As part of a series, love… Crochet contains a collection of 25 wonderful projects – all of which are really easy to create. From the narrow stripe beret and the mock pleat shoulder bag to the outdoors cushion and white star throw, each project uses the latest yarns, designed with the style-conscious in mind. There are also shorter projects so if you’re pressed for time, you can simply make a few pretty crochet cupcakes or jam jar covers – perfect for adding a personal touch to your home or for giving as gifts. The book uses star ratings – from beginner to advanced – so the difficulty of each project and skill-level needed can be judged at a glance.
As the current economic climate forces everyone to tighten their belts, the versatility of crochet has really come into its own. Using little more than some yarn and a crochet hook you can make glamorous one-off fashion garments and pretty accessories for your home – meaning saving money is no excuse for looking shabby.
All the patterns give clear and concise instructions while close-up photos show stitch details, making crochet accessible, even for a beginner.
Carol Meldrum has worked for Rowan & Jaeger hand knits both as a design consultant and freelance designer. Carol is the author of the bestselling Knitted Icons and also runs numerous knitting and crochet workshops throughout the UK. She has her own website at www.beatknit.com.
Other titles in the same series:
love… Knitting
Val Pierce
ISBN 978 1 84773 594 2
love… Sewing
Cheryl Owen
ISBN 978 1 84773 592 8
love… Quilting
Marion Patterson, Sally Ablett, Sue Warren
ISBN 978 1 84773 593 5
New Holland Publishers (UK) Ltd
Garfield House
86–88 Edgware Road
London W2 2EA
www.newhollandpublishers.com
Reprinted in 2011
First published in 2010 by
New Holland Publishers (UK) Ltd
London • Cape Town • Sydney • Auckland
Garfield House
86–88 Edgware Road
London W2 2EA
United Kingdom
www.newhollandpublishers.com
80 McKenzie Street
Cape Town 8001
South Africa
Unit 1, 66 Gibbes Street
Chatswood, NSW 2067
Australia
218 Lake Road
Northcote, Auckland
New Zealand
Copyright © 2010 text: Carol Meldrum
Copyright © 2010 photographs and illustrations:
New Holland Publishers (UK) Ltd
Copyright © 2010 New Holland Publishers (UK) Ltd
Carol Meldrum has asserted her moral right to be identified as the Author of this work.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers and copyright holders.
10 9 8 7 6 5 4 3
ISBN 978 184773 595 9
Editor: Amy Corstorphine
Photography: Mark Winwood
Design concept: Beverly Price, www.one2six.com
Production: Laurence Poos
Editorial Direction: Rosemary Wilkinson
Reproduction by Modern Age Repro House Ltd,
Hong Kong
Printed and bound in Singapore by Craft Print
International Ltd
introduction
the basics
tools and materials
techniques
the projects
narrow stripe beret
broad tie belt
crochet project bag
extra long fingerless gloves
beaded loop detail handbag
rose appliqué felted cushion
squares in the round blanket
oven gloves
crochet half apron
outdoors cushion
crochet hook case
knitting needle case
big button shopper
fuzzy felt spike scarf
cobweb lace gloves
drawstring halterneck top
sloppy joe beret
chunky chevron hooded scarf
girl’s butterfly frill sleeve top
alpine hat
jam jar covers
cupcakes
white star throw
mock pleat shoulder bag
deep V skinny tunic
stockists
index
acknowledgements
The craft of crochet is quite young compared to other needlecrafts such as weaving and knitting. Historically, crochet was used in the mid 19th century to recreate the look of expensive European laces and, during Queen Victoria’s reign, it was widely used in clothing and household wares. Today, once again, crochet is as popular as ever for both pleasure and practical purposes. Whilst continuing traditions of the past, we can enjoy delving into tried and tested techniques and dipping into stitches, mixing them up with modern yarns and colours to give crochet a 21st century update.
Crochet is incredibly easy to get started with. Because it involves a repetition of the same movement – drawing the yarn through a loop on the hook – the basics are really quick to pick up. It can feel a little strange to start off with, especially if you are used to knitting, but the fingers soon learn the new movements and the rhythm becomes like a calming second nature. Most of the projects featured are quick to make, often taking only take a few evenings to produce and some larger projects are worked in pieces so are ideal to keep coming back to. You can easily carry your hook and yarn with you wherever you go, making it perfect for filling in those pockets of free time throughout the day. All the essential techniques you need are explained in detail at the beginning of the book and close-up photos of the projects show the stitch details, making them simple to follow.
Whether you are a complete beginner or already a crochet-pro, by working through the projects you will learn new skills. And, ultimately, what could be better than adding individuality to your outfit with a one-off fashion piece or real style to your home!
You don’t need much equipment to get started. The essentials are a hook, some yarn and a pair of sharp scissors. Other equipment can simply be added to your collection along the way.
Hooks There are a wide variety of hooks to choose from and it is a matter of personal choice as to the type of hook you prefer to use. The most commonly used hook is either aluminium or plastic. Smaller steel sizes are used for working with fine crochet threads and other aluminium hooks have plastic or soft-touch handles to give a better grip, making it a bit easier on the fingers. Bamboo and birchwood hooks have a very smooth finish and often have pretty decorative handles, which add to their appeal.
Hooks also come in a range of sizes from very thin to very thick. It tends to be the rule that thinner hooks are used for finer yarns and thicker hooks are used for thicker yarns, but you can have fun playing about with this once you know what you are doing.
Hooks are sized according to their thickness, either in a number or letter system depending on the brand. The different parts that make up the hook – the point, the throat, the thumb rest and the handle – can vary from brand to brand so try different types to see which one suits you best.
Whichever hook you choose, it’s important to look after your tools. It’s a good idea to invest in a hook roll with pockets or, alternatively, loops to keep everything in place. Or you could simply use a pencil case or make up bag to keep things tidy.
Pins The glass-headed pin is a good all rounder to have. They are the best type to use when blocking and pressing as plastic and pearl-headed pins can melt with the heat. Quilter’s long pins can also be useful when pinning pieces together as they tend not to fall out so easily, but generally I find that you can’t go wrong with plain-old safety pins.
Scissors Small pointed scissors are good for cutting and trimming ends and you may find that they also fit snugly in your hook case.
Sewing needles The main type of needle needed is a tapestry or yarn needle, which will have a blunt point and a long eye for threading thicker yarns through. They come in a variety of sizes and are the best type of needle for weaving in ends and sewing up crochet fabrics. You may find that you also need sewing needles with sharp points for certain projects such as applique motifs or adding lacy trims to woven fabric.
Stitch markers These are very useful to have in your kit. They are usually brightly coloured plastic split rings or shaped loops that easily slip into and around your crochet stitches without splitting the yarn. They are usually used to highlight the beginning of a repeat or indicate the end of a round.
Tape measure Choose one that shows both inches and centimetres on the same side. A 30 cm (12 in) metal or plastic ruler is also good for measuring your tension.
There are so many different yarns on the market, from shiny mercerised cottons to hairy eyelash yarns, making everything from rough, bumpy textures to smooth, evenly spun strands. In theory you can crochet with any continuous length of fibre, but it is important to understand the fibre content and texture of the yarn as this will affect the finished look and quality of the fabric.
Yarns are created by spinning fibres together. These can be natural fibres, from plants and animals such as wool and cotton, or they can be manmade or synthetic fibres such as nylon or acrylic. Yarns can also be made up of a single fibre or by a blend of different fibres. The various thicknesses of yarns or plies are made up of finer strands twisted together to form the different weights used. Textured and tweedy yarns are often created by twisting several strands of different thicknesses and colours together giving a whole new look. Other yarns are formed slightly differently; ribbon yarns are constructed by knitting a very fine yarn into a tube, giving a rounded or flat appearance on the ball. However, when starting out with crochet it is best to go for a yarn that has a smooth surface and a tight twist.
Generally yarn is purchased by weight rather than length and is packaged in balls, hanks or skeins. The length of the yarn is an important piece of information, especially when you need to substitute one for another, and most brands will give you this information on the ball band. The way in which a yarn is spun can also affect the length. When using hanks or skeins they need to be wound up into balls before they are used to crochet.
Animal fibres Wool is the most commonly used animal fibre and although all wool comes from sheep, there are still a variety of qualities. Merino wool is made from superfine fibres and is very soft and robust, whereas scratchier wools tend to come from sheep that have longer, shaggier coats. Other animal fibres also include mohair and cashmere, which comes from goats, and angora from rabbits and alpacas. Silk is also classed as a natural fibre; it comes from the unwound cocoons of silk worms spun to make a yarn that has a soft shiny lustre. It is also a very strong and light yarn but can be an expensive choice.
Plant fibres Cotton and linen are the most commonly used plant fibres. Cotton really lends itself to crochet and, like wool, it comes in different forms. Different plants produce different types of fibres: cotton can be matte and soft or if you want a bit of a shine, mercerised cotton has a similar appearance to silk. Linen, bamboo and hemp are among the other yarns spun from plant fibres. Linen has a crisp feel and is spun from the fibres of the flax plant. It has a slightly waxy feel on the ball, but drapes beautifully and feels cool to wear. It’s also environmentally friendly – as is hemp.
Synthetic fibres Acrylic, nylon and polyester are all made from synthetic fibres. They are processed from coal and petroleum based products, so are essentially the same thing as plastic. Yarns made from 100% synthetic fibres are a lot less expensive, making them a good choice if you are on a budget, but it’s best to use one that has at least some natural fibre mixed in if possible. This makes the yarn much nicer to work with and will also give the fabric a more elastic property, helping it to keep its shape.
Learning a new skill is great fun, but it is important to understand the basics before starting a project. Work your way through the techniques here, making practice swatches of each of the different stitches. When you come across a new technique in a project, it’s a good idea to give it a quick practice first on some spare yarn.
There are a couple of different methods of holding the hook. There is no real right or wrong way but the most important thing is to use the method that’s the most comfortable and works best for you. The hook is usually held in the right hand.
Method 1: Hold the hook as if it were a pencil. The tips of your right thumb and forefinger should rest over the flat section of the hook.
Method 2: Hold the hook as if it were a knife, grasping the flat section of the hook between your thumb and forefinger.
Again there is no definitive way to hold the yarn, but it should easily feed through your fingers allowing you to create a slight tension that helps keep your stitches nice and even.
Method 1: Loop the short end of the yarn over the left forefinger. The end of the yarn coming from the ball should be under the next finger. Grip the length of yarn towards the ball of yarn gently with your fingers.
Method 2: As before, the short end of the yarn should be over your left forefinger. The end of the yarn coming from the ball should be under your next finger, but then also over the next. Some people also like to wrap the yarn around their little finger in this technique.
Every crochet stitch starts and ends with one loop on the hook. All crochet is made up from a series of loops and the first loop begins as a slip knot. Remember, this first loop does not count as an actual stitch.
1 Take the end of yarn in your right hand and wrap around your forefinger on the left hand in a cross. Turn your finger so that the cross is facing downwards.
2 Take the crochet hook in your left hand. Place it under the first loop on your left forefinger and draw through the second loop.
3 Remove your finger and pull both ends of yarn firmly.
The chain is the starting point for nearly all pieces of crochet fabric and is where you work your first row of stitches. The chain is made up connecting loops, and since you need to be able to fit your hook back into the chain, be careful not to make it too tight.
1 Hold your hook in the right hand and yarn in the left. Gently grip the base of the slip knot just under the hook with your thumb and forefinger. This will stop the loop from twirling freely around your hook when you work the chain.
2 Take the hook and place it under the strand of yarn that runs from your hook and over your left hand forefinger. This is described in patterns as yarn round hook, but it is really worked as hook under yarn. Turn the hook with your fingers so the hook part is now facing down. This movement will grab the strand of yarn and allow the hook to move fairly easily back through the loop. Bring the hook back through the loop towards yourself.
3 Slide the loop that you have just made up the shaft of the hook. The neck is much narrower here than the shaft, so if you keep the loop on the neck it will be too tight. Use your right hand forefinger to anchor the stitch and slightly stretch the yarn with your left hand fingers.
Work from steps 2–3 to create the length of chain required for the project. As you work the chain, move your left hand fingers up, keeping them at the base of the chain just worked.
The slip stitch is a very useful stitch and is basically a chain that has been connected to the work. Slip stitches are normally used to link a stitch or group of stitches to another point or to move along a row you are working on without having to break off the yarn and rejoin it further along. They are also commonly used when working flat motifs or tubes to join the rows into rounds.
Slip stitches are also used when working a picot. This is when a few chains are joined together at the base of the chain by a slip stitch so that it stands up to create a bobble or picot. The great thing about the slip stitch is that it doesn’t add any height to the work so it is perfect for these type of techniques.
1 Insert the hook into the stitch. Remember to make sure the hook is under both parts of the stitch.
2 Place yarn round hook and draw through both loops on hook (2 loops on hook) to complete the stitch.
COUNTING CHAINS
Each V-shaped loop on the front of the chain counts as one, except the one on the hook, which is a working stitch.
TURNING CHAINS