Yiddish Glossary for Goyim

The Power Shmoozer's Guide to Hollywood

by Noë Gold

PUBLISHED BY:

noemedia press

Copyright © 2012 by Noë Gold. All rights reserved. This book, or parts thereof, may not be reproduced in any form, except for the inclusion of brief quotations in a review, without the permission of the publishers.

Library of Congress Catalog Information:

Gold, Noe

Yiddish Glossary for Goyim:

The Power Shmoozer's Guide to Hollywood

I. Title

ISBN (ebook): 978-0-9882322-4-2

Illustrations by: Glick, used with permission

DEVAULT-GRAVES DIGITAL EDITIONS

Devault-Graves Digital Editions is an imprint of The Devault-Graves Agency, Memphis, Tennessee.

www.devault-gravesagency.com

Ebook Edition License Notes:

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you're reading this book and did not purchase it, or it was not purchased for your use only, then you should return to doctornoemedia.blogspot.com and purchase your own copy. Thank you for respecting the author's work.

Acknowledgements

I am especially grateful to those who have supported me in this endeavor from the beginning, some 25 years ago, and to old friends who stood by me and honored my vision in the home stretch.

To Brian Stutt, my Brooklyn-bred Warrior Brother, thank you! Thank you for your support and the nourishment you give my mind with your daily infusions of humor and Yiddishisms. To my steadfast cousin Larry Warsh, head of Chinese contemporary art org AW Asia, author of Jean-Michel Basquiat, Ai Weiwei: Never Sorry and the most recent Weiwei-izms and his own personal Warrior Brother Ai Weiwei, thank you for your dedication, your advice and for Ai's earnest attempts at phonetic pronunciations of his Weiwei-izms transliterated by me into Yiddish.

Dario Scardapane, the first Goy to read this manuscript, a pleasurable enough diversion during the diurnal mishugass of our day jobs as editors of Movies USA