‘One of the most exciting and imaginative poets at work in America today … though his writing … sounds more like hip hop, it stands, temperamentally, in the tradition of older kinds of music: folk ballads, for example, or the blues, traditions that take hardship as a given and seek solace, entertainment, and communion in its midst’ Slate
‘Hayes’s work fits strong emotions into virtuoso forms … He is a poet of swallowed garrulity, imagined riposte, mock correction, and interior litigation … [his] poems are like a Pixar version of the mental marionette show, a dazzling space crammed with comic jabs’ Dan Chiasson, New Yorker
‘Music serves as both an animating force and resonant presence in Hayes’s poems … Hayes occupies this musical mode like a connoisseur and deploys it like a virtuoso. His lines can (and do) freely drift between themes of blackness, masculinity, history, family, art, and language’ Boston Globe
‘A fascinating and liberating collection of poems … kicks against our staid definition of poetry’ Pittsburgh Post Gazette
‘Hayes’s work is terrific … it’s grounded in narrative even as it’s linguistically dense and playful, with allusions to formal verse traditions and to pop culture new and old’ The New York Times
‘Lighthead displays a riffing, wildly relentless insistence and astonishing brio … Hayes breaks down categories and builds up forms with acrobatic glee’ Megan O’Rourke, NPR (The Year’s Best Poetry)
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Penguin Books is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com.
First published in the United States of America by Penguin Random House LLC 2018
First published in Great Britain in Penguin Books 2018
Text copyright © Terrance Hayes, 2018
The moral right of the author has been asserted
Cover design by Lynn Buckley
ISBN: 978-0-141-98912-9
bring me
to where
my blood runs
WANDA COLEMAN
The black poet would love to say his century began
With Hughes or God forbid, Wheatley, but actually
It began with all the poetry weirdos & worriers, warriors,
Poetry whiners & winos falling from ship bows, sunset
Bridges & windows. In a second I’ll tell you how little
Writing rescues. My hunch is that Sylvia Plath was not
Especially fun company. A drama queen, thin-skinned,
And skittery, she thought her poems were ordinary.
What do you call a visionary who does not recognize
Her vision? Orpheus was alone when he invented writing.
His manic drawing became a kind of writing when he sent
His beloved a sketch of an eye with an X struck through it.
He meant I am blind without you. She thought he meant
I never want to see you again. It is possible he meant that, too.
Inside me is a black-eyed animal
Bracing in a small stall. As if a bird
Could grow without breaking its shell.
As if the clatter of a thousand black
Birds whipping in a storm could be held
In a shell. Inside me is a huge black
Bull balled small enough to fit inside
The bead of a nipple ring. I mean to leave
A record of my raptures. I was raised
By a beautiful man. I loved his grasp of time.
My mother shaped my grasp of space.
Would you rather spend the rest of eternity
With your wild wings bewildering a cage or
With your four good feet stuck in a plot of dirt?
But there never was a black male hysteria
Because a fret of white men drove you crazy
Or a clutch of goons drove you through Money,
Stole your money, paid you money, stole it again.
There was a black male review for ladies night
At the nightclub. There was a black male review
By suits in the offices, the courts & waiting rooms.
There was a black male review in the weight rooms
Where coaches licked their whistles. Reviews,
Once-overs, half-studies, misreads & night
Mares looped the news. Your jolts & tears gained
Rubberneckers, eyeballers & bawlers in Money,
Mississippi. The stares you got were crazy,
It’s true. But there never was a black male hysteria.
Why are you bugging me you stank minuscule husk
Of musk, muster & deliberation crawling over reasons
And possessions I have & have not touched?
Should I fail in my insecticide, I pray for a black boy
Who lifts you to a flame with bedeviled tweezers
Until mercy rises & disappears. You are the size
Of a stuttering drop of liquid—milk, machine oil
Semen, blood. Yes, you funky stud, you are the jewel
In the knob of an elegant butt plug, snug between
Pleasure & disgust. You are the scent of rot at the heart
Of love-making. The meat inside your exoskeleton
Is as tender as Jesus. Neruda wrote of “a nipple
Perfuming the earth.” Yes, you are an odor, an almost
Imperceptible ode to death, a lousy, stinking stinkbug.
Probably twilight makes blackness dangerous
Darkness. Probably all my encounters