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Contents

Maps

Character List

PART ONE: SAILING TO ADVENTURE

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

PART TWO: DEATH BY APPOINTMENT

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

PART THREE: THE SECRETS OF THE BIG HOUSE

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

PART FOUR: MISCHIEF AT MIDNIGHT

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

PART FIVE: DEATH COMES HOME

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

PART SIX: A PRINCE’S RANSOM

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Hazel’s Hong Kong Glossary

Author’s Note and Acknowledgements

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Also by Robin Stevens:

MURDER MOST UNLADYLIKE

ARSENIC FOR TEA

FIRST CLASS MURDER

JOLLY FOUL PLAY

MISTLETOE AND MURDER

CREAM BUNS AND CRIME

Available online:

THE CASE OF THE BLUE VIOLET

THE CASE OF THE DEEPDEAN VAMPIRE

Tuck-box-sized mysteries starring Daisy Wells and Hazel Wong

Based on an idea and characters by Siobhan Dowd:

THE GUGGENHEIM MYSTERY

Author’s Note and Acknowledgements

This book was both a joy to write, and extremely difficult. This is mostly because I became aware, as never before, how wide the gap between Hazel and me really is. We share a love of books and mysteries. We both have large, blended families. But a British-American upbringing is not a Hong Kong Chinese one. I’m very lucky to have a group of school friends who have become more like family, who I’ve known since we were Hazel and Daisy’s age and who have, over many years, introduced me to Hong Kong culture. When I told them about this book they were very willing to help me with it. Alison Wong and Scarlett Fu read drafts, and Scarlett took me out for the dim sum meal that Hazel and Daisy eat. Thank you to both of them, and also to Zara Un and Sarah Fok, Alice Shone and Sarah Warry, for seventeen wonderful years of food-based friendship.

I took a research trip to Hong Kong in September 2016. This was in fact supposed to be the beginning of our honeymoon, so I have to thank my husband, David, from the bottom of my heart for the time he spent following me around as I went into raptures over small bits of paper in Hong Kong history museums.

We really did go to the Peninsula Hotel, and the Peak, and several teahouses, and many of the other places Hazel and Daisy visit in this book. We even took a night-time hike down from the Peak and almost walked into a spider. But what we did not do was visit a house like Hazel’s, for one simple reason: they no longer really exist. Old Hong Kong houses were built of granite. They were built to last – but today, almost none of them have. Going hunting for buildings from the 1930s was incredibly difficult, because Hong Kong is constantly changing as land changes hands. To recreate the Hong Kong Hazel knew would have been nearly impossible without the help of a woman who grew up in Hong Kong in the 1940s, in a household very like Hazel’s. Details of the Big House and Hazel’s family, as well as the bank setting and the idea of a lift-based murder, came from her recollections, and interviewing her was truly one of the greatest honours of my life. I hope I have done her and her memories proud – thank you, OB, for giving your time and your knowledge to this project.

I met many kind and helpful people in Hong Kong who influenced this story. Special thanks to Professor David Fauré at the Chinese University of Hong Kong, who was so generous with his time and answered all my questions about 1930s Hong Kong life, Professor Simon Haines, and Associate Professor Eddie Tay, who allowed me to speak to his students about publishing and took us for a wonderful campus lunch. John Millen at the South China Morning Post has been wonderfully helpful from the outset of this project, and I was delighted to meet Karly Cox, Miuccia and Sebastian for a very noisy dim sum interview in the traditional 1930s teahouse that has become the Luk Man.

Although this is a novel, and therefore full of things that are inevitably not as correct as a history book, I have tried to use the truth as much as I can. The history of Hong Kong is an incredible one – if you’re interested in finding out more, I think Steve Tsang’s book on it is very good. The Triads as an organization are absolutely real, and very much a part of Hong Kong society then and now (although there is no such thing as the Five Jade Figures, and I have not drawn on any real people in my portrayal of Sai Yat and his gang). Mui tsai are also real – as Hazel says in her glossary, they were originally slaves, rather than paid servants, and because of this they were (quite rightly) being outlawed in the 1930s. However, I decided to keep them in my story by name on the understanding that the fair and generous Mr Wong would have been paying his, and also educating them!

Wealthy Hong Kong children like Hazel and her siblings really did live in fear of being kidnapped, and they were always carefully watched for that reason. The lift to the doctor’s (yes, doctors’ offices really were above banks) would be one of the only times a child like Teddy would have been without a guard of some kind. And, by the way, the Hong Kong and Shanghai Bank building is both a real place and a real bank – if you or an adult you know bank with HSBC, you use it every day.

All the food in this book has been recommended to me by various Hong Kong friends and readers. I have eaten (almost) everything I describe here, including thousand-year egg and chicken feet. I liked them both a lot! If you live in England and you want to try them too, I’d recommend visiting Chinatown in London. Unsurprisingly (given its history as a British colony) a lot of London’s Chinese population are of Hong Kong descent, and so the food available there is close to what you’ll get in Hong Kong itself.

Mrs Svensson’s name is Kendra because of Kendra Gilbertson, whose generous bid in the Authors for Refugees auction won her the right to see her name in one of my books. My research into Hong Kong reminded me how its history (just like that of every city and country in the world) is a history of migration, sometimes forced. Hazel and her family do not know it, but the Japanese invasion of Hong Kong is just round the corner, followed swiftly by the Second World War. Anyone can become a refugee, and during those years even Hong Kong’s wealthiest families did. To those of us currently happy and safe in our homes, remember how lucky you are. Treat today’s refugees as though they matter just as much as you know you do.

And now, on to the proper thank-you bit.

I am enormously indebted to the generosity and wisdom of my early readers, without whom this story would be not nearly as good or as true: Miuccia Chan, Sebastian Wong, Karly Cox, Scarlett Fu, Alison Wong, Kwan Ching Yi Angie, Cerrie Burnell (who gave me invaluable advice on Ah Lan), Charlie Morris, Anne Miller, Kathie Booth Stevens, Wei Ming Kam, Viki Cheung, Katherine Webber and the Tsang family. Anything that is correct is down to them. Anything that is wrong is absolutely my fault.

Thank you to my endlessly brilliant Puffin team: Nat Doherty, Tom Rawlinson, Naomi Colthurst, Harriet Venn, Sonia Razvi, Francesca Dow, Jane Tait, Frances Evans, Jan Bielecki, Wendy Shakespeare and everyone else who has worked in-house on this book. My name is on its cover, but it wouldn’t mean much without their support. Thank you also to my agent, Gemma Cooper, who has adored and fought for this series for many years, and to Jenny Bent, who has tirelessly worked to send Daisy and Hazel around the world. Thanks to Nina Tara for a beautiful cover and maps, and thanks to the woman who brings Hazel’s voice to life in my audiobooks, Katie Leung.

Thank you to my family and friends, who have supported me through this weird process once again. Special shout-out to my partner-in-crime, Non Pratt, and to Team Cooper. Thanks to my wonderful parents, who would love me whatever I did (but are especially proud of the book thing), and my wonderful husband, who once again has lived with me every day of this book and remarkably still enjoys my company. And thank you to my brother and sister, Richard and Carey Stevens, who are absolutely nothing like Rose, May and Teddy but who I thought of often while I was creating Hazel’s siblings.

And, finally, thank you to my fans. Your letters, your drawings, your reviews, your stories, your costumes, your plays, your lessons, your parties, your events and your Detective Societies have brought my characters to life in the most extraordinary ways. I am astonishingly lucky to inspire you, and you are the reason I wrote this book.

London, August 2017

Penguin Books

1

Somehow, even though Daisy and I had seen the body with our own eyes, I did not quite believe that the crime was real until we came back home from the doctor’s office this afternoon.

Before that moment, it all just seemed like a bad dream, the very worst sort – like the one I have sometimes where we’re investigating a case and I realize, like a slow shiver going up the back of my neck, that the murderer is after Daisy, and there is nothing I can do about it.

But, unlike those dreams, this time I cannot wake up, no matter how hard I pinch myself. And I know that I ought to have been able to stop what happened.

Daisy says that this is nonsense. She says, wrinkling her nose, that I could not have stopped anything – and, in fact, if I had been on the spot, I might have ended up murdered too. Like much of what Daisy says, this is true, though not particularly comforting. But all the same I cannot shake the feeling that I’ve failed.

You see, I have come back to Hong Kong. Here it is beautiful and bright, the air is warm and heavy and I am at home. No one looks at me oddly. I’m not strange, and that is a wonderful feeling, like opening up your hand and realizing that you have been clenching the muscles of it for far too long.

But, all the same, some things have changed in uncomfortable ways. I have been in England for almost two years, and while I was there I learned how to be not only an English schoolgirl and a best friend but also a detective. That is what the friendship between Daisy and me is all about, after all. We are secretly detectives, and have solved five murder cases so far, and, although it is not exactly true to say that we helped the victims, we did at least find out the truth about their deaths when the police could not.

But in Hong Kong I am with my family, who remember me as the smaller, younger Hazel I was when I stepped onto the boat to go to Deepdean. It’s harder to be brave and grown-up and sensible when all I’m expected to be is dutiful, a good daughter and a good older sister. It’s particularly hard to be the second, because— But I am getting ahead of myself. Daisy says to tell things in order as much as possible, and she is right. At least I have not forgotten how to lay out a case in a new notebook, the one Daisy gave me for Christmas.

All I will say, before I go back to the moment when everything started – this journey, this crime – is that a terrible thing has happened, a thing that the Detective Society must investigate. And we will – but this time I am stuck in the very middle of the case. I am not just a detective, I’m a witness. And I think that I might even be a suspect.

2

It all began with a telephone call in January, during the first week of our spring term at Deepdean School. There was snow on the ground, and my head was still full of Cambridge at Christmas, and the rather shocking thing that had happened at Daisy’s Uncle Felix’s wedding in London on New Year’s Day. So, when I was summoned to Matron’s office to speak to my father one morning, Hong Kong seemed very far away indeed.

The line crackled and boomed. ‘Hello?’ I said, and heard my voice echo away from me, halfway across the world. There was a pause, and then my father began to talk.

‘Wong Fung Ying,’ he said, and his voice sounded hollow even through the telephone. ‘Prepare yourself.’

Wong Fung Ying is my Chinese name. To everyone in England, and usually even to my father, I am Hazel Wong. He only uses my other full name when something very serious has happened, and so my stomach dropped in anticipation.

‘It’s Ah Yeh. Your grandfather. Hazel, you know he has not been well. I’m afraid he has passed on. It happened yesterday. We did not think – we did not think it would happen so soon, but it has.’

‘Father!’ I said. ‘Are you sure – really?’ I clutched the telephone, and the mouthpiece trembled against my lip. I felt a rush of impossibility. I could smell my grandfather’s pipe, the tobacco on his breath, feel his hand heavy on my head.

‘I would not lie to you, Hazel. Now, listen to me and be calm. You must come home. You’ll miss the funeral, of course – that will happen next week – but if you leave in the next few days you’ll be here for at least part of his mourning. Do you understand? You can’t miss that.’

‘No, of course I can’t,’ I whispered. My throat was full of things to say, but all that came out of my mouth were those words. I remembered, so clear and strong I could taste it, sitting next to Ah Yeh, watching him peel an orange into segments and pass me every third one. He was too big and important to have gone. It could not be. ‘What does Ah Mah say?’ I asked.

‘What? Your mother agrees with me, of course. You must come home,’ said my father, sounding confused. I knew it had been an odd thing to say – but I had to ask. ‘Now, Matron will arrange your transportation. You’ll catch the boat at Tilbury Docks, and it shouldn’t take more than a month—’

‘I want Daisy to come,’ I said. I was rather surprised at myself for being so bold. I had almost not known what I was going to say until it was already being said. But, as I spoke, I realized how much I meant it. If I was to come home (if I was to face my mother, a voice whispered in my head), I needed Daisy with me.

‘Hazel!’ said my father, sighing. ‘It’s always Daisy with you. A more unsuitable friend for you I couldn’t imagine, even if she does appear to be a lady. Do you think she’ll be able to manage Hong Kong?’

He did not think so, but I knew she could. Daisy adapts to wherever she is, like a brightly coloured lizard. So I took a deep breath and gathered all the bravery I had found on the Orient Express to overcome my father’s will. ‘I’m not coming without her,’ I said, and my hand holding the telephone receiver trembled even more.

My father sighed again, and made an impatient noise. ‘I shall speak to the school,’ he said. ‘If they agree, and if her family does too – well, I suppose you may bring her. But, Hazel, I do not want you to be silly about this, do you understand? Don’t let Miss Wells put any of her wild ideas into your head. Your Ah Yeh was old. Old and tired. It was his time. He is not another case like – well, like the one last summer, or any of these other ridiculous things you’ve got yourself mixed up in. Do you understand?’

‘Yes,’ I choked out, wiping my eyes. I did understand, and that was not why I wanted Daisy there. I did not need her for detection. For once, I simply needed her because she was my best friend.

‘Good. Now, hand me back to your matron. I need her to put me on the line with that headmistress of yours.’

I handed the receiver back to Matron, and went stumbling out of her study. Daisy was waiting in the echoing, chilly House hallway outside, her blue eyes wide and her nose wrinkling with curiosity.

‘What’s up, Hazel?’ she asked, but I pushed past her without a word. I went rushing up the threadbare carpet of the House stairs and along the narrow, dimly lit corridors to our fourth-form dorm. The window was open, even though there was frost on the grass outside, and I wrapped my scratchy grey wool blanket around my shoulders and lay down on my bed, shivering.

I knew Ah Yeh had been ill. But he was not supposed to die with no warning, when I was not even there. I was supposed to be with him – and anyway he should not have died at all, because he was Ah Yeh. He was as much a part of our house and Hong Kong as the columns in our hall, the pond in our garden, the steps up to our front door. He could not die.

I wrote Daisy a note. Sometimes, when I cannot say something, I write it. This was one of those times. I wrote it in several different codes, because Daisy and I have been practising (and she is fearfully bad at sticking with it), and I folded it up and put it on her bed. Then I went to lie down again.

Daisy came in. I knew it was her because she walked softly, one foot in front of the other, like a thief. There was a crumpling as she opened the note, and then an annoyed noise. I heard her pull open her school bag and rip a piece of paper out of an exercise book, and then I heard the scratch of her pencil as she began to work on the codes.

I counted seconds, and then minutes.

‘Hazel,’ said Daisy at last. ‘The note was unnecessary. You might have just told me.’

‘I couldn’t,’ I said into the blanket. I could feel my eyes stinging, but I told myself it was just the wool making them smart. ‘Not out loud.’

‘I’m going to sit on your bed,’ said Daisy. ‘If you don’t mind.’

I knew that this was her way of saying that she was sorry about my grandfather. Daisy doesn’t usually ask for permission for anything. She just thumps down on my stomach or my legs and doesn’t care whether it hurts me or not.

‘All right,’ I said.

‘So,’ said Daisy after a pause, ‘I suppose I’m coming to Hong Kong with you, then?’

I leaped up and threw my arms around her. That was when I really began to cry.

3

I have never done well on boats. They always make me feel watery, inside and out – and of course I was already more watery than usual. I remember the journey to Hong Kong as tasting of salt, from the sea and from the tears rolling down my cheeks.

Daisy had a marvellous time, exclaiming over the dining room and the cabins (all as glorious as those on the Orient Express, though on a larger scale), but there are only a few days of the voyage I can properly recall now, and one of them was the morning we heard the news about George V.

‘Dead!’ said Daisy blankly, staring down at the five-day-old newspaper. We were sitting on the SS Strathclyde’s first-class deck under the Egyptian sun after breakfast, staring out at the mirror-smooth water of the Suez Canal as our tugboats dragged us forward, puffing steam. ‘Goodness, we’ll have to have a new king now! Oh, I must find a mourning band from somewhere. It’s all right for you, Hazel. You’re already in black.’

‘The poor queen,’ I said. ‘The poor princess and princes!’ I stared down at my black dress and felt their pain along with my own for a moment.

Daisy cocked her head to one side thoughtfully. ‘I wonder. I suppose it was natural causes? I mean – we don’t think that there was any foul play? He was the king, after all. What if someone murdered him?’

‘You know he’s been ill, Daisy,’ I said. I had the unpleasant feeling that I knew where this conversation was going. ‘He was an old man. And I shouldn’t think anyone would want to kill him. His eldest son doesn’t want to be king at all!’

‘Hmm,’ said Daisy. ‘I suppose so. Though somehow it makes me think … Hazel, there’s no possibility – I mean – are we quite certain that your grandfather—’

‘Don’t say another word,’ I said, suddenly hot to my fingertips with hurt. ‘Ah Yeh isn’t one of our cases. He wasn’t murdered. He just died, Daisy. People die of natural causes. And what are you saying – that his son might have killed him? My father?

‘No!’ said Daisy, and I was glad to see that she was blushing pink. ‘I only meant – well, wasn’t your grandfather rich?’

‘I suppose he was,’ I said stiffly. ‘But, Daisy, you can’t go around saying he was murdered. And don’t you dare say anything like that to my family when we get there, all right? Grandfather died of old age, just like our poor king. He was almost eighty!’

‘All right,’ said Daisy, grumbling. ‘But you can’t blame me for saying it!’

‘Yes I can,’ I said.

There was a thoughtful pause from Daisy, and then she patted my hand apologetically. Everything was all right between us again, but, whenever I saw one of the British passengers with a mourning band over their sleeve, I felt as though the ache in my chest was doubled.

The other thing I remember is Daisy in the library.

As the ship steamed through the Strait of Malacca, and the water around it turned greenish blue, with frills of phosphorescence smoking off behind it every night, she began to behave in a rather strange fashion.

She kept slipping away at odd moments and returning hours later, her fingers stained with ink. I thought she might be making notes about the passengers without me, and was rather upset, until, as we were docking in Singapore, I went to the library to return Tess of the D’Urbervilles and came upon Daisy, seated at a table with a pile of books in her lap, a pen in her hand.

She jerked her head up to look at me and a blush spread across her cheeks under her suntan.

‘What are you doing?’ I asked.

‘Studying,’ said Daisy after a pause. ‘Don’t tell anyone. It’s just that – well – you’ve never told me much about Hong Kong. Which is fearfully bad form, Hazel. So far, I have simply had to infer, but that won’t do while I’m visiting. I know I have the right clothes, I looked that up in magazines, but clothes can only get one so far.’

I blinked at her.

‘Daisy!’ I said. ‘Are you worried about going to Hong Kong?’

‘Of course not!’ said Daisy, her blush spreading. ‘I only want to make sure I’m fully prepared. Now, Hazel, tell me all about your family. You have two little sisters called—’

‘Rose and May,’ I said. ‘They’re … eight and five now, I suppose.’

‘And then there’s your father, who of course I know. And your father’s, er, two wives.’

I could feel myself blushing too, at that. My father does have two wives: my mother, June, and his second wife, whom we call Jie Jie. Jie Jie is not her real name – it’s a pet name that means something like sister – but, after so many years of calling her that, I cannot think of her as anything else. I had only mentioned Jie Jie in passing to my English friends, and I had always thought that not even Daisy had truly taken it in. It’s almost impossible to explain to someone from England, where a husband is supposed to have just one wife (and if he has more it’s bigamy, which is a crime), that my father’s two wives know each other and actually live in the same house.

‘You don’t mind, do you?’ I asked anxiously.

‘Hazel, it doesn’t bother me in the slightest,’ said Daisy. But – as I looked at her – I thought I saw a little nervous twitch at her jaw. And I felt, as never before, the gulf between her idea of family and my own. I had thought that Daisy would take to Hong Kong as she has always taken to other new places we have visited – but I had forgotten that all those places were in Europe. We were beyond the edges of Daisy’s world now, into my own, and Daisy had realized it, even if I had not.

Over the next few days I began to think more and more of my family. When I am in England, I try not to, because it hurts too much, but now I let myself do it. I thought of my father, looking down at me through his glasses and handing me a book. I thought of Jie Jie, catching me up in a hug and kissing my cheek. I thought of Su Li, my own mui tsai (this is a sort of young maid in Hong Kong), giving me cakes when I passed a test at school and tickling me until I cried with laughter. I thought of my sweet, funny little sisters, Rose and May. And I thought of my mother.

This last gave me a worried feeling. I hadn’t seen my mother in more than two years, and, unlike my father, I had heard almost nothing from her. I only had the parcels with letters she made the chauffeur Wo On write, full of cakes from Ng the cook and terse little notes. Before I went away, I was always rather nervous of my mother. Although I know she’s fond of me, she is so strict, and so beautiful, that she makes me feel small and dull. We have never had much in common. She didn’t approve of my going away to school in England, and she let everyone know it. My mother bears grudges, and likes to punish people she is angry with. I was quite sure that she was still cross with me. That was why I had asked my father about her.

What if my mother did not want me to come home?

4

The SS Strathclyde finally pulled in to Hong Kong, Kowloon docks, on the 15th of February, thirty days after we had left England. My heart skipped to see the wide curve of Victoria Harbour, the Peak rising up green behind it under a blue sky. It was spring here, still cool by Hong Kong standards, but warmer and brighter than any English spring would ever be.

As the ship drew closer to the dock, I could smell the city floating out to meet us.

‘Oh!’ said Daisy, wrinkling her nose. ‘Is that normal?’

I breathed in the green heat and the dirt and the cooked-bun smell that is Hong Kong to me. ‘Yes,’ I said, and I could feel myself smiling. ‘It smells like home.’

‘Not my home!’ said Daisy, sniffing bravely and trying not to use her handkerchief. ‘But – well, I suppose this is an adventure. I must just get used to it!’

‘Do you mind being here?’ I asked suddenly. I realized that I wanted Daisy to love Hong Kong – wanted it absolutely desperately.

‘Hazel Wong, don’t be a chump,’ said Daisy. ‘There is nowhere else in the world I would rather be. This place will be utterly different to England, but that makes it utterly fascinating. I would be no sort of detective at all if I turned round and went home just because I didn’t like a smell! This is going to be marvellous, Hazel. All we need now is—’

‘Don’t say it!’ I said quickly. ‘Not here. We’re in Hong Kong for my grandfather, Daisy, that’s all.’

‘Spoilsport,’ said Daisy, and she stuck her tongue out at me. I tried to keep my face serious.

There was bustle all around as the ship began to dock, ropes flung between us and the land, porters bringing our luggage and piling it up around us. I remembered the last time I had been on this boat, when we docked in England two years ago. I was bigger now, inside and out – but suddenly all that time telescoped away. It didn’t matter where I had been, or what I had done. I was home.

The gangplank rattled down, and all the passengers cheered. There was a chaos of shouting and shoving on the shore, men in ragged vests hoisting their green and red rickshaws, waiting cars honking, coolies with heavy loads swinging on their poles and uniformed porters with sedan chairs. I pointed it all out to Daisy joyfully. I knew this place, and I knew its people.

The first-class passengers began to disembark, their luggage carried ahead of them. Europeans in linen suits and pith helmets, Chinese in cheongsams and long jackets, Indians in robes and saris. I had changed out of my black Western mourning dress into a white one (in Hong Kong, you see, white is the colour of death). There was a wide white hat on my head and my hair was in a plait down my back. Daisy was all in white as well, her gold hair glinting under her hat and her cheeks pink.

Down the gangplank we went when it was our turn. I looked about for Su Li, and the car that would take us to Hong Kong Island, and my heart beat even faster as I wondered if my father would be part of the greeting party. For a moment I forgot to be sad about Grandfather. I was only excited to be back.

But what if we were being met by my mother instead? That thought made my heart beat faster for a different reason. Was I ready to face her displeasure?

Then I recognized the long black Daimler that I used, with Wo On, the chauffeur, beside it. He was waving at me, and I realized that Mother had not come, and neither had Father. The only person standing next to Wo On, bowing deeply and wearing the Hong Kong servants’ uniform of black trousers and long white jacket buttoned up the side, was a maid. But it wasn’t Su Li. It was one of the younger mui tsai, little round-faced Ping, who blushed as easily as I did and was only a few years older than me. She was taller than I remembered, but she looked just as shy and awkward as ever. I couldn’t think why she was there. Where was Su Li? If any mui tsai was going to be here to greet me, it should be her. I was confused. My good mood faltered.

‘There,’ I said to Daisy. ‘That’s our car. We have to get in it to go on the ferry.’

‘Oh!’ said Daisy. ‘Where are your parents? Is that girl wearing trousers? Is she … a maid? Is she your Hetty?’

‘Father must be busy. He’ll be at home,’ I said doubtfully. ‘And everyone wears trousers here! Yes, she is a maid, but … not like Hetty. Remember I told you about Su Li? She must be waiting for us at home too.’

‘I knew that about the trousers!’ said Daisy, reaching up to fiddle with the brim of her hat, looking for all the world like a cat afraid of getting its paws wet. ‘I read it in one of those books.’

Daisy nervous enough to lie was obviously a sight I never thought I would see – and yet here it was.

We walked towards Ping and Wo On, arm in arm, and I could feel Daisy’s fingers digging into me.

‘It’s all right!’ I said encouragingly. ‘Come on, Daisy, it will be all right!’

‘It’s just so fearfully new, that’s all,’ muttered Daisy. ‘And the day is so hot!’

‘Are you nervous?’ I whispered. ‘Daisy Wells!’

I am not nervous!’ hissed Daisy. ‘I am merely adjusting to my surroundings. Give me a moment, please.’

I had imagined my homecoming plenty of times – but somehow this reality was nothing like any of them.