PENGUIN BOOKS

AMERICAN SONNETS FOR MY PAST AND FUTURE ASSASSIN
PRAISE FOR HOW TO BE DRAWN

‘One of the most exciting and imaginative poets at work in America today … though his writing … sounds more like hip hop, it stands, temperamentally, in the tradition of older kinds of music: folk ballads, for example, or the blues, traditions that take hardship as a given and seek solace, entertainment, and communion in its midst’ Slate

‘Hayes’s work fits strong emotions into virtuoso forms … He is a poet of swallowed garrulity, imagined riposte, mock correction, and interior litigation … [his] poems are like a Pixar version of the mental marionette show, a dazzling space crammed with comic jabs’ Dan Chiasson, New Yorker

‘Music serves as both an animating force and resonant presence in Hayes’s poems … Hayes occupies this musical mode like a connoisseur and deploys it like a virtuoso. His lines can (and do) freely drift between themes of blackness, masculinity, history, family, art, and language’ Boston Globe

‘A fascinating and liberating collection of poems … kicks against our staid definition of poetry’ Pittsburgh Post Gazette

PRAISE FOR LIGHTHEAD

‘Hayes’s work is terrific … it’s grounded in narrative even as it’s linguistically dense and playful, with allusions to formal verse traditions and to pop culture new and old’ The New York Times

‘Lighthead displays a riffing, wildly relentless insistence and astonishing brio … Hayes breaks down categories and builds up forms with acrobatic glee’ Megan O’Rourke, NPR (The Year’s Best Poetry)

ABOUT THE AUTHOR

Terrance Hayes is the author of Lighthead, winner of the 2010 National Book Award and finalist for the National Book Critics Circle Award. His other books are Wind in a Box, Hip Logic, and Muscular Music. His honours include a National Endowment for the Arts Fellowship, a Guggenheim Fellowship, and a 2014 MacArthur Fellowship. How To Be Drawn, his most recent collection of poems, was a finalist for the 2015 National Book Award and received the 2016 NAACP Image Award for Poetry.

Terrance Hayes


AMERICAN SONNETS FOR MY PAST AND FUTURE ASSASSIN

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Penguin Random House UK

First published in the United States of America by Penguin Random House LLC 2018

First published in Great Britain in Penguin Books 2018

Text copyright © Terrance Hayes, 2018

The moral right of the author has been asserted

Cover design by Lynn Buckley

ISBN: 978-0-141-98912-9

bring me

to where

my blood runs

WANDA COLEMAN

The black poet would love to say his century began

With Hughes or God forbid, Wheatley, but actually

It began with all the poetry weirdos & worriers, warriors,

Poetry whiners & winos falling from ship bows, sunset

Bridges & windows. In a second I’ll tell you how little

Writing rescues. My hunch is that Sylvia Plath was not

Especially fun company. A drama queen, thin-skinned,

And skittery, she thought her poems were ordinary.

What do you call a visionary who does not recognize

Her vision? Orpheus was alone when he invented writing.

His manic drawing became a kind of writing when he sent

His beloved a sketch of an eye with an X struck through it.

He meant I am blind without you. She thought he meant

I never want to see you again. It is possible he meant that, too.

Inside me is a black-eyed animal

Bracing in a small stall. As if a bird

Could grow without breaking its shell.

As if the clatter of a thousand black

Birds whipping in a storm could be held

In a shell. Inside me is a huge black

Bull balled small enough to fit inside

The bead of a nipple ring. I mean to leave

A record of my raptures. I was raised

By a beautiful man. I loved his grasp of time.

My mother shaped my grasp of space.

Would you rather spend the rest of eternity

With your wild wings bewildering a cage or

With your four good feet stuck in a plot of dirt?

But there never was a black male hysteria

Because a fret of white men drove you crazy

Or a clutch of goons drove you through Money,

Stole your money, paid you money, stole it again.

There was a black male review for ladies night

At the nightclub. There was a black male review

By suits in the offices, the courts & waiting rooms.

There was a black male review in the weight rooms

Where coaches licked their whistles. Reviews,

Once-overs, half-studies, misreads & night

Mares looped the news. Your jolts & tears gained

Rubberneckers, eyeballers & bawlers in Money,

Mississippi. The stares you got were crazy,

It’s true. But there never was a black male hysteria.

Why are you bugging me you stank minuscule husk

Of musk, muster & deliberation crawling over reasons

And possessions I have & have not touched?

Should I fail in my insecticide, I pray for a black boy

Who lifts you to a flame with bedeviled tweezers

Until mercy rises & disappears. You are the size

Of a stuttering drop of liquid—milk, machine oil

Semen, blood. Yes, you funky stud, you are the jewel

In the knob of an elegant butt plug, snug between

Pleasure & disgust. You are the scent of rot at the heart

Of love-making. The meat inside your exoskeleton

Is as tender as Jesus. Neruda wrote of “a nipple

Perfuming the earth.” Yes, you are an odor, an almost

Imperceptible ode to death, a lousy, stinking stinkbug.

Probably twilight makes blackness dangerous

Darkness. Probably all my encounters