a young man who considered the minding of other people's business a duty not to be shirked. Life is a rocky road for such. His motto was "Let me do it!" He fussed about the affairs of Bannister & Son; he fussed about the welfare of his friends at the club; especially, he fussed about his only sister Ruth.
He looked on himself as a sort of guardian to Ruth. Their mother had died when they were children, and old Mr. Bannister was indifferently equipped with the paternal instinct. He was absorbed, body and soul, in the business of the firm. He lived practically a hermit life in the great house on Fifth Avenue; and, if it had not been for Bailey, so Bailey considered, Ruth would have been allowed to do just whatever she pleased. There were those who said that this was precisely what she did, despite Brother Bailey.
It is a hard world for a conscientious young man of twenty-seven.
Bailey paid the cab and went into the house. It was deliciously cool in the hall, and for a moment peace descended on him. But the distant sound of a piano in the upper regions ejected it again by reminding him of his mission. He bounded up the stairs and knocked at the door of his sister's private den.
The piano stopped as he entered, and the girl on the music-stool glanced over her shoulder.
"Well, Bailey," she said, "you look warm."
"I am warm," said Bailey in an aggrieved tone. He sat down solemnly.
"I want to speak to you, Ruth."
Ruth shut the piano and caused the music-stool to revolve till she faced him.
"Well?" she said.
Ruth Bannister was an extraordinarily beautiful girl, "a daughter of the gods, divinely tall, and most divinely fair." From her mother she had inherited the dark eyes and ivory complexion which went so well with her mass of dark hair; from her father a chin of peculiar determination and perfect teeth. Her body was strong and supple. She radiated health.
To her friends Ruth was a source of perplexity. It was difficult to understand her. In the set in which she moved girls married young; yet season followed season, and Ruth remained single, and this so obviously of her own free will that the usual explanation of such a state of things broke down as soon as it was tested.
In shoals during her first two seasons, and lately with less unanimity, men of every condition, from a prince—somewhat battered, but still a prince—to the Bannisters' English butler—a good man, but at the moment under the influence of tawny port, had laid their hearts at her feet. One and all, they had been compelled to pick them up and take them elsewhere. She was generally kind on these occasions, but always very firm. The determined chin gave no hope that she might yield to importunity. The eyes that backed up the message of the chin were pleasant, but inflexible.
Generally it was with a feeling akin to relief that the rejected, when time had begun to heal the wound, contemplated their position. There was something about this girl, they decided, which no fellow could understand: she frightened them; she made them feel that their hands were large and red and their minds weak and empty. She was waiting for something. What it was they did not know, but it was plain that they were not it, and off they went to live happily ever after with girls who ate candy and read best-sellers. And Ruth went on her way, cool and watchful and mysterious, waiting.
The room which Ruth had taken for her own gave, like all rooms when intelligently considered, a clue to the character of its owner. It was the only room in the house furnished with any taste or simplicity. The furniture was exceedingly expensive, but did not look so. The key-note of the colour-scheme was green and white. All round the walls were books. Except for a few prints, there were no pictures; and the only photograph visible stood in a silver frame on a little table.
It was the portrait of a woman of about fifty, square-jawed, tight-lipped, who stared almost threateningly out of the frame; exceedingly handsome, but, to the ordinary male, too formidable to be attractive. On this was written in a bold hand, bristling with emphatic down-strokes and wholly free from feminine flourish: "To my dear Ruth from her Aunt Lora." And below the signature, in what printers call "quotes," a line that was evidently an extract from somebody's published works: "Bear the torch and do not falter."
Bailey inspected this photograph with disfavour. It always irritated him. The information, conveyed to him by amused friends, that his Aunt Lora had once described Ruth as a jewel in a dust-bin, seemed to him to carry an offensive innuendo directed at himself and the rest of the dwellers in the Bannister home. Also, she had called him a worm. Also, again, his actual encounters with the lady, though few, had been memorably unpleasant. Furthermore, he considered that she had far too great an influence on Ruth. And, lastly, that infernal sentence about the torch, which he found perfectly meaningless, had a habit of running in his head like a catch-phrase, causing him the keenest annoyance.
He pursed his lips disapprovingly and averted his eyes.
"Don't sniff at Aunt Lora, Bailey," said Ruth. "I've had to speak to you about that before. What's the matter? What has sent you flying up here?"
"I have had a shock," said Bailey. "I have been very greatly disturbed.
I have just been speaking to Clarence Grayling."
He eyed her accusingly through his gold-rimmed glasses. She remained tranquil.
"And what had Clarence to say?"
"A great many things."
"I gather he told you I had refused him."
"If it were only that!"
Ruth rapped the piano sharply.
"Bailey," she said, "wake up. Either get to the point or go or read a book or do some tatting or talk about something else. You know perfectly well that I absolutely refuse to endure your impressive manner. I believe when people ask you the time you look pained and important and make a mystery of it. What's troubling you? I should have thought Clarence would have kept quiet about insulting me. But apparently he has no sense of shame."
Bailey gaped. Bailey was shocked and alarmed.
"Insulting you! What do you mean? Clarence is a gentleman. He is incapable of insulting a woman."
"Is he? He told me I was a suitable wife for a wretched dwarf with the miserably inadequate intelligence which nature gave him reduced to practically a minus quantity by alcohol! At least, he implied it. He asked me to marry him."
"I have just left him at the club. He is very upset."
"I should imagine so." A soft smile played over Ruth's face. "I spoke to Clarence. I explained things to him. I lit up Clarence's little mind like a searchlight."
Bailey rose, tremulous with just wrath.
"You spoke to him in a way that I can only call outrageous and improper, and—er—outrageous."
He paced the room with agitated strides. Ruth watched him calmly.
"If the overflowing emotion of a giant soul in torment makes you knock over a table or smash a chair," she said, "I shall send the bill for repairs to you. You had far better sit down and talk quietly. What is worrying you, Bailey?"
"Is it nothing," demanded her brother, "that my sister should have spoken to a man as you spoke to Clarence Grayling?"
With an impassioned gesture he sent a flower-vase crashing to the floor.
"I told you so," said Ruth. "Pick up the bits, and don't let the water spoil the carpet. Use your handkerchief. I should say that that would cost you about six dollars, dear. Why will you let yourself be so temperamental? Now let me try and think what it was I said to Clarence. As far as I can remember it was the mere A B C of eugenics."
Bailey, on his knees, picking up broken glass, raised a flushed and accusing face.
"Ah! Eugenics! You admit it!"
"I think," went on Ruth placidly, "I asked him what sort of children he thought we were likely to have if we married."
"A nice girl ought not to think about such things."
"I don't think about anything else much. A woman can't do a great deal, even nowadays, but she can have a conscience and feel that she owes something to the future of the race. She can feel that it is her duty to bring fine children into the world. As Aunt Lora says, she can carry the torch and not falter."
Bailey shied like a startled horse at the hated phrase. He pointed furiously at the photograph of the great thinker.
"You're talking like that—that damned woman!"
"Bailey precious! You mustn't use such wicked, wicked words."
Bailey rose, pink and wrathful.
"If you're going to break another vase," said Ruth, "you will really have to go."
"Ever since that—that——" cried Bailey. "Ever since Aunt Lora——"
Ruth smiled indulgently.
"That's more like my little man," she said. "He knows as well as I do how wrong it is to swear."
"Be quiet! Ever since Aunt Lora got hold of you, I say, you have become a sort of gramophone, spouting her opinions."
"But what sensible opinions!"
"It's got to stop. Aunt Lora! My God! Who is she? Just look at her record. She disgraces the family by marrying a grubby newspaper fellow called Porter. He has the sense to die. I will say that for him. She thrusts herself into public notice by a series of books and speeches on subjects of which a decent woman ought to know nothing. And now she gets hold of you, fills you up with her disgusting nonsense, makes a sort of disciple of you, gives you absurd ideas, poisons your mind, and—er—er——-"
"Bailey! This is positive eloquence!"
"It's got to stop. It's bad enough in her; but every one knows she is crazy, and makes allowances. But in a young girl like you."
He choked.
"In a young girl like me," prompted Ruth in a low, tragic voice.
"It—it's not right. It—it's not proper." He drew a long breath. "It's all wrong. It's got to stop."
"He's perfectly wonderful!" murmured Ruth. "He just opens his mouth and the words come out. But I knew he was somebody, directly I saw him, by his forehead. Like a dome!" Bailey mopped the dome.
"Perhaps you don't know it," he said, "but you're getting yourself talked about. You go about saying perfectly impossible things to people. You won't marry. You have refused nearly every friend I have."
Ruth shuddered.
"Your friends are awful, Bailey. They are all turned out on a pattern, like a flock of sheep. They bleat. They have all got little, narrow faces without chins or big, fat faces without foreheads. Ugh!"
"None of them good enough for you, is that it?"
"Not nearly."
Emotion rendered Bailey—for him—almost vulgar.
"I guess you hate yourself!" he snapped.
"No sir" beamed Ruth. "I think I'm perfectly beautiful."
Bailey grunted. Ruth came to him and gave him a sisterly kiss. She was very fond of Bailey, though she declined to reverence him.
"Cheer up, Bailey boy," she said. "Don't you worry yourself. There's a method in my madness. I'll find him sooner or later, and then you'll be glad I waited."
"Him? what do you mean?"
"Why, him, of course. The ideal young man. That's who—or is it whom?—I'm waiting for. Bailey, shall I tell you something? You're so scarlet already—poor boy, you ought not to rush around in this hot weather—that it won't make you blush. It's this. I'm ambitious. I mean to marry the finest man in the world and have the greatest little old baby you ever dreamed of. By the way, now I remember, I told Clarence that."
Bailey uttered a strangled exclamation.
"It has made you blush! You turned purple. Well, now you know. I mean my baby to be the most splendid baby that was ever born. He's going to be strong and straight and clever and handsome, and—oh, everything else you can think of. That's why I'm waiting for the ideal young man. If I don't find him I shall die an old maid. But I shall find him. We may pass each other on Fifth Avenue. We may sit next each other at a theatre. Wherever it is, I shall just reach right out and grab him and whisk him away. And if he's married already, he'll have to get a divorce. And I shan't care who he is. He may be any one. I don't mind if he's a ribbon clerk or a prize-fighter or a policeman or a cab-driver, so long as he's the right man."
Bailey plied the handkerchief on his streaming forehead. The heat of the day and the horror of this conversation were reducing his weight at the rate of ounces a minute. In his most jaundiced mood he had never imagined these frightful sentiments to be lurking in Ruth's mind.
"You can't mean that!" he cried.
"I mean every word of it," said Ruth. "I hope, for your sake, he won't turn out to be a waiter or a prize-fighter, but it won't make any difference to me."
"You're crazy!"
"Well, just now you said Aunt Lora was. If she is, I am."
"I knew it! I said she had been putting these ghastly ideas into your head. I'd like to strangle that woman."
"Don't you try! Have you ever felt Aunt Lora's biceps? It's like a man's. She does dumb-bells every morning."
"I've a good mind to speak to father. Somebody's got to make you stop this insanity."
"Just as you please. But you know how father hates to be worried about things that don't concern business."
Bailey did. His father, of whom he stood in the greatest awe, was very little interested in any subject except the financial affairs of the firm of Bannister & Son. It required greater courage than Bailey possessed to place this matter before him. He had an uneasy feeling that Ruth knew it.
"I would, if it were necessary," he said. "But I don't believe you're serious."
"Stick to that idea as long as ever you can, Bailey dear," said Ruth.
"It will comfort you."
The Mates Meet
Kirk Winfield was an amiable, if rather weak, young man with whom life, for twenty-five years, had dealt kindly. He had perfect health, an income more than sufficient for his needs, a profession which interested without monopolizing him, a thoroughly contented disposition, and the happy knack of surrounding himself with friends.
That he had to contribute to the support of the majority of these friends might have seemed a drawback to some men. Kirk did not object to it in the least. He had enough money to meet their needs, and, being a sociable person who enjoyed mixing with all sorts and conditions of men, he found the Liberty Hall regime pleasant.
He liked to be a magnet, attracting New York's Bohemian population. If he had his preferences among the impecunious crowd who used the studio as a chapel of ease, strolling in when it pleased them, drinking his whisky, smoking his cigarettes, borrowing his money, and, on occasion, his spare bedrooms and his pyjamas, he never showed it. He was fully as pleasant to Percy Shanklyn, the elegant, perpetually resting English actor, whom he disliked as far as he was capable of disliking any one, as he was to Hank Jardine, the prospector, and Hank's prize-fighter friend, Steve Dingle, both of whom he liked enormously.
It seemed to him sometimes that he had drifted into the absolutely ideal life. He lived entirely in the present. The passage of time left him untouched. Day followed day, week followed week, and nothing seemed to change. He was never unhappy, never ill, never bored.
He would get up in the morning with the comfortable knowledge that the day held no definite duties. George Pennicut would produce one of his excellent breakfasts. The next mile-stone would be the arrival of Steve Dingle. Five brisk rounds with Steve, a cold bath, and a rub-down took him pleasantly on to lunch, after which it amused him to play at painting.
There was always something to do when he wearied of that until, almost before the day had properly begun, up came George with one of his celebrated dinners. And then began the incursion of his friends. One by one they would drop in, making themselves very much at home, to help their host through till bedtime. And another day would slip into the past.
It never occurred to Kirk that he was wasting his life. He had no ambitions. Ambition is born of woman, and no woman that he had ever met had ever stirred him deeply. He had never been in love, and he had come to imagine that he was incapable of anything except a mild liking for women. He considered himself immune, and was secretly glad of it. He enjoyed his go-as-you-please existence too much to want to have it upset. He belonged, in fact, to the type which, when the moment arrives, falls in love very suddenly, very violently, and for all time.
Nothing could have convinced him of this. He was like a child lighting matches in a powder-magazine. When the idea of marriage crossed his mind he thrust it from him with a kind of shuddering horror. He could not picture to himself a woman who could compensate him for the loss of his freedom and, still less, of his friends.
His friends were men's men; he could not see them fitting into a scheme of life that involved the perpetual presence of a hostess. Hank Jardine, for instance. To Kirk, the great point about Hank was that he had been everywhere, seen everything, and was, when properly stimulated with tobacco and drink, a fountain of reminiscence. But he could not talk unless he had his coat off and his feet up on the back of a chair. No hostess could be expected to relish that.
Hank was a bachelor's friend; he did not belong in a married household. The abstract wife could not be reconciled to him, and Kirk, loving Hank like a brother, firmly dismissed the abstract wife.
He came to look upon himself as a confirmed bachelor. He had thought out the question of marriage in all its aspects, and decided against it. He was the strong man who knew his own mind and could not be shaken.
Yet, on the afternoon of the day following Mrs. Lora Delane Porter's entry into his life, Kirk sat in the studio, feeling, for the first time in recent years, a vague discontent. He was uneasy, almost afraid. The slight dislocation in the smooth-working machinery of his existence, caused by the compulsory retirement of George Pennicut, had made him thoroughly uncomfortable. With discomfort had come introspection, and with introspection this uneasiness that was almost fear.
A man, living alone, without money troubles to worry him, sinks inevitably into a routine. Fatted ease is good for no one. It sucks the soul out of a man. Kirk, as he sat smoking in the cool dusk of the studio, was wondering, almost in a panic, whether all was well with himself.
This mild domestic calamity had upset him so infernally. It could not be right that so slight a change in his habits should have such an effect upon him. George had been so little hurt—the doctor gave him a couple of days before complete recovery—that it had not seemed worth while to Kirk to engage a substitute. It was simpler to go out for his meals and make his own bed. And it was the realization that this alteration in his habits had horribly disturbed and unsettled him that was making Kirk subject himself now to an examination of quite unusual severity.
He hated softness. Physically, he kept himself always in perfect condition. Had he become spiritually flabby? Certainly this unexpected call on his energies would appear to have found him unprepared. It spoiled his whole day, knowing, when he got out of bed in the morning, that he must hunt about and find his food instead of sitting still and having it brought to him. It frightened him to think how set he had become.
Forty-eight hours ago he would have scorned the suggestion that he coddled himself. He would have produced as evidence to the contrary his cold baths, his exercises, his bouts with Steve Dingle. To-day he felt less confidence. For all his baths and boxing, the fact remained that he had become, at the age of twenty-six, such a slave to habit that a very trifling deviation from settled routine had been enough to poison life for him.
Bachelors have these black moments, and it is then that the abstract wife comes into her own. To Kirk, brooding in the dusk, the figure of the abstract wife seemed to grow less formidable, the fact that she might not get on with Hank Jardine of less importance.
The revolutionary thought that life was rather a bore, and would become more and more of a bore as the years went on, unless he had some one to share it with, crept into his mind and stayed there.
He shivered. These were unpleasant thoughts, and in his hour of clear vision he knew whence they came. They were entirely due to the knowledge that, instead of sitting comfortably at home, he would be compelled in a few short hours to go out and get dinner at some restaurant. To such a pass had he come in the twenty-sixth year of his life.
Once the gods have marked a bachelor down, they give him few chances of escape. It was when Kirk's mood was at its blackest, and the figure of the abstract wife had ceased to be a menace and become a shining angel of salvation, that Lora Delane Porter, with Ruth Bannister at her side, rang the studio bell.
Kirk went to the door. He hoped it was a tradesman; he feared it was a friend. In his present state of mind he had no use for friends. When he found himself confronting Mrs. Porter he became momentarily incapable of speech. It had not entered his mind that she would pay him a second visit. Possibly it was joy that rendered him dumb.
"Good afternoon, Mr. Winfield," said Mrs. Porter. "I have come to inquire after the man Pennicut. Ruth, this is Mr. Winfield. Mr. Winfield, my niece, Miss Bannister."
And Kirk perceived for the first time that his visitor was not alone.
In the shadow behind her a girl was standing. He stood aside to let
Mrs. Porter pass, and Ruth came into the light.