The first edition of Janicsárok végnapjai appeared forty-five years ago. It was immediately preceded by the great historical romance, Erdely aranykora (The Golden Age of Transylvania), and the still more famous novel of manners, Egy Magyar Nábob (A Hungarian Nabob), which Hungarians regard as, indisputably, Jókai's masterpiece, while only a few months separate it from Kárpáthy Zoltán (Sultan Karpathy), the brilliant sequel to the Nabob. Thus it belongs to the author's best literary period.
It is also one of the most striking specimens of that peculiar group of Turkish stories, such as Törökvilag Magyarorszagon (Turkey in Hungary) and Török mozgolmak (Turkish Incursions), A kétszarvú ember (The Man with the Antlers), and the extremely popular Fehér rózsa (White Rose), which form a genre apart of Jókai's own creation, in which his exuberant imagination revels in the rich colors of the gorgeous East, as in its proper element, while his ever alert humor makes the most of the sharp and strange contrasts of Oriental life and society. The hero of the strange and terrible drama, or, rather, series of dramas, unfolded with such spirit, skill, and vividness in Janicsárok végnapjai, is Ali Pasha of Janina, certainly one of the most brilliant, picturesque, and, it must be added, capable ruffians that even Turkish history can produce. Manifold and monstrous as were Ali's crimes, his astonishing ability and splendid courage lend a sort of savage sublimity even to his blood-stained career, and, indeed, the dogged valor with which the octogenarian warrior defended himself at the last in his stronghold against the whole might of the Ottoman Empire is almost without a parallel in history.
With such a hero, it is evident that the book must abound in stirring and even tremendous scenes; but, though primarily a novel of incident, it contains not a few fine studies of Oriental character, both Turkish and Greek, by an absolutely impartial observer, who can detect the worth of the Osmanli in the midst of his apathy and brutality, and who, although sympathetically inclined towards the Hellenes, is by no means blind to their craft and double-dealing, happily satirized in the comic character of Leonidas Argyrocantharides.
Finally, I have taken the liberty to alter the title of the story. Janicsárok végnapjai (The Last Days of the Janissaries) is too glaringly inapt to pass muster, inasmuch as the rebellion and annihilation of that dangerous corps is a mere inessential episode at the end of the story. I have, therefore, given the place of honor on the title-page to Ali Pasha—the Lion of Janina.
I have added a glossary of the Turkish words used by the author in these pages.
R. Nisbet Bain.
A savage, barren, inhospitable region lies before us, the cavernous valley of Seleucia—a veritable home for an anchorite, for there is nothing therein to remind one of the living world; the whole district resembles a vast ruined tomb, with its base overgrown by green weeds. Here is everything which begets gloom—the blackest religious fanaticism, the darkest monstrosities of superstition—while an eternal malediction seems to brood like a heavy mist over this region, created surely by God's left hand, scattering abroad gigantic rocky fragments, smiting the earth with unfruitfulness, and making it uninhabitable by the children of men.
Man rarely visits these parts. And, indeed, why should he come, or what should he seek there? There is absolutely nothing in the whole region that is dear to the heart of man. Even the wild beast makes no abiding lair for himself in that valley. Only now and then, in the burning days of summer, a lion of the wilderness, flying from before the sultry heat, may, perchance, come there to devour his captured prey, and then, when he is well gorged, pursue his way, wrangling as he goes with the echo of his own roar.
Solitary travellers of an enterprising turn of mind do occasionally visit this dreary wilderness; but so crushing an impression does it make on all who have the courage to gaze upon it, that they scarce wait to explore the historic ground, but hasten from it as fast as their legs can carry them.
What is there to see there, after all? A battered-down wall, as to which none can say who built it, or why it was built, or who destroyed it. A tall stone column, the column of the worthy Simon Stylites, who piled it up, stone upon stone, year after year, with his own hands, being wont to sit there for days together with arms extended in the shape of a cross, bowing himself thousands and thousands of times a day till his head touched his feet. The northern and southern sides of the valley are cut off from the rest of the world by gigantic masses of rocks as steep and solid as the bastions of a fortress; only towards their summit, at an elevation of some three to four hundred yards, is a little strip of green vegetation visible.
Darkly visible at intervals in this long and steep rocky wall are the mouths of a series of caverns, of various sizes, all close together. It looks as if some monstrous antediluvian race had cut two or three stories of doors and windows into the living rock, in order to make themselves palaces to dwell in.
The walls of these caverns are so rugged, their bases are so irregular, that it is scarcely conceivable that they could be the work of human hands, unless, indeed, the arched concavities of the chasms and the regular consecutiveness of the series may be assumed to bear witness to the wonder-working power of finite forces.
Three of the entrances to these caverns have all the loftiness of triumphal arches; nay, one of them, carved in the base of the rock, is so exceptionally vast that it rather resembles the nave of a huge church, and is said to penetrate the whole mountain to the sea beyond. It is said that if any one has the courage to attempt the journey, he will discover mysterious hieroglyphics carved on the walls. Who could have been the authors of this unknown runic language? The Chaldeans perhaps, or the worshippers of Mithra. What hidden secrets, what human memorials are enshrined in these symbols? That question must remain forever without an answer.
Most probably this valley was used as a burial-place by some long-vanished nation, whose tombs have survived them, making the whole region still more dreadful; the gaping crevices of the rocks seem to proclaim, as from a hundred open throats, that here an extinct race has found its last resting-place.
Moreover, the largest cavern of all has the unusual property of sometimes emitting whistling sounds like interrupted human voices. The shepherds on the mountain summits listen terror-stricken to this bellowing of its rocky throat. At first it resembles the buzzing of imprisoned wasps, but the din gradually gathers force and volume till it seems as if the demons of the wind had lost their way within the cavern, and were roaring tumultuously in their endeavors to find an exit. This noise is generally followed by the blast of the simoon, which no doubt penetrates into the cavern through a gap on the other side, and thus gives rise to the mysterious voices of the valley.
But not on these occasions only; at other seasons also the cavern is wont to speak. It happens now and then that a shepherd, more foolhardy than his fellows, ventures into the hollow of the cavern to light a fire, and, full of bravado, provokes the dzhin of the cavern to appear, till the cavern suddenly re-echoes his voice; but it does not re-echo the words he utters, but replies in a soft, low accent to the insolent youth, bidding him withdraw and cease to mock God's creatures.
On another occasion an adulterous woman and her paramour strolled towards the spot with the intent of using the deep darkness as the cloak for their sinful joys; but what terror filled the guilty lovers when their sweet whispering was interrupted by a voice which was neither near nor far, and belonged neither to man nor spirit, but whose cold sigh turned their hot blood into ice as it whispered, "Allah is everywhere present!"
Once, too, some robbers were lying in wait for their comrades, whom they intended to murder in that place, when a roaring began in the cave which seemed to make the very welkin ring, and the murderers clearly distinguished the terrible words: "The eye of Allah is upon you, and the flames of Morhut are burning for your souls!" whereupon, insane with fright, they rushed from the cave.
Every one who lived near the place knew of, and believed in, the dzhin of the cavern, who, they said, harmed not the good, but persecuted evil-doers.
But it was not only terror-stricken hearts who knew of the voice of the invisible dzhin—crushed and bleeding hearts likewise repaired thither. And the invisible dzhin read their secrets; they had no need to acquaint him with their griefs, and he gave them good counsel, and, for the most part, sent them away comforted. Doubtless anybody else might have given them similar counsels; but if the advice had come from ordinary men, the suppliants would not perhaps have welcomed it with such enthusiasm, or have turned it to such good account.
And people often came thither to inquire into the future; and the invisible being, it was found, could distinguish between those who came to him in real anguish of mind and those whom only curiosity had attracted thither, or who merely wished to prove him. To the latter he made no answer, but to the former he often spoke in prophetic parables, whose deeply figurative meaning was frequently fulfilled word for word.
The superstitious common folk made a merit of sacrificing to this unknown being. The dwellers round about made a point of living on good terms with him, took care not to provoke him with vain words, did not fly to him at every trifle; nay, on one occasion, the Kadi1 of Seleucia even laid by the heels a couple of wanton rascals who were caught throwing stones into the cavern.
[1] For this and all other Turkish words see the glossary at the end of this book.
From the mouth of the cave inward extended a sort of staircase consisting of about forty steps, terminating at a point whither the light of day scarcely ever reached. Here stood a huge stone, not unlike a rude altar, in the midst of which was a slight hollow. This hollow the pious inhabitants of the district used to fill with rice or millet, and on returning next day they would see that the dzhin had removed it from thence, and, by way of payment, had left a small silver coin in this natural basin—a coin belonging to that old silver money which had been struck in the brilliant days of the Turkish Empire, and was worth thrice as much as the present coinage. Thus the dzhin would take nothing gratis, but paid for everything in ready money.
Those who wished to speak with him had to penetrate into the depths of the cave where no daylight was visible, for he was only to be found where the darkness was complete. If any one went with sword or dagger he got no answer at all. And a visitor standing alone there in the darkness was as plainly visible to the dzhin as if the glare of noonday were beating full upon him; not a change of countenance was hidden from this mysterious being. So they more readily believed that he who could thus see through the darkness of earth could also see through the darkness of human hearts and the darkness of the unrevealed future.
This marvel had now been notorious for fifty years, the ordinary span of human life, and princes, pashas, generals, wise men, priests, ulemas, were in the habit of visiting the abode of the dzhin, who seemed to know about everything that was going on in the world above. To many he prophesied death, and to those who pleased him not he foretold the Nemesis that was to come upon them as a reward for their iniquities.
In the year one thousand eight hundred and nineteen, at the season immediately following the raging of the simoon, it chanced that a pirate ship sailed into the haven of Suda, whence the magnificent ruins of the ancient Seleucia are still to be seen. The corsair carried the French flag, but her crew consisted entirely of Albanians. The deck was encumbered with wreckage, cast down upon it by the happily weathered tempest, and this the crew were energetically engaged in removing; but every one on shore was astounded to see her there at all, much more in such trim condition, for she had lost neither mast nor sail. But then, after the manner of corsairs in general, she was very much better equipped with both masts and sails than ships of ordinary tonnage are wont to be. In the same hour that the ship cast anchor the largest of her boats was lowered, and manned by four and twenty well-armed Trinariots. Every one of these stout fellows carried orders of merit on his cheek, the scars of many a battle, which accentuated the savage sternness of their weather-beaten faces.
A little old man descended after them into the boat; presently his horse was also let down by means of a crane. This was the officer in command. He was a middling-sized but very muscular old fellow, already beyond his seventieth and not very far from his eightieth year; but he was as vigorous now both in mind and body as he had been when his beard, which now swept across his breast like the wing of a swan, was as dark as the raven's plume.
His broad shoulders spoke of extraordinary strength, while the firm expression of his face, the flashing lustre of his eyes, and his calm and valiant look, testified to the fact that this strength was squandered upon no coward soul.
Some stout rowing brought the boat at last near to the shore, but not all the efforts of the men could bring her to land; the wash of the sea was so great that the foam-crested waves again and again drove the boat back from the shore.
At a sign from the old man three of the ship's crew leaped into the waves in order to drag after them the boat's hawser, but the sea tore it out of the hands of all three as easily as a wild bull would toss a pack of children.
Then the old man vaulted upon his steed, kicking the stirrups aside, and leaped among the churning waves. Twice the horse was jostled back by the assault of the foaming billows, but at the third attempt the shore was reached. The people on the shore said it was a miracle; but he, wasting no words upon any one, directed his way all alone along the shore of the haven, and leaving behind him the lofty turreted row of bastions—which crowns the edge of the rocky promontory, encircles the town, and hangs upon the shoulders of the hill like an ancient and gigantic necklace—picked his way among the lofty, scattered bowlders, and, unescorted as he was, quickly disappeared from view amid the wilderness.
He had scarcely proceeded more than half an hour among the fig and olive trees which covered the slopes of the hills, and whose scorched and withered leaves marked the passage of the burning wind, when he arrived at the place he sought. It was a crazy, tumble-down hut, whose shapeless mass was so clumsily compounded of wood, stone, and mud, that a swallow would have been ashamed to own it, let alone a beaver, whose ordinary habitation is an architectural masterpiece compared with it. Nature, however, had been gracious to this shanty, and clothed it with creeping plants, which nearly hid away all the superfluous cracks and crevices which the architect had left behind him.
It was here that the new-comer dismounted from his horse, tied it to a tree, and, proceeding to the latchless door, amused himself by reading the scrawl which had been written on the outside of it, and was, as usual, one of those sacred texts which the Turks love to see over their door-posts: "Accursed be he who disturbs a singing-bird!"
The stranger fell a listening. Surely there was no singing-bird here, he thought. Then he went on reading what followed: "He who knocks at the gate of him who prays will knock in vain at the gate of Paradise."
The stranger did not take the trouble to knock; he simply kicked the door down.
Within was kneeling an anchorite of the order of Erdbuhár on a piece of matting. He was naked to the girdle, and before him stood a wooden tub full of fresh water. He was just finishing his ablutions.
He did not seem to observe the violent inroad of the stranger, but concluded his religious exercises with great fervor. First of all he washed his hands, reciting thirty times the sacred words, "Blessed be God, Who hath given to water its purifying power, and hath revealed the true faith to us!" Next he thrice conveyed water to his mouth in his right palm, and prayed, "O Lord! O Allah! refresh me with the water Thou didst give to Thy Prophet Muhammad in Paradise, which is more fragrant than balm, whiter than milk, and sweeter than honey, and satisfies eternally those who pine with thirst!" Then, with the palm of his hand, he cast water upon his nostrils, and exclaimed, fervently, "O Lord! cause me to smell the perfume of Paradise, which is sweeter than musk and ambergris, and suffer me not to inhale the accursed fumes of hell!" Then, filling both palms with water and well washing his face, he said these words, "Purify my face, O Lord, like as Thou wilt purify the faces of Thy prophets and servants on the great Day of Judgment!" But even this did not suffice, for now he put water in his right palm again, and, letting it run down his elbows, he sighed, "Lord, suffer me at the last day to hold in my right hand, which is the hand of Thine elect, the book of my good deeds, and admit me to Thy Paradise!" With that he dipped his head into the tub of water, but so as to keep his mouth clear of it, and spake in this wise, "O Lord, when I appear before Thee, encompass me with Thy mercies, and crush not my head beneath the fiery wreath of my sins, but adorn it with the golden crown of my merits!" Then came the turn of his ears, the worthy man crying the while, with unction, "Grant, O Lord, that mine ears may hear, for ever and ever, those joyous sounds which are written in the Kuran!" This accomplished, he sprinkled his neck and throat, suitably exclaiming, "O Lord, deliver me from those fetters which will be cast upon the necks of the accursed!" After which pious ejaculation he sat down on the ground, and, reverently washing his right foot, exclaimed, "O Lord, suffer not my feet to slip on the bridge of Alserat which leads across hell to heaven!" Then he cleansed thoroughly his left foot also, and sighed, "May the Lord forgive me my trespasses and listen to my supplications!"
And the honest dervish did not utter all these pious ejaculations in a low mumble, but in an intelligible, exalted voice, as becomes an orthodox Mussulman, who does not consider it a shameful thing to pray to God in the presence of men.
After that he took up the tub and, carrying it out, sprinkled the water it contained over the wild flowers growing there, blessing them severally and collectively; then he filled it full again with fresh water from the spring, and bringing it back into the hut and turning the mat over, placed the tub full of water on it, whereupon the stranger immediately divested himself of his slippers and upper kaftan, unwound his turban, removed his red fez from his head, and proceeded to perform his ablutions also in the self-same manner.
When he had finished he kissed the hand of the dervish, and when the latter drew from his girdle a long manuscript reaching to the very ground, and began, from its eighty sections, to laud and magnify the eighty properties of Allah, the stranger repeated them after him with great unction, and, at the end of each one of them, intoned with him twice over the verse, "La illah, il Allah, Muhammad roszul Allah!"—in the chanting of which he was as practised as any muezzin.
All these pious practices were accomplished with the utmost devotion; but when the new-comer arose from his place, the expression of lowliness vanished from his features and he reassumed his former commanding look, while the dervish now humbly bowed down before him to the very earth and murmured:
"What are my lord's commands to his servant?"
The stranger let him lie there and slowly raised his sword.
"Art thou," cried he, "that dervish of Erdbuhár2 to whom I despatched a fakir of the Nimetullahitas, who dwelleth in Janina?"
[2] The orders of Erdbuhár and Nimetullahita are the severest of all the Turkish religious fraternities: the former fast so rigorously twice a week that they do not even swallow their saliva; the latter observe the fast only during their year of probation, after which they are free to return to the joys of this world.
"Thy servant is that man."
The stranger thereupon, with his right hand, drew a dagger from his girdle, and with his left hand a purse.
"Dost thou see this dagger and this purse?" said he. "In the purse are a thousand sequins; on the blade of this sword is the blood of at least as many murdered men. I ask thee not—Dost thou recognize me? or dost thou know my name? Maybe thou dost know—for thou knowest all things—and, if so, thou dost also know that none hath ever betrayed me on whom I have not wreaked my vengeance. If, therefore, thou dost want a reward, listen; but if chastisement, speak!"
The dervish raised his hand to his ear to signify that he would prefer to listen.
"Arise, then! take my horse's bridle, and lead me to that cavern where dwelleth the dzhin of prophecy. Dost thou know him?"
"I know him, my master, but go to him I will not, for he is wroth with me. He loves not the dervishes, because they would always be teaching. If I go to him he throws stones at me from out of the cavern, or leads me into deep pitfalls. Therefore, if thou so desire it, I will lead thee thither; but I would not go with thee if I had as many heads upon my shoulders for thy sword to sever as there are sequins in that purse."
"There is no need of that. Thou canst remain outside and hold my horse."
And with that the herculean old man flung himself haughtily on his horse, and the dervish, seizing the steed's bridle, began to lead him along the mountain path among the rugged rocks and bowlders.
The moon was already high in the heavens when they reached the mouth of the cavern.
Looking back upon the country whence they came, the region seemed more desolate than ever. In front, the savage, natural ruins; behind, the black cedar forests, where thick foliage cast night-black shadows even at noonday; on each side, the endlessly sublime masses of rocks, which stood out still vaster in the moonlight. The caverns looked still blacker at night, and the rock and ruins more sterile; but, night and day alike, the place was deserted.
On reaching the cavern of the dzhin, the old man dismounted from his horse and, bidding the dervish stand and hold it till he returned, disappeared in the cavern without the slightest hesitation.
He could only grope his way, step by step, through the blinding darkness; cautiously he advanced, but without fear. He tested the ground in front of him as he advanced, with one hand over his eyes and the other on the hilt of his sword. It must, indeed, be a resolutely wicked spirit that would venture to attack him.
Every now and then a bat sped rapidly past him, close to his ears, with a sound like a mocking titter; at other times he trod upon some cold, moving body. But what cared he for these? The deep silence which encircled him was far more terrible than all the voices of hell; and not even the darkness terrified him, for his powerful voice now pierced that subterranean stillness as with a sword.
"I summon thee, thou spirit, whether thou art good or evil, whom Allah permits to hold discourse with living men—I summon thee to speak with me!"
"I am even now beside thee," a voice suddenly whispered. It was low and hollow, just as if the atmosphere of the cavern were speaking.
The stranger made a clutch after the voice, as if his audacious hand would have seized the spirit; but he found nothing. It was a voice without a shape.
"Speak to me!" cried the old man, in a voice that never quavered. "Dost thou know my fate?"
"I know it," answered the invisible voice; "thou art a poor man who hast lost what thou hadst, and what thou now hast is not thine."
"Thou art a senseless spirit," growled the stranger. "Go back to thy tomb and slumber; I will inquire nothing more of thee. Thou dost not even know my present fate; how canst thou know my future? Go back to thy hole, I say, and sleep in peace."
"I know thee," continued the voice, "and I have spoken the truth. Do not they call thee Ali Tepelenti?"
The stranger was amazed. "That is indeed my name," he answered.
"Wert thou not a fugitive yesterday, and wilt thou not be dust and ashes to-morrow?"
"True; but that yesterday was eighty years ago; and who shall say when to-morrow will be?"
"Thou knowest that here there is neither morning nor evening," answered the voice. "To me yesterday was when I last saw the sun, and to-morrow will be when I see it again. Ali Tepelenti, Lord of Janina, thou art poorer than the lowliest Mussulman who girds himself with a girdle of hair, for thou hast lost everything which thou didst account precious. Thy kinsmen, who were for thy defence, thou hast slain; thy mother, who loved thee, thou hast strangled; thy right hand has pulled down the house which thou didst build up; thy glory, in which thou didst exalt thyself, has become a curse to thee; and thou hast made bitter haters of those who loved thee best."
"So it is. I know what I have done. I repent me of nothing. The hare nibbles the flower, the vulture seizes the hare, the hunter slays the vulture, the lion fells the hunter, the worm devours the lion. All of us turn to earth. Allah is mighty, and He orders it so. What am I? Only a bigger worm than the rest. Who shall strive with God? What is my fate in the future?"
"But yesterday thou wert younger than thy newborn son, to-morrow thou shalt die older than thy oldest ancestors."
"Speak more plainly. I perceive the meaning of thy words as little as I perceive thyself."
"'He who sins with the sword shall perish with the sword,' saith Allah. He who sins with love, shall perish by love. Thou hast two hands, the right and the left; thou hast two swords, one covered with gold and one with silver; thou hast three hundred wives in thy harem, but only one in thy heart; thou hast twelve sons, but only one whom thou lovest. Look, now! Take good heed of thy life, for thy death lieth in what is nearest to thee; thine own weapon, thine own child, thine own property, thine own two hands, shall one day slay thee."
"Mashallah! Death is inevitable. Tell me but one thing. Shall I one day pass in triumph through the gates of the seraglio at Stambul?"
"Thou shalt. Thou shalt stand there on a silver pedestal in the face of the rejoicing multitude."
"When?"
"That day will come when thou shalt be in two places at the same time, in Janina and in Stambul; the days to come will explain it."
"One word more. Wherefore didst thou mention that woman whom I love best?"
"She will be the first to betray thee."
"Accursed one!" roared Ali, drawing his sword and madly striking in the direction of the voice.
The sword hissed fiercely through the vacant air, and the next moment the voice replied from a respectable distance:
"It has happened already."
"This is a dream, all a dream!" moaned Ali.
"'Tis no dream; thou art wide awake," cried the mysterious voice.
"If it be no dream, give me a sign that I may know before I depart hence that I have not been dreaming."
"First put thy sword into its sheath."
"I have done so," said Ali; but he lied, for he had only slipped it into his girdle.
"Into the sheath, I say," cried the voice.
It was with a tremor that Ali felt that this being could distinguish his slightest movement in the dark.
"And now stretch forth thy hand!" cried the voice. It was now quite close to him.
Ali stretched forth his hand, and the same instant he felt a vigorous, manly hand seize his own in a grasp of steel; so strong, so cruel was the pressure that the blood started from the tips of his fingers.
At last the invisible being let go, and said in a whisper as it did so:
"Not a muscle of thy face moved under the pressure of my hand; only Tepelenti could so have endured."
"And there is but one man living who could press my hand like that," replied Ali. "His name was Behram, the son of Halil Patrona,3 who, forty years ago, was my companion in warfare, and has since disappeared. Who art thou?"
[3] The extraordinary adventures of this Mussulman reformer are recorded in another of Jókai's Turkish stories, A feher rózsa (The White Rose).
"Aleikum unallah!"4 said the voice, instead of replying.
[4] "God be with thee!"
"Who art thou?" again cried Ali, advancing a step.
"Aleikum unallah!" was the parting salutation of the already far-distant voice.
The mighty pasha turned back in a reverie, and when he got back into the moonlight, he still saw plainly on his hand the drops of blood which that powerful grasp had caused to leap forth from the tips of his fingers.
And now for a story, a marvellous story, that would not be out of place in a fairy tale! Away to another clime where the very sunbeams and blossoms, where the very beating of loving hearts, differ from what we are accustomed to.
In whichever direction we look around us, we shall see the land of the gods rising up before us in classical sublimity, the mountains of Hellas, the triumphal home of sun-bright heroes. There is the mountain whence Zeus cast forth his thunderbolts, the grove where the thorns of roses scratched the tender feet of Aphrodite, and perchance a whole olive grove sprung from the tree into which the nymph, favored and pursued by Apollo, was metamorphosed. The sunlit summits of snowy Œta and Ossa still sparkle there when the declining sun kindles his beacons upon them, and Olympus still has its thunderbolts; yet it is no longer Zeus who casts them, but Ali Tepelenti, Pasha of Albania and master of half the Turkish Empire, and the rose which the blood of Venus dyed crimson blooms for him, and the laurel sprung from the love of Apollo puts forth her green garlands for him also.
The poetic figures of the bright gods are seen no more on the quiet mountain. With a long gun over his shoulder, a palikár walks hither and thither, who has built his hut in a lurking-place where Ali Pasha will not find it. The high porticos lie level with the ground; the paths of Leonidas and Themistocles are covered with sentry-boxes, that none may pass that way.
From the summit of the mighty Lithanizza you can look down upon the fairy-like city which dominates Albania. It is Janina, the historically renowned Janina.
Beside it stands the lake of Acheruz, in whose green mirror the city can regard itself; there it is in duplicate. It is as deep as it is high. The golden half-moons of the minarets sparkle in the lake and in the sky at the same time. The roofless white houses, rising one above another, seem melted into a compact mass, and they are encircled by red bastions, with exits out of eight gates.
But what have we to do with the minarets, the bazaars, the kiosks of the city? Beyond the city, where Cocytus, rippling down from the wooded mountain, forms, with the lake into which it flows, a peninsula, there, on an isthmus, stands the strong fortress of Ali Pasha, with vast, massive bastions, a heavy, iron-plated drawbridge, and a ditch in front of the walls full of solid sharp-pointed stakes in two fathoms of water. From the summits of the ramparts the throats of a hundred cannons gape down upon the town—iron dogs, whose barking can be heard four miles off. On the walls an innumerable multitude of armed men keep watch, and in front of the gate the guns look out upon each other from the port-holes of the steep bastions on both sides of it. Woe to those who should attempt to make their way into the citadel by force! The gate, fastened with a huge chain, is defended by three heavy iron gratings, and from close beneath the lofty projecting roof circular pieces of artillery shine forth, in front of which are pyramidal stacks of bombs.
The court-yard forms a huge crescent, in which nothing is visible but instruments of warfare, engines of destruction. In the lower part of the semicircular barracks stand the sentry-boxes, while in the opposite semicircle a long pavilion cuts the fortress in two, extending from the end of one semicircle to the end of the other, and here are three gates, which lead into the heart of the fortress.
In all this long building there are no windows above the court-yard, only two rows of narrow embrasures are visible therein. All the windows are on the other side overlooking the garden, and there dwell the odalisks of Ali Pasha's three sons. The three sons, Omar, Almuhán, and Zaid, inhabit the building with the three gates. The back of this building looks out upon the garden, in which the harems of the pasha's sons are wont to disport themselves.
Here again a long bastion barricades the garden, a bastion also protected by trenches full of water, across whose iron bridge you gain admission into the pasha's inmost fortress.
And what is that like? Nobody can tell. The brass gates, covered with silver arabesques, seem to be eternally closed, and none ever comes in or goes out save Ali and his dumb eunuchs, and those captives whose heads alone are sent back again. The bastion surrounding this central fortress is so high that you cannot look into it from the top of the citadel outside; but if any one could peep down upon it from the summit of the lofty Lithanizza he would perceive inside it a fairy palace, with walls of colored marble protected by silver trellis-work, with blue-painted, brazen cupolas, with golden half-moons on their pointed spires. One tower there, the largest of all, has a roof of red cast-iron, and this one roof stands out prominently from among all the other buildings of the inner fortress. The colored kiosks are everywhere wreathed with garlands of flowers, and the spectator perched aloft would plainly discern cradles for growing vines on the top of the bastion. He might also, in the dusk of the summer evenings, distinguish seductive shapes bathing in the basins of the fountains, and lose his reason while he gazed; or it might chance (which is much more likely) that Ali Pasha's patrols might come upon him unawares and cast him down from the mountain-top.
This wondrous retreat was Ali's paradise. Here he grouped together the most beautiful flowers of the round world—flowers sprung from the earth or from a human mother. For maidens also are flowers, and may be plucked and enjoyed like other flowers. But the most beautiful among so many beautiful flowers was Eminah, Tepelenti's favorite damsel, the sixteen-years-old daughter of the Pasha of Delvino, who gave her to Ali just as so many eminent Turks are wont to give their daughters. On the day of their birth they promise to give them to some powerful magnate, and by the time the fiancée is marriageable the fiancé has already one foot in his grave.
A pale, blue-eyed flower was she, looking as if she had grown up beneath the light of the moon instead of the light of the sun; her shape, her figure, was so delicate that it reminded one of those sylphs of the fairy world that fly without wings. Her voice was sweeter, more tender, than the voices of the other damsels; and, wiser than they, she could speak so that you felt rather than heard what she said. Ali loved to toy with her light hair, unwind the long folds of her tresses, cover his face with their silken richness, and fancy he was reposing in the shades of paradise.
And the child loved the man. Ali was a handsome old fellow. His beard was as glossy and as purely white as the wing of a swan; the roses of his cheeks had not yet faded; when he smiled he was no longer a tiger, but revealed a row of teeth even handsomer than her own. And, in addition to that, he was valiant—a hero. Even in old men love is no mere impotent desire when accompanied with all the vigorous passion of youth.
And Eminah knew not that there were such beings as youths in the world. Excepting her father and her husband, she had never seen a man, and therefore fancied that other men also had just such white beards and silvery eyelashes as they. Brought up from the days of her childhood in the midst of a harem, among women and eunuchs, she had not the remotest idea of the romantic visions which the hearts of love-sick girls are wont to form from the contemplation of their ideals; to her her husband was the most perfect man for whom a woman's heart had ever beaten, and she clung to him as if he had been a supernatural being.
In her heart Eminah pictured Ali as one of those beneficent genii who in the marvellous tales of the Arabs rise up from the bowels of the earth and the depths of the sea, a hundred times greater than ordinary men, ten times younger, and a thousand times more powerful, who are wont to give talismanic rings to their earthly favorites, appearing before them when they turn this ring in order to instantly gratify their desires, their wishes; to transport them from place to place with their huge muscular hands, to make them ride a cock-horse on their middle fingers, play hide-and-seek with them in the thousand corners of their vast palaces, watch over them when they sleep, overwhelm them with heaps and heaps of gifts and treasures, and yet are gentle and complacent in spite of their immense power. They need but take one step to crush the towers and bastions of the mightiest fortress in the dust, and yet they walk so warily as not even to graze the tiny ant they meet upon their path. Why, once Ali had waded into the lake up to his waist to rescue two amorously fluttering butterflies that had fallen into it! Oh! Ali has such a sensitive soul that he weeps over the bird that has accidentally beaten itself to death against the bars of its cage; whenever he plucks a flower from its stalk he always raises it to his lips to beg its pardon; and when they told him how at the siege of Kilsura all the poor doves were burned, the tears sparkled in his eyes!
Eminah does not fully know the meaning of a siege; she only grieves for the poor doves. How they would hover above the burning town in white clusters amid the black smoke, and fall down into the fire below!
In reality the matter stood thus: Ali was besieging Kilsura, but could not take it; the besiegers fought valiantly, and the natural advantages of the place prevented him from drawing near enough to it. So he signified to the inhabitants that he would make peace with them and depart from their town, and desired them, in earnest of their pacific intentions, to send him a number of white doves. The besieged fell in with his proposal, and collecting together all the white doves in the town they could lay they hands upon, sent them to Ali. He immediately withdrew his siege artillery, with which he had already wrought no small mischief, but at night, when every one was asleep, he fastened fiery matches by long wires to the feet of the doves, and then set them free. The natural instincts of the doves made them fly back to their old homes, the familiar roofs where their nests were, and in a moment the whole town was in flames, the doves themselves carrying the combustible material from roof to roof and perishing themselves among the falling houses.
Ali wept sore as he told to Eminah the story of the doves of Kilsura; yes, Ali was certainly a sensitive soul!
The beautiful woman had everything that eye could covet or heart desire. In her apartments were mirrors as high as the ceiling, masterpieces of Venetian crystal, and the floor was covered with Persian carpets embroidered with flowers. Blossoming flowers and singing birds were in all her windows, and a hundred waiting-women were at her beck and call. From morn to eve Joy and Pleasure were her attendants, and each day presented her with a fresh delight, a fresh surprise.
Thirty rooms, opening one into another, each more magnificent than the last, were hers, and hers alone. The eye that feasted on one splendid object quickly forgot it in the contemplation of a still more splendid marvel, and by the time it had taken them all in was eager to begin again at the beginning.
But there was one thing which did not please Eminah. When one had got to the end of all the thirty rooms, it was plain that they did not end there, for then came a round brass door; and this door was always closed against her—never was she able to go through it. Now this door led into that huge tower with the red cast-iron roof, which could be seen such a distance off.
The inquisitive woman very much wanted to know what was inside this door through which she was never suffered to go, though Ali himself used it frequently, always closing it most carefully behind him, and wearing the key of it fastened to his bosom by a little cord.
Now and then she had asked Ali what was in this tower that she was not allowed to see, and what he did when he remained there all night alone? At such times Ali would reply that he went there to consort with spirits who were teaching him how to find the stone of the wise, how to become perpetually young, how to foresee the future, and make gold and other marvels—all of which it was easy to make a woman believe who did not even know that all men do not wear white beards.
After all such occasions Eminah, when she was alone again, would conjure up before her all sorts of marvellous blue and green denizens of fairyland appearing before Ali in the elements of air, fire, and water, to teach him how to make gold. And Ali always proved to Eminah that what he told her was no idle tale, for whenever he returned the next day he was followed by a whole procession of dumb eunuchs carrying baskets filled with gold and precious stones. Thus Ali not only knew how to make gold, but also those things that are made of gold—that is to say, coined money and filigreed ornaments, which he piled up before her; and to Eminah it seemed a very nice thing, and quite natural that if these peculiar spirits could manufacture gold from nothing, they should also be able to make necklaces and bracelets out of smoke, as Ali told her they did without any difficulty at all.
Now any one would have been curious to get to the bottom of such mysteries, especially if they were close at hand; how much more, then, a spoiled and pampered young woman, who frequently was not able to sleep for the joy which the presents heaped upon her by Ali excited in her breast. How much she would have loved to see these benevolent spirits who had given her so much pleasure!