© 2008 Zandstorm Productions
All Rights Reserved
No parts of this publication may be reproduced,
Stored in retrieval system, or transmitted, in any form
Or by any means, electronic, mechanical, photocopying, recording, or otherwise,
without prior written permission of Zandstorm Productions.
International Copyright Secured.
Unauthorized copying of music is forbidden by law,
And may result in criminal or civil action.
Music engraving: Sibelius Software
Cover Design: Sheldon Zandboer
Published by: Zandstorm Productions
ISBN: 9781483559247
Table of Contents
Graduated Linear Training
The Essence
The Concept
The Application
The Method
Advanced Applied Concepts
Linear Momentum
Adaptive Technique
Jazz Vocabulary
II-V7 Lines
Acknowledgements
The Author
Graduated Linear Training
‘“The less effort, the faster and more powerful you will be.”
- Bruce Lee
There have been many books written about the theory of jazz, the application of scales, modes, chord progressions, styles, and their historical origins. However, none touch on the spontaneous biomechanical feat of actually playing jazz.
During the early days in the history of jazz there was an absence of established institutions and no method books to supplement the player with learning material. And yet, jazz quickly developed and spread respectively throughout the western hemisphere.
Before 1960, musicians had minimal access to formal jazz training in public schools, colleges, and universities that are in place today. Jazz was learned primarily by: