Mr. Pierce was talking. Mr. Pierce was generally talking. From the day that his proud mamma had given him a sweetmeat for a very inarticulate "goo" which she translated into "papa," Mr. Pierce had found speech profitable. He had been able to talk his nurse into granting him every indulgence. He had talked his way through school and college. He had talked his wife into marrying him. He had talked himself to the head of a large financial institution. He had talked his admission into society. Conversationally, Mr. Pierce was a success. He could discuss Schopenhauer or cotillion favors; St. Paul, the apostle, or St. Paul, the railroad. He had cultivated the art as painstakingly as a professional musician. He had countless anecdotes, which he introduced to his auditors by a "that reminds me of." He had endless quotations, with the quotation marks omitted. Finally he had an idea on every subject, and generally a theory as well. Carlyle speaks somewhere of an "inarticulate genius." He was not alluding to Mr. Pierce.
Like most good talkers, Mr. Pierce was a tongue despot. Conversation must take his course, or he would none of it. Generally he controlled. If an upstart endeavored to turn the subject, Mr. Pierce waited till the intruder had done speaking, and then quietly, but firmly would remark: "Relative to the subject we were discussing a moment ago—" If any one ventured to speak, even sotto voce, before Mr. Pierce had finished all he had to say, he would at once cease his monologue, wait till the interloper had finished, and then resume his lecture just where he had been interrupted. Only once had Mr. Pierce found this method to fail in quelling even the sturdiest of rivals. The recollection of that day is still a mortification to him. It had happened on the deck of an ocean steamer. For thirty minutes he had fought his antagonist bravely. Then, humbled and vanquished, he had sought the smoking-room, to moisten his parched throat, and solace his wounded spirit, with a star cocktail. He had at last met his superior. He yielded the deck to the fog-horn.
At the present moment Mr. Pierce was having things very much his own way. Seated in the standing-room of a small yacht, were some eight people. With a leaden sky overhead, and a leaden sea about it, the boat gently rose and fell with the ground swell. Three miles away could be seen the flash-light marking the entrance to the harbor. But though slowly gathering clouds told that wind was coming, the yacht now lay becalmed, drifting with the ebb tide. The pleasure-seekers had been together all day, and were decidedly talked out. For the last hour they had been singing songs—always omitting Mr. Pierce, who never so trifled with his vocal organs. During this time he had been restless. At one point he had attempted to deliver his opinion on the relation of verse to music, but an unfeeling member of the party had struck up "John Brown's Body," and his lecture had ended, in the usual serial style, at the most interesting point, without even the promise of a "continuation in our next." Finally, however, the singers had sung themselves hoarse in the damp night air, the last "Spanish Cavalier" had been safely restored to his inevitable true-love, and the sound of voices and banjo floated away over the water. Mr. Pierce's moment had come.
Some one, and it is unnecessary to mention the sex, had given a sigh, and regretted that nineteenth century life was so prosaic and unromantic. Clearing his throat, quite as much to pre-empt the pause as to articulate the better, Mr. Pierce spoke:
"That modern times are less romantic and interesting than bygone centuries is a fallacy. From time immemorial, love and the battle between evil and good are the two things which have given the world romance and interest. Every story, whether we find it in the myths of the East, the folklore of Europe, the poems of the Troubadours, or in our newspaper of this morning, is based on one or the other of these factors, or on both combined. Now it is a truism that love never played so important a part as now in shaping the destinies of men and women, for this is the only century in which it has obtained even a partial divorce from worldly and parental influences. Moreover the great battle of society, to crush wrong and elevate right, was never before so bravely fought, on so many fields, by so many people as to-day. But because our lovers and heroes no longer brag to the world of their doings; no longer stand in the moonlight, and sing of their 'dering does,' the world assumes that the days of tourneys and guitars were the only days of true love and noble deeds. Even our professed writers of romance join in the cry. 'Draw life as it is,' they say. 'We find nothing in it but mediocrity, selfishness, and money-loving.' By all means let us have truth in our novels, but there is truth and truth. Most of New York's firemen presumably sat down at noon to-day to a dinner of corned-beef and cabbage. But perhaps one of them at the same moment was fighting his way through smoke and flame, to save life at the risk of his own. Boiled dinner and burned firemen are equally true. Are they equally worthy of description? What would the age of chivalry be, if the chronicles had recorded only the brutality, filthiness and coarseness of their contemporaries? The wearing of underclothing unwashed till it fell to pieces; the utter lack of soap; the eating with fingers; the drunkenness and foul-mouthedness that drove women from the table at a certain point, and so inaugurated the custom, now continued merely as an excuse for a cigar? Some one said once that a man finds in a great city just the qualities he takes to it. That's true of romance as well. Modern novelists don't find beauty and nobility in life, because they don't look for them. They predicate from their inner souls that the world is 'cheap and nasty' and that is what they find it to be. There is more true romance in a New York tenement than there ever was in a baron's tower—braver battles, truer love, nobler sacrifices. Romance is all about us, but we must have eyes for it. You are young people, with your lives before you. Let me give you a little advice. As you go through life look for the fine things—not for the despicable. It won't make you any richer. It won't make you famous. It won't better you in a worldly way. But it will make your lives happier, for by the time you are my age, you'll love humanity, and look upon the world and call it good. And you will have found romance enough to satisfy all longings for mediæval times."
"But, dear, one cannot imagine some people ever finding anything romantic in life," said a voice, which, had it been translated into words would have said, "I know you are right, of course, and you will convince me at once, but in my present state of unenlightenment it seems to me that—" the voice, already low, became lower. "Now"—a moment's hesitation—"there is—Peter Stirling."
"Exactly," said Mr. Pierce. "That is a very case in point, and proves just what I've been saying. Peter is like the novelists of whom I've been talking. I don't suppose we ought to blame him for it. What can you expect of a son of a mill-foreman, who lives the first sixteen years of his life in a mill-village? If his hereditary tendencies gave him a chance, such an experience would end it. If one lives in the country, one may get fine thoughts by contact with Nature. In great cities one is developed and stimulated by art, music, literature, and contact with clever people. But a mill-village is one vast expanse of mediocrity and prosaicness, and it would take a bigger nature than Peter's to recognize the beautiful in such a life. In truth, he is as limited, as exact, and as unimaginative as the machines of his own village. Peter has no romance in him; hence he will never find it, nor increase it in this world. This very case only proves my point; that to meet romance one must have it. Boccaccio said he did not write novels, but lived them. Try to imagine Peter living a romance! He could be concerned in a dozen and never dream it. They would not interest him even if he did notice them. And I'll prove it to you." Mr. Pierce raised his voice. "We are discussing romance, Peter. Won't you stop that unsocial tramp of yours long enough to give us your opinion on the subject?"
A moment's silence followed, and then a singularly clear voice, coming from the forward part of the yacht, replied: "I never read them, Mr. Pierce."
Mr. Pierce laughed quietly. "See," he said, "that fellow never dreams of there being romance outside of novels. He is so prosaic that he is unconscious of anything bigger than his own little sphere of life. Peter may obtain what he wants in this world, for his desires will be of the kind to be won by work and money. But he will never be controlled by a great idea, nor be the hero of a true romance."
Steele once wrote that the only difference between the Catholic Church and the Church of England was, that the former was infallible and the latter never wrong. Mr. Pierce would hardly have claimed for himself either of these qualities. He was too accustomed in his business to writing, "E. and O.E." above his initials, to put much faith in human dicta. But in the present instance he felt sure of what he said, and the little group clearly agreed. If they were right, this story is like that recounted in Mother Goose, which was ended before it was begun. But Mr. Pierce had said that romance is everywhere to those who have the spirit of it in them. Perhaps in this case the spirit was lacking in his judges—not in Peter Stirling.
The unconscious illustration of Mr. Pierce's theory was pacing backwards and forwards on the narrow space between the cuddy-roof and the gunwale, which custom dignifies with the name of deck. Six strides forward and turn. Six strides aft and turn. That was the extent of the beat. Yet had Peter been on sentry duty, he could not have continued it more regularly or persistently. If he were walking off his supper, as most of those seated aft would have suggested, the performance was not particularly interesting. The limit and rapidity of the walk resembled the tramp of a confined animal, exercising its last meal. But when one stands in front of the lion's cage, and sees that restless and tireless stride, one cannot but wonder how much of it is due to the last shin-bone, and how much to the wild and powerful nature under the tawny skin. The question occurs because the nature and antecedents of the lion are known. For this same reason the yachters were a unit in agreeing that Stirling's unceasing walk was merely a digestive promenade. The problem was whether they were right? Or whether, to apply Mr. Pierce's formula, they merely imposed their own frame of mind in place of Stirling's, and decided, since their sole reason for walking at the moment would be entirely hygienic, that he too must be striding from the same cause?
Dr. Holmes tells us that when James and Thomas converse there are really six talkers. First, James as James thinks he is, and Thomas as Thomas thinks he is. Second James as Thomas thinks him, and Thomas as James thinks him. Finally, there are James and Thomas as they really are. Since this is neither an autobiography nor an inspired story, the world's view of Peter Stirling must be adopted without regard to its accuracy. And because this view was the sum of his past and personal, these elements must be computed before we can know on what the world based its conclusions concerning him.
His story was as ordinary and prosaic as Mr. and Mrs. Pierce seemed to think his character. Neither riches nor poverty had put a shaping hand to it. The only child of his widowed mother, he had lived in one of the smaller manufacturing cities of New England a life such as falls to most lads. Unquestionably he had been rather more shielded from several forms of temptation than had most of his playmates, for his mother's isolation had made him not merely her son, but very largely her companion. In certain ways this had tended to make him more manly than the average fellow of his age, but in others it had retarded his development; and this backwardness had been further accentuated by a deliberate mind, which hardly kept pace with his physical growth. His school record was fair: "Painstaking, but slow," was the report in studies. "Exemplary," in conduct. He was not a leader among the boys, but he was very generally liked. A characteristic fact, for good or bad, was that he had no enemies. From the clergyman to the "hired help," everybody had a kind word for him, but tinctured by no enthusiasm. All spoke of him as "a good boy," and when this was said, they had nothing more to say.
One important exception to this statement is worthy of note. The girls of the High School never liked him. If they had been called upon for reasons, few could have given a tangible one. At their age, everything this world contains, be it the Falls of Niagara, or a stick of chewing gum, is positively or negatively "nice." For some crime of commission or omission, Peter had been weighed and found wanting. "He isn't nice," was the universal verdict of the scholars who daily filed through the door, which the town selectmen, with the fine contempt of the narrow man for his unpaid "help," had labelled, "For Females." If they had said that he was "perfectly horrid," there might have been a chance for him. But the subject was begun and ended with these three words. Such terseness in the sex was remarkable and would have deserved a psychological investigation had it been based on any apparent data. But women's opinions are so largely a matter of instinct and feeling, and so little of judgment and induction, that an analysis of the mental processes of the hundred girls who had reached this one conclusion, would probably have revealed in each a different method of obtaining this product. The important point is to recognize this consensus of opinion, and to note its bearing on the development of the lad.
That Peter could remain ignorant of this feeling was not conceivable. It puzzled him not a little when he first began to realize the prejudice, and he did his best to reverse it. Unfortunately he took the very worst way. Had he avoided the girls persistently and obviously, he might have interested them intensely, for nothing is more difficult for a woman to understand than a woman-hater; and from the days of mother Eve the unknown is rumored to have had for her sex a powerful fascination. But he tried to win their friendship by humbleness and kindness, and so only made himself the more cheap in their eyes. "Fatty Peter," as they jokingly called him, epitomized in two words their contempt of him.
Nor did things mend when he went to Harvard. Neither his mother's abilities nor his choice were able to secure for him an entrée to the society which Cambridge and Boston dole out stintedly to certain privileged collegians. Every Friday afternoon he went home, to return by an early train Monday morning. In his first year it is to be questioned if he exchanged ten words with women whose names were known to him, except during these home-visits. That this could long continue, was impossible. In his second year he was several times taken by his chum, Watts D'Alloi, to call. But always with one result. Invariably Peter would be found talking to Mamma, or, better still, from his point of view, with Pater-familias, while Watts chatted with the presumptive attractions. Watts laughed at him always. Laughed still more when one of these calls resulted in a note, "requesting the pleasure" of Mr. Peter Stirling's company to dinner. It was Watts who dictated the acceptance, helped Peter put the finishing touches to his toilet, and eventually landed him safely in Mrs. Purdie's parlor. His description to the boys that night of what followed is worthy of quotation:
"The old fellow shook hands with Mrs. P., O.K. Something was said about the weather, and then Mrs. P. said, 'I'll introduce you to the lady you are to take down, Mr. Stirling, but I shan't let you talk to her before dinner. Look about you and take your choice of whom you would like to meet?' Chum gave one agonized look round the room. There wasn't a woman over twenty-five in sight! And what do you think the wily old fox said? Call him simple! Not by a circumstance! A society beau couldn't have done it better. Can't guess? Well, he said, 'I'd like to talk to you, Mrs. Purdie.' Fact! Of course she took it as a compliment, and was as pleased as could be. Well, I don't know how on earth he ever got through his introduction or how he ever reached the dining-room, for my inamorata was so pretty that I thought of nothing till we were seated, and the host took her attention for a moment. Then I looked across at chum, who was directly opposite, to see how he was getting on. Oh, you fellows would have died to see it! There he sat, looking straight out into vacancy, so plainly laboring for something to say that I nearly exploded. Twice he opened his lips to speak, and each time closed them again. The girl of course looked surprised, but she caught my eye, and entered into the joke, and we both waited for developments. Then she suddenly said to him, 'Now let's talk about something else.' It was too much for me. I nearly choked. I don't know what followed. Miss Jevons turned and asked me something. But when I looked again, I could see the perspiration standing on Peter's forehead, while the conversation went by jerks and starts as if it was riding over a ploughed field. Miss Callender, whom he took in, told me afterwards that she had never had a harder evening's work in her life. Nothing but 'yeses' and 'noes' to be got from him. She wouldn't believe what I said of the old fellow."
Three or four such experiences ended Peter's dining out. He was recognized as unavailable material. He received an occasional card to a reception or a dance, for anything in trousers passes muster for such functions. He always went when invited, and was most dutiful in the counter-calls. In fact, society was to him a duty which he discharged with the same plodding determination with which he did his day's studies. He never dreamed of taking his social moments frivolously. He did not recognize that society is very much like a bee colony—stinging those who approached it shyly and quietly, but to be mastered by a bold beating of tin pans. He neither danced nor talked, and so he was shunted by the really pleasant girls and clever women, and passed his time with wall-flowers and unbearables, who, in their normal sourness, regarded and, perhaps, unconsciously made him feel, hardly to his encouragement, that his companionship was a sort of penance. If he had been asked, at the end of his senior year, what he thought of young women and society, he would probably have stigmatized them, as he himself had been formerly: "not nice." All of which, again to apply Mr. Pierce's theory, merely meant that the phases which his own characteristics had shown him, had re-acted on his own mind, and had led him to conclude that girls and society were equally unendurable.
The condition was a dangerous one, and if psychology had its doctors they would have predicted a serious heart illness in store for him. How serious, would depend largely on whether the fever ran its natural course, or whether it was driven inwards by disappointment. If these doctors had ceased studying his mental condition and glanced at his physical appearance, they would have had double cause to shake their heads doubtingly.
Peter was not good-looking. He was not even, in a sense, attractive. In spite of his taking work so hardly and life so seriously, he was entirely too stout. This gave a heaviness to his face that neutralized his really pleasant brown eyes and thick brown hair, which were his best features. Manly the face was, but, except when speaking in unconscious moments, dull and unstriking. A fellow three inches shorter, and two-thirds his weight would have been called tall. "Big" was the favorite adjective used in describing Peter, and big he was. Had he gone through college ten years later, he might have won unstinted fame and admiration as the full-back on the team, or stroke on the crew. In his time, athletics were but just obtaining, and were not yet approved of either by faculties or families. Shakespeare speaks of a tide in the affairs of men. Had Peter been born ten years later the probabilities are that his name would have been in all the papers, that he would have weighed fifty pounds less, have been cheered by thousands, have been the idol of his class, have been a hero, have married the first girl he loved (for heroes, curiously, either marry or die, but never remain bachelors) and would have—but as this is a tale of fact, we must not give rein to imagination. To come back to realism, Peter was a hero to nobody but his mother.
Such was the man, who, two weeks after graduation from Harvard, was pacing up and down the deck of Mr. Pierce's yacht, the "Sunrise," as she drifted with the tide in Long Island Sound. Yet if his expression, as he walked, could for a moment have been revealed to those seated aft, the face that all thought dull and uninteresting would have riveted their attention, and set each one questioning whether there might not be something both heroic and romantic underneath. The set determination of his look can best be explained by telling what had given his face such rigid lines.
Mr. Pierce and those about him had clearly indicated by the conversation, or rather monologue, already recorded, that Peter was in a sense an odd number in the "Sunrise's" complement of pleasure-seekers. Whether or no Mr. Pierce's monologue also indicated that he was not a map who dealt in odd numbers, or showered hospitality on sons of mill-overseers, the fact was nevertheless true. "For value received," or "I hereby promise to pay," were favorite formulas of Mr. Pierce, and if not actually written in such invitations as he permitted his wife to write at his dictation to people whom he decided should be bidden to the Shrubberies, a longer or shorter time would develop the words, as if written in sympathetic ink. Yet Peter had had as pressing an invitation and as warm a welcome at Mr. Pierce's country place as had any of the house-party ingathered during the first week of July. Clearly something made him of value to the owner of the Shrubberies. That something was his chum, Watts D'Alloi.
Peter and Watts were such absolute contrasts that it seemed impossible that they could have an interest or sympathy, in common. Therefore they had become chums. A chance in their freshman year had brought them together. Watts, with the refined and delicate sense of humor abounding in collegians, had been concerned with sundry freshmen in an attempt to steal (or, in collegiate terms, "rag") the chapel Bible, with a view to presenting it to some equally subtle humorists at Yale, expecting a similar courtesy in return from that college. Unfortunately for the joke, the college authorities had had the bad taste to guard against the annually attempted substitution. Two of the marauders were caught, while Watts only escaped by leaving his coat in the hands of the watchers. Even then he would have been captured had he not met Peter in his flight, and borrowed the latter's coat, in which he reached his room without detection. Peter was caught by the pursuers, and summoned before the faculty, but he easily proved that the captured coat was not his, and that he had but just parted from one of the tutors, making it certain that he could not have been an offender. There was some talk of expelling him for aiding and abetting in the true culprit's escape, and for refusing to tell who it was. Respect for his motives, however, and his unimpeachable record saved him from everything but an admonition from the president, which changed into a discussion of cotton printing before that august official had delivered half of his intended rebuke. People might not enthuse over Peter, but no one ever quarrelled with him. So the interview, after travelling from cotton prints to spring radishes, ended with a warm handshake, and a courteous suggestion that he come again when there should be no charges nor admonitions to go through with. Watts told him that he was a "devilish lucky" fellow to have been on hand to help, for Peter had proved his pluck to his class, had made a friend of the president and, as Watts considerately put it: "but for your being on the corner at 11:10 that evening, old chap, you'd never have known me." Truly on such small chances do the greatest events of our life turn. Perhaps, could Peter have looked into the future, he would have avoided that corner. Perhaps, could he have looked even further, he would have found that in that chance lay the greatest happiness of his life. Who can tell, when the bitter comes, and we later see how we could have avoided it, what we should have encountered in its place? Who can tell, when sweet comes, how far it is sweetened by the bitterness that went before? Dodging the future in this world is a success equal to that of the old woman who triumphantly announced that she had borrowed money enough to pay all her debts.
As a matter of course Watts was grateful for the timely assistance, and was not slow either to say or show it. He told his own set of fellows that he was "going to take that Stirling up and make him one of us," and Watts had a remarkable way of doing what he chose. At first Peter did not respond to the overtures and insistance of the handsome, well-dressed, free-spending, New York swell. He was too conscious of the difference between himself and Watts's set, to wish or seek identification with them. But no one who ever came under Watts's influence could long stand out against his sunny face and frank manner, and so Peter eventually allowed himself to be "taken up." Perhaps the resistance encountered only whetted Watts's intention. He was certainly aided by Peter's isolation. Whether the cause was single or multiple, Peter was soon in a set from which many a seemingly far more eligible fellow was debarred.
Strangely enough, it did not change him perceptibly. He still plodded on conscientiously at his studies, despite laughter and attempts to drag him away from them. He still lived absolutely within the comfortable allowance that his mother gave him. He still remained the quiet, serious looking fellow of yore. The "gang," as they styled themselves, called him "kill-joy," "graveyard," or "death's head," in their evening festivities, but Peter only puffed at his pipe good-naturedly, making no retort, and if the truth had really been spoken, not a man would have changed him a particle. His silence and seriousness added the dash of contrast needed to make the evening perfect. All joked him. The most popular verse in a class-song Watts wrote, was devoted to burlesquing his soberness, the gang never tiring of singing at all hours and places:
"Goodness gracious! Who's that in the 'yard' a yelling in the rain?
That's the boy who never gave his mother any pain,
But now his moral character is sadly on the wane,
'Tis little Peter Stirling, bilin' drunk again.
Oh, the Sunday-school boy,
His mamma's only joy,
Is shouting drunk as usual, and raising Cain!"
Yet joke Peter as they would, in every lark, be it drive, sail, feed, drink, or smoke, whoever's else absence was commented upon, his never passed unnoticed.
In Sophomore year, Watts, without quite knowing why, proposed that they should share rooms. Nor would he take Peter's refusal, and eventually succeeded in reversing it.
"I can't afford your style of living," Peter had said quietly, as his principal objection.
"Oh, I'll foot the bills for the fixings, so it shan't cost you a cent more," said Watts, and when Peter had finally been won over to give his assent, Watts had supposed it was on this uneven basis. But in the end, the joint chambers were more simply furnished than those of the rest of the gang, who promptly christened them "the hermitage," and Peter had paid his half of the expense. And though he rarely had visitors of his own asking at the chambers, all cost of wine and tobacco was equally borne by him.
The three succeeding years welded very strong bands round these two. It was natural that they should modify each other strongly, but in truth, as in most cases, when markedly different characteristics are brought in contact, the only effect was to accentuate each in his peculiarities. Peter dug at his books all the harder, by reason of Watts's neglect of them. Watts became the more free-handed with his money because of Peter's prudence. Watts talked more because of Peter's silence, and Peter listened more because of Watts's talk. Watts, it is true, tried to drag Peter into society, yet in truth, Peter was really left more alone than if he had been rooming with a less social fellow. Each had in truth become the complement of the other, and seemed as mutually necessary as the positive and negative wires in electricity. Peter, who had been taking the law lectures in addition to the regular academic course, and had spent his last two summers reading law in an attorney's office, in his native town, taking the New York examination in the previous January, had striven to get Watts to do the same, with the ultimate intention of their hanging out a joint legal shingle in New York.
"I'll see the clients, and work up the cases, Watts, and you'll make the speeches and do the social end," said Peter, making a rather long speech in the ardor of his wishes.
Watts laughed. "I don't know, old man. I rather fancy I shan't do anything. To do something requires that one shall make up one's mind what to do, and that's such devilish hard work. I'll wait till I've graduated, and had a chin with my governor about it Perhaps he'll make up my mind for me, and so save my brain tissue. But anyway, you'll come to New York, and start in, for you must be within reach of me. Besides, New York's the only place in this country worth living in."
Such were the relations between the two at graduation time. Watts, who had always prepared his lessons in a tenth part of the time it had taken Peter, buckled down in the last few weeks, and easily won an honorable mention. Peter had tried hard to win honors, but failed.
"You did too much outside work, old man," said Watts, who would cheerfully have given his own triumph to his friend. "If you want success in anything, you've got to sacrifice other things and concentrate on the object. The Mention's really not worth the ink it's written with, in my case, but I knew it would please mammy and pappy, so I put on steam, and got it. If I'd hitched on a lot of freight cars loaded with stuff that wouldn't have told in Exams, I never could have been in on time."
Peter shook his head rather sadly. "You outclass me in brains, Watts, as much as you do in other things"
"Nonsense," said Watts. "I haven't one quarter of your head. But my ancestors—here's to the old coves—have been brain-culturing for three hundred years, while yours have been land-culturing; and of course my brain moves quicker and easier than yours. I take to a book, by hereditary instinct, as a duck to water, while you are like a yacht, which needs a heap of building and fitting before she can do the same. But you'll beat me in the long run, as easily as the boat does the duck. And the Honor's nothing."
"Except, as you said, to one's"—Peter hesitated for a moment, divided in mind by his wish to quote accurately, and his dislike of anything disrespectful, and then finished "to one's mother."
"That's the last person it's needed for, chum," replied Watts. "If there's one person that doesn't need the world's or faculty's opinion to prove one's merit, it's one's dear, darling, doating, self-deluded and undisillusioned mamma. Heigh-ho. I'll be with mine two weeks from now, after we've had our visit at the Pierces'. I'm jolly glad you are going, old man. It will be a sort of tapering-off time for the summer's separation. I don't see why you insist on starting in at once in New York? No one does any law business in the summertime. Why, I even think the courts are closed. Come, you'd better go on to Grey-Court with me, and try it, at least. My mammy will kill the fatted calf for you in great style."
"We've settled that once," said Peter, who was evidently speaking journalistically, for he had done the settling.
Watts said something in a half-articulate way, which certainly would have fired the blood of every dime museum-keeper in the country, had they been there to hear the conversation, for, as well as could be gathered from the mumbling, it related to a "pig-headed donkey" known of to the speaker. "I suppose you'll be backing out of the Pierce affair yet," he added, discontentedly.
"No," said Peter.
"An invitation to Grey-Court is worth two of the Shrubberies. My mother knows only the right kind of people, while Mr. Pierce—"
"Is to be our host," interrupted Peter, but with no shade of correction in his voice.
"Yes," laughed Watts, "and he is a host. He'll not let any one else get a word in edgewise. You are just the kind of talker he'll like. Mark my word, he'll be telling every one, before you've been two hours in the house, that you are a remarkably brilliant conversationalist."
"What will he say of you?" said Peter, in a sentence which he broke up into reasonable lengths by a couple of pulls at his pipe in the middle of it.
"Mr. Pierce, chum," replied Watts, with a look in his eyes which Peter had learned to associate with mischief on Watts's part, "has too great an affection for yours truly to object to anything I do. Do you suppose, if I hadn't been sure of my footing at the Shrubberies, that I should have dared to ask an invitation for"—then Watts hesitated for a moment, seeing a half-surprised, half-anxious look come into Peter's face, "for myself?" he continued.
"Tell truth and shame the devil," said Peter.
Watts laughed. "Confound you! That's what comes of letting even such a stupid old beggar as you learn to read one's thoughts. It's mighty ungrateful of you to use them against me. Yes. I did ask to have you included in the party. But you needn't put your back up, Mr. Unbendable, and think you were forced on them. Mr. Pierce gave me carte blanche, and if it hadn't been you, it would have been some other donkey."
"But Mrs. Pierce?" queried Peter.
"Oh," explained Watts, "of course Mrs. Pierce wrote the letter. I couldn't do it in my name, and so Mr. Pierce told her to do it. They're very land of me, old man, because my governor is the largest stockholder, and a director in Mr. P.'s bank, and I was told I could bring down some fellows next week for a few days' jollity. I didn't care to do that, but of course I wouldn't have omitted you for any amount of ducats."
Which explanation solves the mystery of Peter's presence at the Shrubberies. To understand his face we must trace the period between his arrival and the moment this story begins.
How far Watts was confining himself to facts in the foregoing dialogue is of no concern, for the only point of value was that Peter was invited, without regard to whether Watts first asked Mr. Pierce, or Mr. Pierce first asked Watts. A letter which the latter wrote to Miss Pierce, as soon as it was settled that Peter should go, is of more importance, and deserves quotation in full:
JUNE 7TH.
MY DEAR HELEN—
Between your Pater and my Peter, it has taken an amount of diplomacy to achieve the scheme we planned last summer, which would be creditable to Palmerston at his palmiest and have made Bismarck even more marked than he is. But the deed, the mighty deed is done, and June twenty-ninth will see chum and me at the Shrubberies "if it kills every cow in the barn," which is merely another way of saying that in the bright lexicon of youth, there's no such word as fail.
Now a word as to the fellow you are so anxious to meet. I have talked to you so much about him, that you will probably laugh at my attempting to tell you anything new. I'm not going to try, and you are to consider all I say as merely a sort of underlining to what you already know. Please remember that he will never take a prize for his beauty—nor even for his grace. He has a pleasing way with girls, not only of not talking himself, but of making it nearly impossible for them to talk. For instance, if a girl asks me if I play croquet, which by the way, is becoming very passé (three last lines verge on poetry) being replaced by a new game called tennis, I probably say, "No. Do you?" In this way I make croquet good for a ten minutes' chat, which in the end leads up to some other subject. Peter, however, doesn't. He says "No," and so the girl can't go on with croquet, but must begin a new subject. It is safest to take the subject-headings from an encyclopædia, and introduce them in alphabetical order. Allow about ninety to the hour, unless you are brave enough to bear an occasional silence. If you are, you can reduce this number considerably, and chum doesn't mind a pause in the least, if the girl will only look contented. If she looks worried, however, Peter gets worried, too. Just put the old chap between you and your mamma at meals, and pull him over any rough spots that come along. You, I know, will be able to make it easy for him. Neglect me to any extent. I shan't be jealous, and shall use that apparent neglect as an excuse for staying on for a week after he goes, so as to have my innings. I want the dear old blunderbuss to see how nice a really nice girl can be, so do your prettiest to him, for the sake of
WATTS CLARKSON D'ALLOI.
When Watts and Peter saved the "cows in the barn" by stepping off the train on June 29th, the effect of this letter was manifest. Watts was promptly bestowed on the front seat of the trap with Mr. Pierce, while Peter was quickly sitting beside a girl on the back seat. Of course an introduction had been made, but Peter had acquired a habit of not looking at girls, and as a consequence had yet to discover how far Miss Pierce came up to the pleasant word-sketch Watts had drawn of her. Indeed, Peter had looked longingly at the seat beside Mr. Pierce, and had attempted, in a very obvious manner, though one which seemed to him the essence of tact and most un-apparent, to have it assigned to him. But two people, far his superior in natural finesse and experience, had decided beforehand that he was to sit with Helen, and he could not resist their skilful manoeuvres. So he climbed into place, hoping that she wouldn't talk, or if that was too much to expect, that at least Watts would half turn and help him through.
Neither of these fitted, however, with Miss Pierce's plans. She gave Peter a moment to fit comfortably into his seat, knowing that if she forced the running before he had done that, he would probably sit awry for the whole drive. Then: "I can't tell you how pleased we all are over Watts's success. We knew, of course, he could do it if he cared to, but he seemed to think the attempt hardly worth the making, and so we did not know if he would try."
Peter breathed more easily. She had not asked a question, and the intonation of the last sentence was such as left him to infer that it was not his turn to say something; which, Peter had noticed, was the way in which girls generally ended their remarks.
"Oh, look at that absurd looking cow," was her next remark, made before Peter had begun to worry over the pause.
Peter looked at the cow and laughed. He would like to have laughed longer, for that would have used up time, but the moment he thought the laugh could be employed in place of conversation, the laugh failed. However, to be told to look at a cow required no rejoinder, so there was as yet no cause for anxiety.
"We are very proud of our roads about here," said Miss Pierce. "When we first bought they were very bad, but papa took the matter in hand and got them to build with a rock foundation, as they do in Europe."
Three subjects had been touched upon, and no answer or remark yet forced upon him. Peter thought of rouge et noir, and wondered what the odds were that he would be forced to say something by Miss Pierce's next speech.
"I like the New England roadside," continued Miss Pierce, with an apparent relativeness to the last subject that delighted Peter, who was used by this time to much disconnection of conversation, and found not a little difficulty in shifting quickly from one topic to another. "There is a tangled finish about it that is very pleasant. And in August, when the golden-rod comes, I think it is glorious. It seems to me as if all the hot sunbeams of the summer had been gathered up in—excuse the expression—it's a word of Watts's—into 'gobs' of sunshine, and scattered along the roads and fields."
Peter wondered if the request to be excused called for a response, but concluded that it didn't.
"Papa told me the other day," continued Miss Pierce, "that there were nineteen distinct varieties of golden-rod. I had never noticed that there were any differences."
Peter began to feel easy and comfortable. He made a mental note that Miss Pierce had a very sweet voice. It had never occurred to Peter before to notice if a girl had a pleasant voice. Now he distinctly remembered that several to whom he had talked—or rather who had talked to him—had not possessed that attraction.
"Last year," said Miss Pierce, "when Watts was here, we had a golden-rod party. We had the whole house decked with it, and yellow lamps on the lawn."
"He told me about it," said Peter.
"He really was the soul of it," said Miss Pierce, "He wove himself a belt and chaplet of it and wore it all through the evening. He was so good-looking!"
Peter, quite unconscious that he had said anything, actually continued: "He was voted the handsomest man of the class."
"Was he really? How nice!" said Miss Pierce.
"Yes," said Peter. "And it was true." Peter failed to notice that a question had been asked, or that he had answered it. He began to think that he would like to look at Miss Pierce for a moment. Miss Pierce, during this interval, remarked to herself: "Yes. That was the right way, Helen, my dear."
"We had quite a houseful for our party," Miss Pierce remarked, after this self-approval. "And that reminds me that I must tell you about whom you meet to-day." Then the next ten minutes were consumed in naming and describing the two fashionable New York girls and their brother, who made the party then assembled.
During this time Peter's eyes strayed from Watts's shapely back, and took a furtive glance at Miss Pierce. He found that she was looking at him as she talked, but for some reason it did not alarm him, as such observation usually did. Before the guests were properly catalogued, Peter was looking into her eyes as she rambled on, and forgot that he was doing so.
The face that he saw was not one of any great beauty, but it was sweet, and had a most attractive way of showing every change of mood or thought. It responded quickly too, to outside influence. Many a girl of more real beauty was less popular. People liked to talk to Miss Pierce, and many could not escape from saying more than they wished, impelled thereto by her ready sympathy. Then her eyes were really beautiful, and she had the trimmest, dearest little figure in the world; "squeezable" was the word Watts used to describe it, and most men thought the same. Finally, she had a pleasant way of looking into people's eyes as she talked to them, and for some reason people felt very well satisfied when she did.
It had this effect upon Peter. As he looked down into the large gray eyes, really slate-color in their natural darkness, made the darker by the shadows of the long lashes, he entirely forgot place and circumstances; ceased to think whose turn it was to speak; even forgot to think whether he was enjoying the moment. In short he forgot himself and, what was equally important, forgot that he was talking to a girl. He felt and behaved as he did with men. "Moly hoses!" said Watts to himself on the front seat, "the old fellow's getting loquacious. Garrulity must be contagious, and he's caught it from Mr. Pierce." Which, being reduced to actual facts, means that Peter had spoken eight times, and laughed twice, in the half hour that was passed between the station and the Shrubberies' gate.
The sight of the party on the veranda of the Shrubberies brought a return of self-consciousness to Peter, and he braced himself, as the trap slowed up, for the agony of formal greetings. If Miss Pierce had been a less sweet, sympathetic girl, she could hardly have kept from smiling at the way Peter's face and figure stiffened, as the group came in sight. But Miss Pierce had decided, before she met Peter, that she should like him, and, moreover, that he was a man who needed help. Let any woman reach these conclusions about a man, and for some reason quite beyond logic or philosophy, he ceases to be ridiculous. So instead of smiling, she bridged over the awful greetings with feminine engineering skill quite equal to some great strategic movement in war. Peter was made to shake hands with Mrs. Pierce, but was called off to help Miss Pierce out of the carriage, before speech was necessary. Then a bundle was missing in the bottom of the carriage, and Mr. Pawling, the New York swell, was summoned to help Peter find it, the incident being seized upon to name the two to each other. Finally, he was introduced to the two girls, but, almost instantly, Watts and Peter were sent to their rooms; and Miss Pierce, nodding her head in a way which denoted satisfaction, remarked as she went to her own room, "Really, Helen, I don't think it will be so very hard, after all. He's very tractable."
As Peter came downstairs, before dinner, he speculated on whether he should be able to talk to Miss Pierce. He rather doubted from past experience, if such a result was attainable, seeing that there were two other men, who would of course endeavor to do the same. But strangely enough the two men were already seated by the New York girls, and a vacant chair was next that holding Miss Pierce. What was more, he was at once summoned to fill it, and in five minutes was again entirely unconscious of everything but the slate-colored eyes, looking so pleasantly into his. Then he took Miss Pierce in to dinner, and sat between her and her mother again becoming absorbed in the slate-colored eyes, which seemed quite willing to be absorbed. After dinner, too, when the women had succeeded the weed, Peter in someway found it very easy to settle himself near Miss Pierce. Later that night Peter sat in his room, or rather, with half his body out of the window, puffing his pipe, and thinking how well he had gone through the day. He had not made a single slip. Nothing to groan over. "I'm getting more experienced," he thought, with the vanity noticeable in even the most diffident of collegians, never dreaming that everything that he had said or done in the last few hours, had been made easy for him by a woman's tact.