FRIEDRICH NIETZSCHE WAS A PREACHER’S son, brought up in the fear of the Lord. It is the ideal training for sham-smashers and freethinkers. Let a boy of alert, restless intelligence come to early manhood in an atmosphere of strong faith, wherein doubts are blasphemies and inquiry is a crime, and rebellion is certain to appear with his beard. So long as his mind feels itself puny beside the overwhelming pomp and circumstance of parental authority, he will remain docile and even pious. But so soon as he begins to see authority as something ever finite, variable and all-too-human—when he begins to realize that his father and his mother, in the last analysis, are mere human beings, and fallible like himself—then he will fly precipitately toward the intellectual wailing places, to think his own thoughts in his own way and to worship his own gods beneath the open sky.
As a child Nietzsche was holy; as a man he was the symbol and embodiment of all unholiness. At nine he was already versed in the lore of the reverend doctors, and the pulpit, to his happy mother—a preacher’s daughter as well as a preacher’s wife—seemed his logical and lofty goal; at thirty he was chief among those who held that all pulpits should be torn down and fashioned into bludgeons, to beat out the silly brains of theologians.
The awakening came to him when he made his first venture away from the maternal apron-string and fireside: when, as a boy of ten, he learned that there were many, many men in the world and that these men were of many minds. With the clash of authority came the end of authority. If A. was right, B. was wrong—and B. had a disquieting habit of standing for one’s mother, one’s grandmother or the holy prophets. Here was the beginning of intelligence in the boy—the beginning of that weighing and choosing faculty which seems to give man at once his sense of mastery and his feeling of helplessness. The old notion that doubt was a crime crept away. There remained in its place the new notion that the only real crime in the world—the only unmanly, unspeakable and unforgivable offense against the race—was unreasoning belief. Thus the orthodoxy of the Nietzsche home turned upon and devoured itself.
The philosopher of the superman was born on October 15th, 1844, at Röcken, a small town in the Prussian province of Saxony. His father, Karl Ludwig Nietzsche, was a country pastor of the Lutheran Church and a man of eminence in the countryside. But he was more than a mere rural worthy, with an outlook limited by the fringe of trees on the horizon, for in his time he had seen something of the great world and had even played his humble part in it. Years before his son Friedrich was born he had been tutor to the children of the Duke of Altenburg. The duke was fond of him and took him, now and then, on memorable and eventful journeys to Berlin, where that turbulent monarch, King Friedrich Wilhelm IV, kept a tinsel court and made fast progress from imbecility to acute dementia. The king met the young tutor and found him a clever and agreeable person, with excellent opinions regarding all those things whereon monarchs are wont to differ with mobs. When the children of the duke became sufficiently saturated with learning, the work of Pastor Nietzsche at Altenburg was done and he journeyed to Berlin to face weary days in the anterooms of ecclesiastical magnates and jobbers of places. The king, hearing by chance of his presence and remembering him pleasantly, ordered that he be given without delay a vicarage worthy of his talents. So he was sent to Röcken, and there, when a son was born to him, he called the boy Friedrich Wilhelm, as a graceful compliment to his royal patron and admirer.
There were two other children in the house. One was a boy, Josef, who was named after the Duke of Altenburg, and died in infancy in 1850. The other was a girl, Therese Elisabeth Alexandra, who became in after years her brother’s housekeeper, guardian angel and biographer. Her three names were those of the three noble children her father had grounded in the humanities. Elisabeth—who married toward middle age and is best known as Frau Förster-Nietzsche—tells us practically all that we know about the Nietzsche family and the private life of its distinguished son. The clan came out of Poland, like so many other families of Eastern Germany, at the time of the sad, vain wars. Legend maintains that it was noble in its day and Nietzsche himself liked to think so. The name, says Elisabeth, was originally Nietzschy. “Germany is a great nation,” Nietzsche would say, “only because its people have so much Polish blood in their veins.... I am proud of my Polish descent. I remember that in former times a Polish noble, by his simple veto, could overturn the resolution of a popular assembly. There were giants in Poland in the time of my forefathers.” He wrote a tract with the French title “L’Origine de la famille de Nietzsche“ and presented the manuscript to his sister, as a document to be treasured and held sacred. She tells us that he was fond of maintaining that the Nietzsches had suffered greatly and fallen from vast grandeur for their opinions, religious and political. He had no proof of this, but it pleased him to think so.
Pastor Nietzsche was thrown from his horse in 1848 and died, after a lingering illness, on July 28th, 1849, when Friedrich was barely five years old. Frau Nietzsche then moved her little family to Naumburg-on-the-Saale—"a Christian, conservative, loyal city.” The household consisted of the mother, the two children, their paternal grandmother and two maiden aunts—the sisters of the dead pastor. The grandmother was something of a bluestocking and had been, in her day, a member of that queer circle of intellectuals and amateurs which raged and roared around Goethe at Weimar. But that was in the long ago, before she dreamed of becoming the wife of one preacher and the mother of another. In the year ‘50 she was well of all such youthful fancies and there was no doubt of the divine revelations beneath her pious roof. Prayers began the day and ended the day. It was a house of holy women, with something of a convent’s placidity and quiet exaltation. Little Friedrich was the idol in the shrine. It was the hope of all that he would grow up into a man inimitably noble and impossibly good.
Pampered thus, the boy shrank from the touch of the world’s rough hand. His sister tells us that he disliked the bad little boys of the neighborhood, who robbed bird’s nests, raided orchards and played at soldiers. There appeared in him a quaint fastidiousness which went counter to the dearest ideals of the healthy young male. His school fellows, in derision, called him “the little pastor” and took delight in waylaying him and venting upon him their grotesque and barbarous humor. He liked flowers and books and music and when he went abroad it was for solitary walks. He could recite and sing and he knew the Bible so well that he was able to dispute about its mysteries. “As I think of him,” said an old school-mate years afterward, “I am forced irresistibly into a thought of the 12-year-old Jesus in the Temple.” “The serious introspective child, with his dignified politeness,” says his sister, “seemed so strange to other boys that friendly advances from either side were out of the question.”
There is a picture of the boy in all the glory of his first long-tailed coat. His trousers stop above his shoe-tops, his hair is long and his legs seem mere airy filaments. As one gazes upon the likeness one can almost smell the soap that scoured that high, shiny brow and those thin, white cheeks. The race of such seraphic boys has died out in the world. Gone are their slick, plastered locks and their translucent ears! Gone are their ruffled cuffs and their spouting of the golden text!
Nietzsche wrote verses before he was ten: pious, plaintive verses that scanned well and showed rhymes and metaphors made respectable by ages of honorable employment. His maiden effort, so far as we know, was an elegy entitled “The Grave of My Father.” Later on he became aware of material things and sang the praises of rose and sunset. He played the piano, too, and knew his Beethoven well, from the snares for the left hand in “Für Elise“ to the raging tumults of the C minor symphony. One Sunday—it was Ascension day—he went to the village church and heard the choir sing the Hallelujah Chorus from “The Messiah.” Here was music that benumbed the senses and soothed the soul and, boy as he was, he felt its supreme beauty. That night he covered pages of ruled paper with impossible pot-hooks. He, too, would write music!
Later on the difficulties of thorough-bass, as it was taught in the abysmal German text-books of the time, somewhat dampened his ardor, but more than once during his youth he thought seriously of becoming a musician. His first really ambitious composition was a piano pièce called “Mondschein auf der Pussta“—"Moonlight on the Pussta"—the pussta being the flat Bohemian prairie. The family circle was delighted with this maiden opus, and we may conjure up a picture of little Friedrich playing it of a quiet evening at home, while mother, grandmother, sister and aunts gathered round and marvelled at his genius. In later life he wrote songs and sonatas, and—if an enemy is to be believed—an opera in the grand manner. His sister, in her biography, prints some samples of his music. Candor compels the admission that it is even worse than it sounds.
Nietzsche, at this time, still seemed like piety on a monument, but as much as he revered his elders and as much as he relied upon their infallibility, there were yet problems which assailed him and gave him disquiet. When he did not walk and think alone, his sister was his companion, and to her he opened his heart, as one might to a sexless, impersonal confessor. In her presence, indeed, he really thought aloud, and this remained his habit until the end of his life. His mind, awakening, wandered beyond the little world hedged about by doting and complacent women. Until he entered the gymnasium—that great weighing place of German brains—he shrank from open revolt, and even from the thought of it, but he could not help dwelling upon the mysteries that rose before him. There were things upon which the scriptures, search them as he might, seemed to throw no light, and of which mothers and grandmothers and maiden aunts did not discourse. “One day,” says Elisabeth, “when he was yet very young, he said to me: ‘You mustn’t expect me to believe those silly stories about storks bringing babies. Man is a mammal and a mammal must get his own children for himself.’” Every child, perhaps, ponders such problems, but in the vast majority knowledge must wait until it may enter fortuitously and from without. Nietzsche did not belong to the majority. To him ideas were ever things to be sought out eagerly, to be weighed calmly, to be tried in the fire. For weal or for woe, the cornerstones of his faith were brought forth, with sweat and pain, from the quarry of his own mind.
Nietzsche went to various village schools—public and private—until he was ten, dutifully trudging away each morning with knapsack and lunch-basket. He kissed his mother at the gate when he departed and she was waiting for him, with another kiss, when he returned. As happiness goes, his was probably a happy childhood. The fierce joy of boyish combat—of fighting, of robbing, of slaying—was never his, but to a child so athirst for knowledge, each fresh discovery—about the sayings of Luther, the lions of Africa, the properties of an inverted fraction—must have brought its thrill. But as he came to the last year of his first decade, unanswerable questions brought their discontent and disquiet—as they do to all of us. There is a feeling of oppression and poignant pain in facing problems that defy solution and facts that refuse to fit into ordered chains. It is only when mastery follows that the fine stimulation of conscious efficiency drowns out all moody vapors.
When Nietzsche went to the gymnasium his whole world was overturned. Here boys were no longer mute and hollow vessels, to be stuffed with predigested learning, but human beings whose approach to separate entity was recognized. It was possible to ask questions and to argue moot points, and teaching became less the administration of a necessary medicine and more the sharing of a delightful meal. Your German school-master is commonly a martinet, and his birch is never idle, but he has the saving grace of loving his trade and of readily recognizing true diligence in his pupils. History does not record the name of the pedagogue who taught Nietzsche at the Naumburg gymnasium, but he must have been one who ill deserved his oblivion. He fed the eager, inquiring mind of his little student and made a new boy of him. The old unhealthy, uncanny embodiment of a fond household’s impossible dreams became more likeable and more human. His exclusiveness and fastidiousness were native and ineradicable, perhaps, for they remained with him, in some degree, his whole life long, but his thirst for knowledge and yearning for disputation soon led him to the discovery that there were other boys worth cultivating: other boys whose thoughts, like his own, rose above misdemeanor and horse-play. With two such he formed a quick friendship, and they were destined to influence him greatly to the end of his youth. They organized a club for mutual culture, gave it the sonorous name of “Der litterarischen Vereinigung Germania“ ("The German Literary Association") and drew up an elaborate scheme of study. Once a week there was a meeting, at which each of the three submitted an essay or a musical composition to the critical scrutiny of the others. They waded out into the deep water. One week they discussed “The Infancy of Nations,” and after that, “The Dæmonic Element in Music,” “Napoleon III” and “Fatalism in History.” Despite its praiseworthy earnestness, this program causes a smile—and so does the transformation of the retiring and well-scrubbed little Nietzsche we have been observing into the long, gaunt Nietzsche of 14, with a yearning for the companionship of his fellows, and a voice beginning to grow comically harsh and deep, and a mind awhirl with unutterable things.
Nietzsche was a brilliant and spectacular pupil and soon won a scholarship at Pforta, a famous and ancient preparatory academy not far away. Pforta, in those days, was of a dignity comparable to Eton’s or Harrow’s. It was a great school, but tradition overpowered it. Violent combats between amateur sages were not encouraged: it was a place for gentlemen to acquire Euclid and the languages in a decent, gentlemanly way, and not an arena for gawky country philosophers to prance about in. But Nietzsche, by this time, had already become a frank rebel and delighted in elaborating and controverting the doctrines of the learned doctors. He drew up a series of epigrams under the head of “Ideen“ and thought so well of them that he sent them home, to astonish and alarm his mother. Some of them exhibited a quite remarkable faculty for pithy utterance—as, for example, “War begets poverty and poverty begets peace"—while others were merely opaque renderings of thoughts half formed. He began to believe in his own mental cunning, with a sincerity which never left him, and, as a triumphant proof of it, he drew up a series of syllogisms designed to make homesickness wither and die. Thus he wrestled with life’s problems as his boy’s eyes saw them.
All this was good training for the philosopher, but to the Pforta professors it gave disquiet. Nietzsche became a bit too sure of himself and a bit too arrogant for discipline. It seemed to him a waste of time to wrestle with the studies that every oafish baron’s son and future guardsman sought to master. He neglected mathematics and gave himself up to the hair-splitting of the Eleatics and the Pythagoreans, the Sophists and the Skeptics. He pronounced his high curse and anathema upon geography and would have none of it. The result was that when he went up for final examination he writhed and floundered miserably and came within an ace of being set down for further and more diligent labor with his books. Only his remarkable mastery of the German language and his vast knowledge of Christian doctrine—a legacy from his pious childhood—saved him. The old Nietzsche—the shrinking mother’s darling of Naumburg—was now but a memory. The Nietzsche that went up to Bonn was a young man with a touch of cynicism and one not a little disposed to pit his sneer against the jurisprudence of the world: a young man with a swagger, a budding moustache and a head full of violently novel ideas about everything under the sun.
Nietzsche entered Bonn in October, 1864, when he was just 20 years old. He was enrolled as a student of philology and theology, but the latter was a mere concession to family faith and tradition, made grudgingly, and after the first semester, the reverend doctors of exegetics knew him no more. At the start he thought the university a delightful place and its people charming. The classrooms and beer gardens were full of young Germans like himself, who debated the doings of Bismarck, composed eulogies of Darwin, sang Rabelaisian songs in bad Latin, kept dogs, wore ribbons on their walking sticks, fought duels, and drank unlimited steins of pale beer. In the youth of every man there comes over him a sudden yearning to be a good fellow: to be “Bill” or “Jim” to multitudes, and to go down into legend with Sir John Falstaff and Tom Jones. This melancholy madness seized upon Nietzsche during his first year at Bonn. He frequented the theatres and posed as a connoisseur of opera bouffe, malt liquor and the female form divine. He went upon students’ walking tours and carved his name upon the mutilated tables of country inns. He joined a student corps, bought him a little cap and set up shop as a devil of a fellow. His mother was not poor, but she could not afford the outlays that these ambitious enterprises required. Friedrich overdrew his allowance and the good woman, no doubt, wept about it, as mothers will, and wondered that learning came so dear.
But the inevitable reaction followed. Nietzsche was not designed by nature for a hero of pot-houses and duelling sheds. The old fastidiousness asserted itself—that queer, unhealthy fastidiousness which, in his childhood, had set him apart from other boys, and was destined, all his life long, to make him shrink from too intimate contact with his fellow-men. The touch of the crowd disgusted him: he had an almost insane fear of demeaning himself. All of this feeling had been obscured for awhile, by the strange charm of new delights and new companions, but in the end, the gloomy spinner of fancies triumphed over the university buck. Nietzsche resigned from his student corps, burned his walking sticks, foreswore smoking and roistering, and bade farewell to Johann Strauss and Offenbach forever. The days of his youth—of his carefree, merry gamboling—were over. Hereafter he was all solemnity and all seriousness.
“From these early experiences,” says his sister, “there remained with him a life-long aversion to smoking, beer-drinking and the whole biergemüthlichkeit. He maintained that people who drank beer and smoked pipes were absolutely incapable of understanding him. Such people, he thought, lacked the delicacy and clearness of perception necessary to grasp profound and subtle problems.”
AT BONN NIETZSCHE BECAME A student of Ritschl, the famous philologist, and when Ritschl left Bonn for Leipsic, Nietzsche followed him. All traces of the good fellow had disappeared and the student that remained was not unlike those sophomores of medieval Toulouse who “rose from bed at 4 o’clock, and having prayed to God, went at 5 o’clock to their studies, their big books under their arms, their inkhorns and candles in their hands.” Between teacher and pupil there grew up a bond of strong friendship. Nietzsche was taken, too, under the wing of motherly old Frau Ritschl, who invited him to her afternoons of coffee and cinnamon cake and to her evening soirées, where he met the great men of the university world and the eminent strangers who came and went. To Ritschl the future philosopher owed many things, indeed, including his sound knowledge of the ancients, his first (and last) university appointment and his meeting with Richard Wagner. Nietzsche always looked back upon these days with pleasure and there was ever a warm spot in his heart for the kindly old professor who led him up to grace.
Two years or more were thus spent, and then, in the latter part of 1867, Nietzsche began his term of compulsory military service in the fourth regiment of Prussian field artillery. He had hoped to escape because he was near-sighted and the only son of a widow, but a watchful oberst-lieutenant found loopholes in the law and so ensnared him. He seems to have been some sort of officer, for a photograph of the period shows him with epaulets and a sword. But lieutenant or sergeant, soldiering was scarcely his forte, and he cut a sorry figure on a horse. After a few months of unwilling service, in fact, he had a riding accident and came near dying as his father had died before him. As it was he wrenched his breast muscles so badly that he was condemned by a medical survey and discharged from the army.
During his long convalescence he busied himself with philological studies and began his first serious professional work—essays on the Theogony of Hesiod, the sources of Diogenes Laërtius and the eternal strife between Hesiod and Homer. He also made an index to an elaborate collection of German historical fragments and performed odd tasks of like sort for various professors. In October, 1868, he returned to Leipsic—not as an undergraduate, but as a special student. This change was advantageous, for it gave him greater freedom of action and protected him from that student bonhomie he had learned to despise. Again old Ritschl was his teacher and friend and again Frau Ritschl welcomed him to her salon and gave him of her good counsel and her excellent coffee.
Meanwhile there had occurred something that was destined to direct and color the whole stream of his life. This was his discovery of Arthur Schopenhauer. In the 60′s, it would appear, the great pessimist was still scarcely more than a name in the German universities, which, for all their later heterodoxy, clung long to their ancient first causes. Nietzsche knew nothing of him, and in the seminaries of Leipsic not a soul maintained him. Of Kant and of Hegel there was talk unlimited, and of Lotze and Fichte there were riotous disputations that roared and raged about the class-room of Fechner, then the university professor of philosophy. But of Schopenhauer nothing was heard, and so, when Nietzsche, rambling through an old Leipsic bookshop, happened upon a second-hand copy of “Die Welt als Wille und Vorstellung“ a new world came floating into his view. This was in 1865.
“I took the book to my lodgings,” he said years afterward, “and flung myself on a sofa and read and read and read. It seemed as if Schopenhauer were addressing me personally. I felt his enthusiasm and seemed to see him before me. Every line cried aloud for renunciation, denial, resignation!”
So much for the first flush of the ecstasy of discovery. That Nietzsche entirely agreed with everything in the book, even in his wildest transports of admiration, is rather doubtful. He was but 21—the age of great passions and great romance—and he was athirst for some writing that would solve the problems left unanswered by the accepted sages, but it is probable that when he shouted the Schopenhauer manifesto loudest he read into the text wild variations of his own. The premises of the pessimist gave credit and order to thoughts that had been rising up in his own mind; but the conclusions, if he subscribed to them at all, led him far afield. No doubt he was like one of those fantastic messiahs of new cults who search the scriptures for testimony—and find it. Late in life, when he was accused of inconsistency in first deifying Schopenhauer and then damning him, he made this defense, and despite the derisive sneers of his enemies, it seemed a fairly good one.
Schopenhauer’s argument, to put it briefly, was that the will to exist—the primary instinct of life—was the eternal first cause of all human actions, motives and ideas. The old philosophers of Christendom had regarded intelligence as the superior of instinct. Some of them thought that an intelligent god ruled the universe and that nothing happened without his knowledge and desire. Others believed that man was a free agent, that whatever he did was the result of his own thought and choice, and that it was right, in consequence, to condemn him to hell for his sins and to exalt him to heaven for any goodness he might chance to show. Schopenhauer turned all this completely about. Intelligence, he said, was not the source of will, but its effect. When life first appeared upon earth, it had but one aim and object: that of perpetuating itself. This instinct, he said, was still at the bottom of every function of all living beings. Intelligence grew out of the fact that mankind, in the course of ages, began to notice that certain manifestations of the will to live were followed by certain invariable results. This capacity of perceiving was followed by a capacity for remembering, which in turn produced a capacity for anticipating. An intelligent man, said Schopenhauer, was merely one who remembered so many facts (the result either of personal experience or of the transmitted experience of others) that he could separate them into groups and observe their relationship, one to the other, and hazard a close guess as to their future effects: i.e. could reason about them.
Going further, Schopenhauer pointed out that this will to exist, this instinct to preserve and protect life, this old Adam, was to blame for the unpleasant things of life as well as for the good things—that it produced avarice, hatred and murder just as well as industry, resourcefulness and courage—that it led men to seek means of killing one another as well as means of tilling the earth and procuring food and raiment. He showed, yet further, that its bad effects were a great deal more numerous than its good effects and so accounted for the fact—which many men before him had observed—that life, at best, held more of sorrow than of joy.
The will-to-live, argued Schopenhauer, was responsible for all this. Pain, he believed, would always outweigh pleasure in this sad old world until men ceased to want to live—until no one desired food or drink or house or wife or money. To put it more briefly, he held that true happiness would be impossible until mankind had killed will with will, which is to say, until the will-to-live was willed out of existence. Therefore the happiest man was the one who had come nearest this end—the man who had killed all the more obvious human desires, hopes and aspirations—the solitary ascetic—the monk in his cell—the soaring, starving poet—the cloud-enshrouded philosopher.
Nietzsche very soon diverged from this conclusion. He believed, with Schopenhauer, that human life, at best, was often an infliction and a torture, but in his very first book he showed that he admired, not the ascetic who tried to escape from the wear and tear of life altogether, but the proud, stiff-necked hero who held his balance in the face of both seductive pleasure and staggering pain; who cultivated within himself a sublime indifference, so that happiness and misery, to him, became mere words, and no catastrophe, human or superhuman, could affright or daunt him.
It is obvious that there is a considerable difference between these ideas, for all their similarity in origin and for all Nietzsche’s youthful worship of Schopenhauer. Nietzsche, in fact, was so enamoured by the honesty and originality of what may be called the data of Schopenhauer’s philosophy that he took the philosophy itself rather on trust and did not begin to inquire into it closely or to compare it carefully with his own ideas until after he had committed himself in a most embarrassing fashion. The same phenomena is no curiosity in religion, science or politics.
Before a realization of these differences quite dawned upon Nietzsche he was busied with other affairs. In 1869, when he was barely 25, he was appointed, upon Ritschl’s recommendation, to the chair of classical philology at the University of Basel, in Switzerland, an ancient stronghold of Lutheran theology. He had no degree, but the University of Leipsic promptly made him a doctor of philosophy, without thesis or examination, and on April 13th he left the old home at Naumburg to assume his duties. Thus passed that pious household. The grandmother had died long before—in 1856—and one of the maiden aunts had preceded her to the grave by a year. The other, long ill, had followed in 1867. But Nietzsche’s mother lived until 1897, though gradually estranged from him by his opinions, and his sister, as we know, survived him.
Nietzsche was officially professor of philology, but he also became teacher of Greek in the pedagogium attached to the University. He worked like a Trojan and mixed Schopenhauer and Hesiod in his class-room discourses upon the origin of Greek verbs and other such dull subjects. But it is not recorded that he made a very profound impression, except upon a relatively small circle. His learning was abysmal, but he was far too impatient and unsympathetic to be a good teacher. His classes, in fact, were never large, except in the pedagogium. This, however, may have been partly due to the fact that in 1869, as in later years, there were comparatively few persons impractical enough to spend their days and nights in the study of philology.
In 1870 came the Franco-Prussian war and Nietzsche decided to go to the front. Despite his hatred of all the cant of cheap patriotism and his pious thankfulness that he was a Pole and not a German, he was at bottom a good citizen and perfectly willing to suffer and bleed for his country. But unluckily he had taken out Swiss naturalization papers in order to be able to accept his appointment at Basel, and so, as the subject of a neutral state, he had to go to the war, not as a warrior, but as a hospital steward.
Even as it was, Nietzsche came near giving his life to Germany. He was not strong physically—he had suffered from severe headaches as far back as 1862—and his hard work at Basel had further weakened him. On the battlefields of France he grew ill. Diphtheria and what seems to have been cholera morbus attacked him and when he finally reached home again he was a neurasthenic wreck. Ever thereafter his life was one long struggle against disease. He suffered from migraine, that most terrible disease of the nerves, and chronic catarrh of the stomach made him a dyspeptic. Unable to eat or sleep, he resorted to narcotics, and according to his sister, he continued their use throughout his life. “He wanted to get well quickly,” she says, “and so took double doses.” Nietzsche, indeed, was a slave to drugs, and more than once in after life, long before insanity finally ended his career, he gave evidence of it.
Despite his illness he insisted upon resuming work, but during the following winter he was obliged to take a vacation in Italy. Meanwhile he had delivered lectures to his classes on the Greek drama and two of these he revised and published, in 1872, as his first book, “Die Geburt der Tragödie“ ("The Birth of Tragedy"). Engelmann, the great Leipsic publisher, declined it, but Fritsch, of the same city, put it into type. This book greatly pleased his friends, but the old-line philologists of the time thought it wild and extravagant, and it almost cost Nietzsche his professorship. Students were advised to keep away from him, and during the winter of 1872-3, it is said, he had no pupils at all.
Nevertheless the book, for all its iconoclasm, was an event. It sounded Nietzsche’s first, faint battle-cry and put the question mark behind many tilings that seemed honorable and holy in philology. Most of the philologists of that time were German savants of the comic-paper sort, and their lives were spent in wondering why one Greek poet made the name of a certain plant masculine while another made it feminine. Nietzsche, passing over such scholastic futilities, burrowed down into the heart of Greek literature. Why, he asked himself, did the Greeks take pleasure in witnessing representations of bitter, hopeless conflicts, and how did this form of entertainment arise among them? Later on, his conclusions will be given at length, but in this place it may be well to sketch them in outline, because of the bearing they have upon his later work, and even upon the trend of his life.
In ancient Greece, he pointed out at the start, Apollo was the god of art—of life as it was recorded and interpreted—and Bacchus Dionysus was the god of life itself—of eating, drinking and making merry, of dancing and roistering, of everything that made men acutely conscious of the vitality and will within them. The difference between the things they represented has been well set forth in certain homely verses addressed by Rudyard Kipling to Admiral Robley D. Evans, U. S. N.:
Zogbaum draws with a pencil
And I do things with a pen,
But you sit up in a conning tower,
Bossing eight hundred men.
To him that hath shall be given
And that’s why these books are sent
To the man who has lived more stories
Than Zogbaum or I could invent.
Here we have the plain distinction: Zogbaum and Kipling are apollonic, while Evans is dionysian. Epic poetry, sculpture, painting and story-telling are apollonic: they represent, not life itself, but some one man’s visualized idea of life. But dancing, great deeds and, in some cases, music, are dionysian: they are part and parcel of life as some actual human being, or collection of human beings, is living it.
Nietzsche maintained that Greek art was at first apollonic, but that eventually there appeared a dionysian influence—the fruit, perhaps, of contact with primitive, barbarous peoples. Ever afterward there was constant conflict between them and this conflict was the essence of Greek tragedy. As Sarcey tells us, a play, to hold our attention, must depict some sort of battle, between man and man or idea and idea. In the melodrama of today the battle is between hero and villain; in the ancient Greek tragedy it was between Apollo and Dionysus, between the life contemplative and the life strenuous, between law and outlaw, between the devil and the seraphim.
Nietzsche, as we shall see, afterward applied this distinction in morals and life as well as in art. He called himself a dionysian and the crowning volume of his system of philosophy, which he had barely started when insanity overtook him, was to have been called “Dionysus.”
HAVING GIVEN BIRTH, IN THIS theory of Greek tragedy, to an idea which, whatever its defects otherwise, was at least original, understandable and workable, Nietzsche began to be conscious, as it were, of his own intellect—or, in his sister’s phrase, “to understand what a great man he was.” During his first years at Basel he had cut quite a figure in academic society, for he was an excellent musician, he enjoyed dancing and he had plenty of pretty things to say to the ladies. But as his ideas clarified and he found himself more and more in conflict with the pundits about him, he withdrew within himself, and in the end he had few friends save Richard and Cosima Wagner, who lived at Tribschen, not far away. To one of his turn of mind, indeed, the atmosphere of the college town was bound to grow oppressive soon or late. Acutely aware of his own superiority, he showed no patience with the unctuous complacency of dons and dignitaries, and so he became embroiled in various conflicts, and even his admirers among his colleagues seldom ventured upon friendly advances.
There are critics who see in all this proof that Nietzsche showed signs of insanity from early manhood, but as a matter of fact it was his abnormally accurate vision and not a vision gone awry, that made him stand so aloof from his fellows. In the vast majority of those about him he saw the coarse metal of sham and pretense beneath the showy gilding of learning. He had before him, at close range, a good many of the great men of his time—the intellectuals whose word was law in the schools. He saw them on parade and he saw them in their shirt sleeves. What wonder that he lost all false reverence for them and began to estimate them in terms, not of their dignity and reputation, but of their actual credibility and worth? It was inevitable that he should compare his own ideas to theirs, and it was inevitable that he should perceive the difference between his own fanatical striving for the truth and the easy dependence upon precedent and formula which lay beneath their booming bombast. Thus there arose in him a fiery loathing for all authority, and a firm belief that his own opinion regarding any matter to which he had given thought was as sound, at the least, as any other man’s. Thenceforth the assertive “ich“ began to besprinkle his discourse and his pages. “I condemn Christianity. I have given to mankind.... I was never yet modest.... I think.... I say.... Ido....” Thus he hurled his javelin at authority until the end.
To those about him, perhaps, Nietzsche seemed wild and impossible, but it is not recorded that any one ever looked upon him as ridiculous. His high brow, bared by the way in which he brushed his hair; his keen eyes, with their monstrous overhanging brows, and his immense, untrimmed moustache gave him an air of alarming earnestness. Beside the pedagogues about him—with their well-barbered, professorial beards, their bald heads and their learned spectacles—he seemed like some incomprehensible foreigner. The exotic air he bore delighted him and he cultivated it assiduously. He regarded himself as a Polish grandee set down by an unkind fate among German shopkeepers, and it gave him vast pleasure when the hotel porters and street beggars, deceived by his disorderly façade, called him “The Polack.”
Thus he lived and had his being. The inquisitive boy of old Naumburg, the impudent youth of Pforta and the academic free lance of Bonn and Leipsic had become merged into a man sure of himself and contemptuous of all whose search for the truth was hampered or hedged about by any respect for statute or precedent. He saw that the philosophers and sages of the day, in many of their most gorgeous flights of logic, started from false premises, and he observed the fact that certain of the dominant moral, political and social maxims of the time were mere foolishness. It struck him, too, that all of this faulty ratiocination—all of this assumption of outworn doctrines and dependence upon exploded creeds—was not confined to the confessedly orthodox. There was fallacy no less disgusting in the other camp. The professed apostles of revolt were becoming as bad as the old crusaders and apologists.
Nietzsche harbored a fevered yearning to call all of these false prophets to book and to reduce their fine axioms to absurdity. Accordingly, he planned a series of twenty-four pamphlets and decided to call them “Unzeitgemässe Betrachtungen“ which may be translated as “Inopportune Speculations,” or more clearly, “Essays in Sham-Smashing.” In looking about for a head to smash in essay number one, his eye, naturally enough, alighted upon that of David Strauss, the favorite philosopher and fashionable iconoclast of the day. Strauss had been a preacher but had renounced the cloth and set up shop as a critic of Christianity. He had labored with good intentions, no doubt, but the net result of all his smug agnosticism was that his disciples were as self-satisfied, bigoted and prejudiced in the garb of agnostics as they had been before as Christians. Nietzsche’s clear eye saw this and in the first of his little pamphlets, “David Strauss, der Bekenner und der Schriftsteller“ ("David Strauss, the Confessor and the Writer"), he bore down upon Strauss’ bourgeoise pseudo-skepticism most savagely. This was in 1873.
“Strauss,” he said, “utterly evades the question, What is the meaning of life? He had an opportunity to show courage, to turn his back upon the Philistines, and to boldly deduce a new morality from that constant warfare which destroys all but the fittest, but to do this would have required a love of truth infinitely higher than that which spends itself in violent invectives against parsons, miracles and the historical humbug of the resurrection. Strauss had no such courage. Had he worked out the Darwinian doctrine to its last decimal he would have had the Philistines against him to a man. As it is, they are with him. He has wasted his time in combatting Christianity’s nonessentials. For the idea at the bottom of it he has proposed no substitute. In consequence, his philosophy is stale.”
As a distinguished critic has pointed out, Nietzsche’s attack was notable, not only for its keen analysis and ruthless honesty, but also for its courage. It required no little bravery, three years after Sedan, to tell the Germans that the new culture which constituted their pride was rotten, and that, unless it were purified in the fire of absolute truth, it might one day wreck their civilization.
In the year following Nietzsche returned to the attack with a criticism of history, which was then the fashionable science of the German universities, on account, chiefly, of its usefulness in exploding the myths of Christianity. He called his essay “Vom Nutzen und Nachtheil der Historie für das Leben believed that one man, Hannibal, was of vastly more importance to the world than all the other Carthaginians of his time taken together. Herein we have a reappearance of Dionysus and a foreshadowing of the and superman of later days.