CONTENTS

Cover
About the Book
About the Author
Title Page
Dedication
Introduction
A History of the Forecast
Sea Areas of the British Isles
Viking
North Utsire
South Utsire
Forties
Cromarty
Forth
Tyne
Dogger
Fisher
German Bight
Humber
Thames
Dover
Wight
Portland
Plymouth
Biscay
Fitzroy
Trafalgar
Sole
Lundy
Fastnet
Irish Sea
Shannon
Rockall
Malin
Hebrides
Bailey
Fair Isle
Faeroes
Southeast Iceland
Bibliography
Acknowledgements
Copyright

ABOUT THE BOOK

The rhythmic lullaby of ‘North Utsire, South Utsire’ has been lulling the nation’s insomniacs to sleep for over 90 years. It has inspired songs, poetry and imaginations across the globe – as well as providing a very real service for the nation’s seafarers who might fall prey to storms and gales. In 1995, a plan to move the late-night broadcast by just 12 minutes caused a national outcry and was ultimately scrapped.

Published with Radio 4 and the Met Office, The Shipping Forecast is the official miscellany for seafarers and armchair travellers alike. From the places themselves – how they got their names, what’s happened there through the ages – to the poems and parodies that it’s inspired, this is a beautifully evocative tribute to one of Britain’s – and Radio 4’s – best-loved broadcasts.

ABOUT THE AUTHOR

Nic Compton is a writer, photographer and sailor who has spent his life around boats. Having worked as a journeyman shipwright, journalist and editor of Classic Boat, he now has 15 books about ships and seafaring to his name. He currently lives by the River Dart in Devon, from where he sails a Romilly 22 called Ramona. He still listens to the Shipping Forecast before he ventures out onto the sea.

THE SHIPPING
FORECAST

NIC COMPTON

The Shipping Forecast

To my father, Lt Cmdr Charles RE Compton RN (rtd) 1919–2015, who loved the Shipping Forecast

INTRODUCTION

CAMARIÑAS, SPAIN, JULY 2000. I am stormbound in northern Spain on an old wooden sloop I bought in southern Portugal and am sailing back to the UK. Before setting off, some friends and I spent a week patching the boat up, but despite our best efforts we weren’t able to cure a persistent leak in the garboards and, after bashing through a gale in the Trafalgar sea area, the mast has developed an ominous crack. Chastened, we listen to the Shipping Forecast with renewed zeal. As we head north into Finisterre (now FitzRoy), we hear a disembodied voice on the radio say: ‘Finisterre: Northwesterly 6 or 7, occasionally gale 8 later. Fair. Good.’ That’s just too much weather for this old girl, and we take shelter in a small harbour just north of Cape Finisterre.

It’s a critical moment in our 1,000-mile (1,600km) journey as, once we leave Camariñas, we abandon the shelter of land and are at the mercy of the Bay of Biscay. For three days, the nearest coast will be at least half a day’s sail away, so if anything goes wrong we have to be self-sufficient for at least 12 hours. We have a life raft and an emergency beacon, but I have seen clips of monster waves in Biscay and heard countless stories of yachts getting into trouble here. With such a ‘delicate’ boat, I know we can only make the crossing if conditions are perfect. So every day I listen to the Shipping Forecast, at least twice sometimes four times a day, waiting for the break to come.

Finally, after three days, I hear what I’ve been waiting for: ‘Biscay, Finisterre: Southwest 2 or 3, fair, good.’ A massive high has come across the Atlantic and parked itself right over the Western Approaches, giving us calm seas and a gentle breeze. Perfect weather. All the way across Biscay, through Finisterre, Sole and Plymouth, and then up the Channel, through Portland and Wight, the forecast is like an umbilical cord, drawing us home. The BBC voices inspire calmness and certitude; they evoke the British countryside, warm fires, mugs of hot chocolate, flapjacks, a Labrador curled up on a rug. Listening to them, you can’t help but feel that everything will be all right.

BBC Broadcasting House, London, December 2015. ‘Now the Shipping Forecast issued by the Met Office on behalf of the Maritime and Coastguard Agency, at 00:15. There are warnings of gales in all areas except Biscay … ’ I’m listening to the Shipping Forecast again, but this time the voice isn’t disembodied at all but coming from the man seated right in front of me, speaking into a large microphone. Senior announcer Chris Aldridge is surrounded by five computer screens, four clocks and several keyboards; Newsnight is on a TV screen overhead, and Today in Parliament is playing on the radio. But Chris is oblivious to it all. He’s rehearsing the 00:48 Shipping Forecast, marking his place on the (paper) script every 30 seconds to make sure he keeps within his ten-minute allocation.

Chris is one of the longest-serving announcers at the BBC. He’s been reading the Shipping Forecast for the past 20 years and reckons he has probably recited it about 3,000 times. He has a deep respect for everything it represents, though it’s not the most exciting part of his job. ‘It’s one of the least creative things we do, as it’s just reading from a script,’ he says, ‘but it’s the thing people always remember. As soon as I say I read the Shipping Forecast, a light goes on in people’s faces.’

So why is the Shipping Forecast so popular? ‘It’s something that defines us as an island nation,’ says Chris. ‘A lot of the names are unfamiliar to people apart from the context of the Shipping Forecast, so it turns our landscape into a slightly ethereal world, inhabited by communities we are connected to but know nothing about. It’s something that binds us together when so much divides us. I feel chastened on nights like this when I see storm force 11, and think there are people out there contending with that weather, putting their lives at risk in pursuit of their livelihood – be it in the navy, on fishing boats or just lone travellers.’

At 00:48 exactly, Chris cues ‘Sailing By’, the iconic piece of music that introduces the late-night Shipping Forecast, and also acts as a convenient buffer should the previous programme overrun. Then he launches into the forecast itself, this time for real. His reading is word-perfect, without the slightest hesitation, despite his having a sore throat. As he reads, he glances up at the clock continually and places his finger over what he’s just read to make sure he doesn’t repeat anything. His voice is calm and deliberate, with just a hint of concern when he gets to ‘violent storm 11’. At 12:59 exactly, he wishes the listeners a ‘peaceful night’ and, with 50 seconds to go, cues in the National Anthem. Job done.

Having been at both ends of the Shipping Forecast now, I’m still in awe of this 95-year-old institution that seems immune to the vagaries of time. I’ve listened to it at sea to make what are potentially life and death decisions, but I’ve also listened to it while on land and been comforted by its slow but determined circumnavigation of the British Isles. As a former seafaring nation that has turned its back on the sea, it awakens our DNA and reminds us of our not so distant (and not always proud) maritime heritage. Or perhaps it’s an echo of our Christian past, when for centuries the Bible was read in Latin and brought comfort to worshippers even though they didn’t understand a word of it. Certainly no one who has young children can be in any doubt about the hypnotic power of repetition, be it in books or TV programmes. But above all, the Shipping Forecast has a utilitarian poetry, both in the beauty of its pared-back language and in its unique rhythms – where else could you hear the word ‘good’ imbued with so much meaning and dignity?

The intention of this book is to explore the 31 sea areas visited by the Shipping Forecast and to discover what it is about the forecast itself that makes it so beloved by sailors and landlubbers alike.

‘It’s part of the fabric of this intangible thing called Britishness. Just like red telephone boxes, Wimbledon, the chimes of Big Ben, the smell of cut grass, scones and jam.’

Zeb Soanes, Radio 4 announcer 2001–

A HISTORY OF THE FORECAST

THE SHIPPING FORECAST grew directly out of the terrible loss of life at sea during the eighteenth and nineteenth centuries. For the want of an adequate weather forecast, ships were repeatedly driven on to rocks, capsized and sunk all around Britain’s shores – a fact confirmed by the mind-boggling number of wrecks that still litter our shores (including an estimated 6,000 off Cornwall alone). So serious was the problem that in 1853 a conference of leading maritime powers was convened in Brussels to discuss a coordinated approach to the burgeoning science of ocean meteorology. The result in Britain was the creation the following year of the precursor of the Met Office with Captain Robert FitzRoy at its helm.

FitzRoy took on the role with characteristic zeal. He issued ships’ captains with instruments to collect information on wind, temperature, humidity and atmospheric pressure, and used the data to produce ‘wind stars’, the forerunners of isobars. Convinced (correctly) that atmospheric pressure held the key to predicting the weather, he devised a sturdy ‘Fishery Barometer’ and raised the money to have 100 made and fitted in fishing harbours and lifeboat stations around Britain. He even wrote rhyming couplets to help sailors interpret the data, such as ‘When rise begins after low, squalls expect and clear blow’.

But the turning point came in 1859, when a severe storm hit the Irish Sea, killing 800 people and leaving behind a trail of destruction at sea and on land. Some 200 ships were wrecked in this one storm, including the Royal Charter which sank off Anglesey with the loss of 450 lives. These catastrophic events galvanised FitzRoy into action. He set up 15 stations around Britain to collect information which he translated into synoptic charts from which he created a ‘weather forecast’ (a term he himself had coined in 1855). His predictions were published in The Times from 1861 onwards – the first attempt at a daily weather forecast. He also instituted a system of signals – e.g. a cone pointing up for a northerly gale, or down for a southerly gale – which were to be hoisted at relevant stations to warn sailors of bad weather.

The first effort to relay the weather forecast to ships at sea started in 1911, when the General Post Office was given the task of telegraphing gale warnings to ships approaching Britain in the North Atlantic. The outbreak of the First World War brought this service to an end, and when it was eventually resumed in 1921 it was much more similar to the Shipping Forecast we know (and love) today. Broadcast twice a day from Poldhu wireless station in Cornwall, Britain’s first radio forecast was made up of a general synopsis followed by meteorological readings from five weather stations around the British Isles: Dungeness, Scilly, Holyhead (Wales), Blacksod Point (Ireland) and Stornoway (Scotland).

The 1921 experiment was clearly a success, and in 1924 the Weather Shipping, as it was called, started to be broadcast nationally from a powerful transmitter at the Air Ministry in London. This bulletin split the country into regional areas (west, east, south and, from 1932, north) which were themselves divided into more localised areas – 13 in all. Many of the names that have since become iconic made their first appearance here (e.g. Forties, Dogger, Thames, Wight and Shannon) along with some that wouldn’t survive the test of time (Tay, Channel, Severn and Mersey). Ten coastal stations were used, of which only Wick, Scilly, Valentia, Malin Head and Stornoway survive today.

The BBC became involved in 1925 when the Met Office was looking for a way to make the Weather Shipping available to smaller vessels which didn’t have the expensive equipment needed to receive the Air Ministry signal. And so the forecast made its first appearance on long wave, broadcast twice a day from the BBC station at Daventry in Northamptonshire.

The service was again closed down for the duration of the Second World War, and by the time it re-emerged in 1949 the world was a very different place. The volume of shipping around Britain’s shores had increased, and the Shipping Forecast was expanded accordingly, all the way across to Norway, Iceland (which fed the nation’s fish ‘n’ chips habit), down to Biscay and even the north coast of Spain. The old regional divisions were ditched and the number of areas increased to 26. Some old friends were lost (Orkney and Shetland merged and were replaced by Fair Isle) while many new friends were introduced (including Rockall, Fastnet, Malin, Irish Sea, Bailey and Finisterre).

Creative juices at the Met Office must have been in full flow as the sea areas were redrafted into the distinctive Shipping Forecast map which has been used, with only minor alterations, ever since. The only dubious decision was to name one area Heligoland after an island off the north coast of Germany which even then, four years after the end of the war, was still being used for target practice by British pilots and had just been subjected to one of the biggest non-nuclear explosions in history. Not surprisingly, a meeting of European meteorologists a few years later tactfully suggested the name be changed to German Bight, which it duly was.

The other big change after the Second World War was that the Shipping Forecast was given its own slot, twice a day, on the newly created Light Programme (later renamed Radio 2). Its slow insinuation into the national psyche had begun. The last Shipping Forecast on Radio 2 was read by Jimmy Kingsbury on 22 November 1978, after which it switched over to Radio 4, where it has remained ever since.

Over the years, the boundaries of the sea areas have been adjusted to better reflect weather patterns, and new areas have been added to improve regional accuracy. The giant Forties and Dogger areas, which once covered most of the North Sea, were reduced in size in 1956 to make room for Viking and Fisher. A few years later, in 1984, Viking, Forties and Fisher were in turn shrunk to make way for North Utsire and South Utsire, giving more and more detailed information for the rapidly expanding North Sea oil fleet.

Up until 2002, all the Shipping Forecast areas were named after geographical features, be they sandbanks (Forties, Viking, Dogger, Fisher, Sole and Bailey), rivers and estuaries (Cromarty, Forth, Tyne, Humber, Thames and Shannon), towns (Dover and Portland), islands (North and South Utsire, Wight, Lundy, Fastnet, Rockall, Hebrides, Fair Isle, Faeroes and Southeast Iceland), seas (German Bight, Biscay and Irish Sea), or headlands (Finisterre, Trafalgar and Malin).

But in 2002 the Met Office caused a furore when it renamed the Finisterre area after its founder, Robert FitzRoy. It turned out that the Spanish Met Office used Finisterre in their shipping forecast for a different, much smaller area, and no less an authority than the United Nations World Meteorological Organisation had decided that this would cause confusion. The British Met Office agreed to change the area’s name and chose FitzRoy in a well-deserved tribute to the man who did so much to kick-start the British meteorological movement. There was uproar in the British press, which bemoaned the loss of such a distinctive name and objected to foreign organisations meddling in Britain’s national institutions. But FitzRoy has stuck and slowly but surely become part of the music of the Shipping Forecast.

Contrary to appearances, the Shipping Forecast doesn’t have dedicated readers but is read by the normal roster of BBC announcers as part of their general duties – so you’re just as likely to hear Zeb Soanes (say) reading the Shipping Forecast at 00:48 as the news headlines at 5pm (though possibly not on the same day!). To complicate things further, since 2006, the 05:20 bulletin has been read by a presenter from the Met Office.

Inevitably, some names do stand out. Brian Perkins, Peter Donaldson, Laurie Macmillan and Alice Arnold all soothed the nation’s ears in the 1980s and 1990s. Another familiar voice for many sailors was that of Peter Jefferson who read ‘the Ships’ for 40 years and became known as ‘the voice of the Shipping Forecast’. And no one who heard the comforting voice of Charlotte Green reading the Shipping Forecast is likely to forget it in a hurry. So popular was Green that she received Valentine’s cards from fishermen and became known as the Fishermen’s Friend, before she eventually moved on to Classic FM and Radio 5 Live in 2013. Several announcers are sailors themselves, and a few, such as Carolyn Brown and David Miles, have even passed their Yachtmaster Certificate, which no doubt gives their readings extra gravitas.

AMONGST ANGELS

When composer Cecilia McDowall was asked to compose a piece of music to celebrate the 40th anniversary of the Portsmouth Festival Choir in 2011, she turned to the Shipping Forecast for inspiration. Her choral music combined the ethereal sound of the choir with a matter-of-fact reading of words from the Shipping Forecast. The choir’s conductor Andrew Cleary described the piece as follows: ‘They are very colourful words, and are very well-known to everybody. The first movement of the piece is like a seascape, you can almost smell the sea and see the fog, the second movement is a psalm, a prayer for those at sea, and is quite calm and gentle. The third is quite funky, quite exciting and jazzy and captures the energy of the sea.’

‘The Shipping Forecast was one of the subjects I received the most letters about, although not all of them were complimentary. One reader accused me of mispronouncing the word ‘shipping’ – putting ‘tt’ where ‘pp’ should have been. He even threatened to write to the controller of Radio 4 in disgust at my use of bad language.’

Charlotte Green, Radio 4 announcer 1986–2013

Worse things happen at sea. On at least three occasions in the past ten years the wrong forecast has been read, each time because the previous day’s forecast has been picked up by mistake. When it happened in November 2011, a keen-eared listener in the Scottish Highlands noticed that a storm being forecast in the 00:48 bulletin had already passed over. He deduced that the previous morning’s forecast was being read, and duly complained to the BBC. More recently, on 30 May 2014, the 05:20 bulletin failed to go out altogether due to ‘a technical error’. Instead, listeners were treated to the News Briefing from the BBC World Service, and had to wait until 06:40 to get their morning fix of the Shipping Forecast.

As the Shipping Forecast has evolved into a quirky but much-loved national institution, artists, writers, musicians, comedians and even politicians have lined up to satirise and pay tribute to its distinctive tones, including Blur, Radiohead, Tears for Fears, Stephen Fry, Frank Muir, Carol Ann Duffy, Seamus Heaney – the list goes on. And there have been a few celebrity readings, such as former Deputy Prime Minister John Prescott who read the forecast in 2011 to raise awareness on Red Nose Day. When it came to his native Humber, he deliberately dropped the ‘H’ and said, ‘Umber – without the ‘‘H’’, as we say it up there’. Even the playwright Alan Bennett was persuaded to read the Shipping Forecast when the Today programme was guest edited by Michael Palin for one day in 2013 – albeit a repeat of a particularly dramatic forecast from a few weeks earlier. Everyone, it seems, loves the Shipping Forecast.

‘It gives a reassuring view that people are still doing the same thing, collating the weather and telling you all about it. Somehow, the electronic stuff doesn’t have the same meaning.’

Alan Gick, skipper of Thames sailing barge Alice

‘There are various bulletins throughout the day depending on which frequency you are listening on, but my favourite time for reading the “Ships”, as we called it, was immediately after the midnight news. At that time of the evening, the continuity studio had a womb-like quality to it, especially when I turned off the harsh overhead lights and had just one spotlight focused on the script. It felt intimate and private and I always aimed to read clearly and distinctly and at a measured pace to enable sailors on fishing boats, wallowing in deep angry seas, to write it down.

‘I allowed my imagination to roam free. If the gale warnings were severe, I had an image in my mind of small, relatively frail trawlers being tossed about on vast indifferent waves in the pitch-black, icy cold of a winter’s night. I would imagine fishermen, clothes and hair stiff with salt, hauling themselves up a steeply angled deck with the skin of their hands and faces flayed by a biting, unforgiving wind. It was an evocative image of “those in peril on the sea” and my affinity with the Shipping Forecast had much to do with my own love of the ocean.’

Charlotte Green, Radio 4 announcer 1986–2013

CELEBRITY VOICES