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This collection first published 2017
Poems by Kathleen Jamie copyright © Kathleen Jamie, 1982, 1987, 1994, 2002, 2004, 2012, 2015
Poems by Don Paterson copyright © Don Paterson 1993, 1997, 2003, 2009, 2012, 2015
Poems by Nick Laird copyright © Nick Laird 2005, 2007, 2013, 2017
The moral right of the authors has been asserted
ISBN: 978-0-141-98404-9
For material included in this selection the following grateful acknowledgements are made: to Bloodaxe for poems by Kathleen Jamie from Mr and Mrs Scotland are Dead: Poems 1980–1994 (2002); to Picador for poems by Kathleen Jamie from Jizzen (1999), The Tree House (2004), The Overhaul (2012) and The Bonniest Companie (2015); to Faber & Faber for poems by Don Paterson from Orpheus: A Version of Rainer Marie Rilke (2006), Selected Poems (2012) and 40 Sonnets (2015); and to Faber & Faber for poems by Nick Laird from To a Fault (2005), On Purpose (2007) and Go Giants (2013).
‘Feel Free’ by Nick Laird first appeared in The New Yorker.
Last year
Mother threw the barometer
the length of the corridor. This:
she has set her jaw. There’s a chill
and the rustle of weeds. She’s come in
from the garden, now she’ll withdraw.
The maids are shivering. Outside
they’re talking of snow. I say no
to a fire – it’s an act of surrender.
I can see the bare fields from here
on the balcony. The nights
are growing longer. I know.
At least the harvest is gathered and safe.
– Every thanksgiving
I dance like a Romany. Indian summers;
I giggle and weep. Mother and me
go picnics in the blossoming …
My furs are laid out and waiting.
The maids keep tutting.
I catch myself biting
dead skin from my lips.
I have played with my gloves all day.
I ought just to jump
and meet Hades half way.
Everything I do I do for you.
Brute. You inform the dark
inside of stones, the winds draughting in
from this world and that to come,
but never touch me.
You took me on
but dart like a rabbit into holes
from the edges of my sense
when I turn, walk, turn.
*
I am the hermit whom you keep
at the garden’s end, but I wander.
I am wandering in your acres
where every step, were I
attuned to sense them,
would crush a thousand flowers.
(Hush, that’s not the attitude)
I keep prepared a room and no one comes.
(Love is the attitude)
*
Canary that I am, caged and hung
from the eaves of the world
to trill your praise.
He will not come.
Poor bloodless hands, unclasp.
Stiffened, stone-cold knees, bear me up.
(And yet, and yet, I am suspended
in his joy, huge and helpless
as the harvest moon in a summer sky.)
Scotland, you have invoked her name
just once too often
in your Presbyterian living rooms.
She’s heard, yea
even unto heathenish Arabia
your vixen’s bark of poverty, come down
the family like a lang neb, a thrawn streak,
a wally dug you never liked
but can’t get shot of.
She’s had enough. She’s come.
Whit, tae this dump? Yes!
She rides the first camel
of a swaying caravan
from her desert sands
to the peat and bracken
of the Pentland hills
across the fit-ba pitch
to the thin mirage
of the swings and chute; scattered with glass.
Breathe that steamy musk
on the Curriehill Road, not mutton-shanks
boiled for broth, nor the chlorine stink
of the swimming pool where skinny girls
accuse each other of verrucas.
In her bathhouses women bear
warm pot-bellied terracotta pitchers
on their laughing hips.
All that she desires, whatever she asks
she will make the bottled dreams
of your wee lasses
look like sweeties.
Spangles scarcely cover
her gorgeous breasts, hanging gardens
jewels, frankincense; more voluptuous
even than Vi-next-door, whose
high-heeled slippers
keeked from dressing gowns
like little hooves, wee tails
of pink fur stuffed in the cleavage of her toes;
more audacious even than Currie Liz
who led the gala floats
through the Wimpey scheme
in a ruby-red Lotus Elan
before the Boys’ Brigade band
and the Brownies’ borrowed coal-truck;
hair piled like candy-floss;
who lifted like hands from the neat wheel
to tinkle her fingers
at her tricks
among the Masons and the elders and the police.
The cool black skin
of the Bible couldn’t hold her,
nor the atlas green
on the kitchen table,
you stuck with thumbs
and split to fruit hemispheres –
yellow Yemen, Red Sea, Ethiopia. Stick in
with the homework and you’ll be
cliver like yer faither,
but no too cliver,
no above yersel.
See her load those great soft camels
widdershins round the kirk-yaird,
smiling
as she eats
avocados with apostle spoons
she’ll teach us how. But first
she wants to strip the willow
she desires the keys
to the National Library
she is beckoning
the lasses
in the awestruck crowd …
Yes, we’d like to
clap the camels,
to smell the spice,
admire her hairy legs and
bonny wicked smile, we want to take
PhDs in Persian, be vice
to her president: we want
to help her
ask some Difficult Questions
she’s shouting for our wisest man
to test her mettle:
Scour Scotland for a Solomon!
Sure enough, from the back of the crowd
someone growls:
whae do you think y’ur?
and a thousand laughing girls and she
draw our hot breath
and shout:
THE QUEEN OF SHEBA!
I have a demon and her name is
WEE WIFEY
I caught her in a demon trap – the household of my skull
I pinched her by her heel throughout her wily transformations
until
she confessed
her name indeed to be WEE WIFEY
and she was out to do me ill.
So I made great gestures like Jehovah: dividing
land from sea, sea from sky,
my own self from WEE WIFEY
(There, she says, that’s tidy!)
Now I watch her like a dolly
keep an eye,
and mourn her:
For she and I are angry/cry
because we love each other dearly.
It’s sad to note
that without
WEE WIFEY
I shall live long and lonely as a tossing cork.