»Sie ist mehr als modern; sie ist praktisch Science-Fiction«, schreibt der Guardian über die 30-jährige Rapperin und Schriftstellerin Kate Tempest. Zu ihren Einflüssen zählen James Joyce und Wu-Tang Clan, Public Enemy und Virginia Woolf. Sie beherrscht den innigen Volksliedton ebenso wie Londons Straßenslang, wandelt virtuos zwischen lyrischer Tradition und Hip-Hop. Ihre Gedichte bemächtigen sich auf radikal heutige, politische Weise des antiken Mythos von Teiresias, einer zweigeschlechtlichen Figur, von den Göttern geblendet und prophetisch begabt. In fünf Teilen folgt der Zyklus dem Kind, der Frau, dem Mann und dem Greis, vermittelt eindrucksvoll, wie es ist, alt zu werden und »sehend«, dazu verurteilt, unserer neoliberalen Gesellschaft die Wahrheit zu sagen – und keiner hört zu.
Kate Tempest, geboren 1985 in Süd-London, ist Rapperin, Lyrikerin, Theater- und Romanautorin. Für ihren ersten Gedichtband, Brand New Ancients, wurde sie 2013 mit dem Ted Hughes Award for New Work in Poetry ausgezeichnet, einem der wichtigsten Lyrikpreise Großbritanniens.
HOLD YOUR OWN
GEDICHTE
Englisch und deutsch
Übersetzt von Johanna Wange
Suhrkamp
Die Originalausgabe dieses Buches erschien 2014 unter dem Titel Hold Your Own bei Picador, einem Imprint von Pan Macmillan.
eBook Suhrkamp Verlag Berlin 2016
Der vorliegende Text folgt der 1. Auflage der Ausgabe der edition suhrkamp 2706
© der deutschen Ausgabe Suhrkamp Verlag Berlin 2016
© Kate Tempest 2014
Alle Rechte vorbehalten, insbesondere das des öffentlichen Vortrags sowie der Übertragung durch Rundfunk und Fernsehen, auch einzelner Teile. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografie, Mikrofilm oder andere Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden.
Für Inhalte von Webseiten Dritter, auf die in diesem Werk verwiesen wird, ist stets der jeweilige Anbieter oder Betreiber verantwortlich, wir übernehmen dafür keine Gewähr. Rechtswidrige Inhalte waren zum Zeitpunkt der Verlinkung nicht erkennbar.
Umschlag gestaltet nach einem Konzept von Willy Fleckhaus: Rolf Staudt
eISBN 978-3-518-74525-0
www.suhrkamp.de
For all of you, for all of it, but especially for India,
who taught me how to hold my own.
Für euch alle, für alles, aber besonders für India,
die mich lehrte, wie man sich behauptet.
TIRESIAS: I will go, once I have said what I came here to say.
Sophocles, Oedipus Rex
TEIRESIAS: Ich werde gehen, sobald ich das gesagt,
Um dessentwillen ich gekommen!
Sophokles, König Ödipus
Picture the scene:
A boy of fifteen.
With the usual dreams
And the usual routine.
Heading to school with a dullness inside
Borne of desires left unsatisfied.
Is he stifled or is he just
Learning the ways of his times?
Give him limbs that are awkward
But know how to climb.
Give him a gait that you know.
Give him hopes.
His days are so painfully slow,
But he copes.
This morning
He wakes to the same old alarm.
Slumps in the shower
Like a frog in the rain.
Winks at the mirror – does cool, does charm.
Shaves soft skin.
Nods at the pain.
No hair yet. Soon though.
Headphones on.
Last half of last night’s joint in his lips.
Bass so loud it feels like a movie.
Scuffing his trainers.
Swinging his hips.
They’re always laughing,
The kids at the bus stop.
He tries to ignore them,
But it doesn’t help.
Hood up, he walks past them.
Blowing out smoke rings.
Singing out Wu-Tang.
Hating himself.
Into the woods, he takes the old path.
There is the rope swing,
There is the bath lying broken.
There is his name in the bark.
There are the trees,
So slim and so stark
In the thin little woodland.
Hardly a forest,
The last of the green washed clean by the grey.
There is the bike chain that nobody wanted,
There is a child’s shoe
– hope they’re ok.
Out of the damp leaves and mulch in the pathway
His eye is caught by a glittering flash.
A dark moving something,
A mess of bright muscle.
Ore in a forge,
A deep, billowing gash.
Snakes. Two snakes!
Coiling, uncoiling
Boiling and cooling
Oil in a cauldron
Foil in a river
Soil on a mood ring.
He stares:
They spoil each other.
They do things
He has only dreamt of doing.
His blood’s alive inside him, fizzing.
He shuts his eyes and watches blotches
Underneath his lids for minutes.
But peeks before he knows he’s peeking.
Clutching his knees, he squats on his haunches
Watching the scales as they bounce and contort
And before he has thought he has reached out a fist
And picked up a short stick that lies near a ditch.
He swings from above
And breaks open the fortress.
The snakes, now apart,
Seem smaller, more awkward.
They flee for their love.
The boy, swaying and nauseous
Falls to the floor
More raw than before,
More tortured.
He feels himself shiver, contorting.
A current is coursing within him,
Shorting his circuits.
He curses,
His curses are perfect
The trees bow their branches in worship.
His body’s responding to something beyond him.
Swells where before there were dips.
A crunching of muscle, the hips
Opening up, bones roaring,
Beneath them, boyhood shrinking, falling inwards.
Thinking nothing.
Feeling new blood rushing.
Scuffing ankles on the forest floor
As his shape moves
His body pours itself to puddles.
He fits and starts.
He will be more than the sum of his parts.
He shakes and shouts, a screwed-up mouth.
A pain that only women know
Grabs him in the guts.
He slows to gently stuttered breaths
He stops.
He feels.
He’s still.
He rests.
And slowly, with caution
She climbs to her feet.
Wipes tears from her cheeks with her sleeve.
Frowns at the trees.
How could you stay so calm?
Places a nervous palm
Against her new face, her new chest,
The new flesh of her arm.
She approaches the school gates,
She can’t face her class.
She can’t go home, not now.
She is glass
Amongst sand.
She turns and retreats.
Finds herself deep
In the smog and the heat,
The fog and the meat
Of the bodies that beat out their lives
In the throb of the street.
She learns to be small and discreet.
She learns to be thankful for all that she eats.
She learns how to smile
Without meaning an inch of it.
She learns how to swim in the stink
And not sink in it.
It’s as if this is all she has known.
Give her a face that is kind, that belongs
To a woman you know
Who is strong
And believes in the rightness of doing things wrong.
Give her a body that breathes deep at night
That is warm and unending; as total as light.
Let her live.
Brighter every day
That she was not so young and desperate.
Bigger every minute
That she settled all the restless
Urges in her chest
And when she woke from nightmares, breathless,
She would piece herself together
Like some relic found in ash and clay,
A precious, ancient necklace.
When she was complete again,
She’d wolfwalk into town.
And drink down every wave that came
To break her spirits down.
She was wild and wonderful.
A star throughout the district.
A red light dreadnought.
Queen among misfits.
And yes, sometimes they sneered
When they glimpsed her in the gutter.
It made her crack her knuckles,
Shake her head and start to mutter
To herself under her breath
You posh pricks don’t know fucking shit.
And they would look away
And light their cigarettes and spit.
She liked to giggle with the pretty boys and kiss the lonely addicts
And weave exquisite curtains for the dismal little attics
Where they lay their heads at night,
Out of beads and string and plastic.
Each corner she inhabited made warmer by her magic.
She grew expert in the field
Of love
She learned to see and feel
The deepest secrets lurking in
The hearts of those who came to swim
In her dark waters.
She knew things.
She knew Kings
And she bore daughters.
She knew love, she made her fortune.
Till she met her match.
Exhaustion.
He was an older man,
A man who liked to hold her hand
A man who made her feel like she was rolling round on golden sand.
A man as soft as any girl
A man as hard as any luck.
She understood what life was for
Each time they bucked and came unstuck.
True love takes its toll
On souls
Who are not used to feeling whole.
They tangle limbs and feel the shudders,
All the world is nothing.
Lovers:
Promising each other not to take the vital parts,
While even as they mutter it, they’re giving up their hearts.
It is a new moon
In late May
She gives way
To his weight
They are laid out flat by a lake.
She can feel
His blood in her veins.
He can feel
Her pulse in his wrists.
And they kiss.
And the moon hangs open and orange
Like a wound in the mist.
He asks her to marry him.
Have him forever and never be lonely but only together.
She thinks that he’s taking the piss.
Throws him a scowl so sharp his darkest parts are shafted, blasted, ripped in half,
She starts to laugh, she hits her palms
Against the grass. He lifts his arms, I mean it.
Shining cheeks, his garments creased,
Naked skin on cold damp heath. I mean it.
Silence. Let it land.
She cannot breathe or stand.
She crawls towards him, smiling.
Takes his hand.
Of course.
They kiss and both expand.
She decides she must go back,
Seek out a past.
A mother, a father,
Whatever she has.
A blessing or something,
Maybe an answer.
She packs some things and leaves at dawn, alone.
And heads out North. For home.
By dusk she’s walking the woods of her youth,
Smelling the air.
Is this where I’m from?
Who was I when I was here last?
If this isn’t home
Then where has home gone?
She sees a small clearing between the trees.
She’s rocks in a river.
She’s leaves in a breeze.
There is a shopping trolley
There are some keys
There is a hawthorn
There’s a horse chestnut
There’s a used condom
There’s an old desk lamp
There’s a nice conker …
Is that blood or ketchup?
Birds in the branches
Light in the darkness
Like sand in the toes of the bushes.
There!
Right there.
There in the path. In the leaves and the bracken
Two black backs untangle, dragons.
Coupling, shuffling, grappling.
She is staggering.
Can’t stop looking. Strange unravelling.
Something from before, something forgotten.
Someone she used to be.
Some rotten something in her darkest somewhere,
Scale and danger.
Nature, sunglare.
Faint, she takes a branch and holds it
Steadies herself. Stills her shoulders.
Snakes and sex and innocence
And nothing really makes much sense.
Who was I then?
She watches awed.
And grips the branch like it’s a sword.
Believing.
Believing.
I should be leaving.
She breaks the branch with sudden force.
She swings the branch, and knows its course:
The snakes, no chance, are soon divorced.
A sudden dark and squelching tension.
She panics, sweats, can’t breathe. Head pounds.
Her body writhes and juts.
No sounds.
The image of her lover’s face
Begins to shake and wilt and fade,
She loses him, there, in the shade.
It hurts. She’s felt this once before.
She knows this pain, this change, this awe.
She feels herself retract and harden.
Feels her bones enlarging,
Moving, arching.
Something charging,
She’s old milk bursting from its carton.
Shaken, floored, a body heaving
Writhing, smiling, something’s pleasing,
Finding her throat open, screaming,
Hoarse and full of light
Her body stops. She feels his might.
His veins thicken in intense delight.
A man again.
He stands, confused.
And walks away.
Too much to lose.
This poor once-boy, sudden-woman,
Who’d lived so long and done so well
And kept so much so deeply hidden,
Now found himself before the bell
Of some new door in some new town.
The pain of new beginnings.
Everything that went before
Gushed in him.
Water overfilling.
Smash the cup and let it happen.
Tiresias.
A full grown human.
Moves on from what he cannot fathom.
He swears his past will not consume him.
And so the man with many pasts
Matures into his present,
But he feels his waters move
In the last arc of the crescent,
And as the moon expands to full
He feels his blood respond,
But as all humans know to do,
He holds it in
And soldiers on.
Imagine how it feels
To walk so far away from life and love,
To know that all you’ve known
Is now
No longer enough.
All the blood they’d bled,
All the children they had borne,
All the mouths their mouths had met,
Behind them now.
Forlorn,
He staggers knee-deep through his pity
Sadness grabs his shins.
A stranger in a strangers’ city,
Where new strangeness begins.
In distant god terrain,
Mount Olympus, pink and milky,
Zeus and Hera fight again,
Raw and honest, foul and filthy,
Hera with her eyes screwed up
I swear you’re out to kill me.
She weeps and screams and he enjoys
The feeling of his power.
He froths and paces, thunders, pleads;
Tempers frayed, their bodies need
A break from fighting –
But none comes.
Not after this – another tongue
Roasted in his total blaze.
Surprise surprise, old Zeus has strayed.
The fighting carries on for days.
Down on Earth the weather’s mental.
Hurricanes and ancient heat.
Sudden freezes ice the deserts.
Rain leaves craters in concrete.
Hera’s ripping up her dresses.
– Am I not enough for you?
Zeus is melted, stares intently
– Sister, you are all I love.
– Then why?
– Because these others tempt me.
And unlike you, I lack the guts
To turn away and know my path.
Hera swigs straight from the cask,
The nectar’s strong and soothes her heart.
She sighs in disbelief, don’t start.
Zeus, bored of being wrong and sorry,
Puffs his chest up, shows his might.
Hera knows his godly body
Well enough to not take fright.
I don’t know what the fuss is for
Zeus begins, playing wounded.
Women like it more than Men.
I don’t even want to do it.
What you get from me is more
Than what I get from you.
Red rag to a Minotaur.
What? says Zeus. It’s true.
They row like it’s a holy war,
The Earth suffers their anger.
Finally, when neither has
The strength to raise the anchor
And the ship of their relations
Is broken-keeled and sinking,
And they’re fighting over what the other
Might have just been thinking,
They stop for ragged breaths.
The sky is bruised and black.
Hera won’t be pacified
Until he takes it back.
Tiresias, at peace at last,
Is older now than ever,
He’s found a lovely partner
And they’ve made a life together.
He won’t walk the woods alone;
He’ll only walk the heath.
He blanks out all the lives he’s known,
But they survive beneath.
He’s started doing pottery.
He’s joined the local choir.
If he thinks about his history
His heart is set on fire.
There’s no way back,
There is no track
That leads to his past lives.
He sets himself on forwards.
And he loves.
And he survives.
His lover is a gentle man,
Together they are free.
They enjoy each other