
"Pshaw!" said my Aunt Tabithy, "have you not done with dreaming?"
My Aunt Tabithy, though an excellent and most notable person, loves occasionally a quiet bit of satire. And when I told her that I was sharpening my pen for a new story of those dreamy fancies and half-experiences which lie grouped along the journeying hours of my solitary life, she smiled as if in derision.
----"Ah, Isaac," said she, "all that is exhausted; you have rung so many changes on your hopes and your dreams, that you have nothing left but to make them real—if you can."
It is very idle to get angry with a good-natured old lady. I did better than this,—I made her listen to me.
----Exhausted, do you say, Aunt Tabithy? Is life then exhausted; is hope gone out; is fancy dead?
No, no. Hope and the world are full; and he who drags into book-pages a phase or two of the great life of passion, of endurance, of love, of sorrow, is but wetting a feather in the sea that breaks ceaselessly along the great shore of the years. Every man's heart is a living drama; every death is a drop-scene; every book only a faint foot-light to throw a little flicker on the stage.
There is no need of wandering widely to catch incident or adventure; they are everywhere about us; each day is a succession of escapes and joys,—not perhaps clear to the world, but brooding in our thought, and living in our brain. From the very first, Angels and Devils are busy with us, and we are struggling against them and for them.
No, no, Aunt Tabithy; this life of musing does not exhaust so easily. It is like the springs on the farmland, that are fed with all the showers and the dews of the year, and that from the narrow fissures of the rock send up streams continually; or it is like the deep well in the meadow, where one may see stars at noon when no stars are shining.
What is Reverie, and what are these Day-dreams, but fleecy cloud-drifts that float eternally, and eternally change shapes, upon the great over-arching sky of thought? You may seize the strong outlines that the passion-breezes of to-day shall throw into their figures; but to-morrow may breed a whirlwind that will chase swift, gigantic shadows over the heaven of your thought, and change the whole landscape of your life.
Dream-land will never be exhausted, until we enter the land of dreams, and until, in "shuffling off this mortal coil," thought will become fact, and all facts will be only thought.
As it is, I can conceive no mood of mind more in keeping with what is to follow upon the grave, than those fancies which warp our frail hulks toward the ocean of the Infinite, and that so sublimate the realities of this being, that they seem to belong to that shadowy realm whither every day's journey is leading.
—It was warm weather, and my aunt was dozing. "What is this all to be about?" said she, recovering her knitting-needle.
"About love, and toil, and duty, and sorrow," said I.
My aunt laid down her knitting, looked at me over the rim of her spectacles, and—took snuff.
I said nothing.
"How many times have you been in love, Isaac?" said she.
It was now my turn to say, "Pshaw!"
Judging from her look of assurance, I could not possibly have made a more satisfactory reply.
My aunt finished the needle she was upon, smoothed the stocking-leg over her knee, and looking at me with a very comical expression, said, "Isaac, you are a sad fellow!"
I did not like the tone of this; it sounded very much as if it would have been in the mouth of any one else—"bad fellow."
And she went on to ask me, in a very bantering way, if my stock of youthful loves was not nearly exhausted; and she cited the episode of the fair-haired Enrica, as perhaps the most tempting that I could draw from my experience.
A better man than myself, if he had only a fair share of vanity, would have been nettled at this; and I replied somewhat tartly, that I had never professed to write my experiences. These might be more or less tempting; but certainly if they were of a kind which I have attempted to portray in the characters of Bella, or of Carry, neither my Aunt Tabithy nor any one else should have learned such truth from any book of mine. There are griefs too sacred to be babbled to the world; and there may be loves which one would forbear to whisper even to a friend.
No, no; imagination has been playing pranks with memory; and if I have made the feeling real, I am content that the facts should be false. Feeling, indeed, has a higher truth in it than circumstance. It appeals to a larger jury for acquittal; it is approved or condemned by a better judge. And if I can catch this bolder and richer truth of feeling, I will not mind if the types of it are all fabrications.
If I run over some sweet experience of love, (my Aunt Tabithy brightened a little,) must I make good the fact that the loved one lives, and expose her name and qualities to make your sympathy sound? Or shall I not rather be working upon higher and holier ground, if I take the passion for itself, and so weave it into words, that you and every willing sufferer may recognize the fervor, and forget the personality?
Life, after all, is but a bundle of hints, each suggesting actual and positive development, but rarely reaching it. And as I recall these hints, and in fancy trace them to their issues, I am as truly dealing with life as if my life had dealt them all to me.
This is what I would be doing in the present book. I would catch up here and there the shreds of feeling which the brambles and roughnesses of the world have left tangling on my heart, and weave them out into those soft and perfect tissues which, if the world had been only a little less rough, might now perhaps enclose my heart altogether.
"Ah," said my Aunt Tabithy, as she smoothed the stocking-leg again, with a sigh, "there is, after all, but one youth-time; and if you put down its memories once, you can find no second growth."
My Aunt Tabithy was wrong. There is as much growth in the thoughts and feelings that run behind us as in those that run before us. You may make a rich, full picture of your childhood to-day; but let the hour go by, and the darkness stoop to your pillow with its million shapes of the past, and my word for it, you shall have some flash of childhood lighten upon you, that was unknown to your busiest thought of the morning.
Let a week go by, and in some interval of care, as you recall the smile of a mother, or some pale sister who is dead, a new crowd of memories will rush upon your soul, and leave their traces in such tears as will make you kinder and better for days and weeks. Or you shall assist at some neighbor funeral, where the little dead one (like one you have seen before) shall hold in its tiny grasp (as you have taught little dead hands to do) fresh flowers, laughing flowers, lying lightly on the white robe of the dear child,—all pale, cold, silent—
I had touched my Aunt Tabithy: she had dropped a stitch in her knitting. I believe she was weeping.
—Aye, this brain of ours is a master-worker, whose appliances we do not one half know; and this heart of ours is a rare storehouse, furnishing the brain with new material every hour of our lives; and their limits we shall not know, until they shall end—together.
Nor is there, as many faint-hearts imagine, but one phase of earnestness in our life of feeling. One train of deep emotion cannot fill up the heart: it radiates like a star, God-ward and earth-ward. It spends and reflects all ways. Its force is to be reckoned not so much by token as by capacity. Facts are the poorest and most slumberous evidences of passion or of affection. True feeling is ranging everywhere; whereas your actual attachments are too apt to be tied to sense.
A single affection may indeed be true, earnest, and absorbing; but such an one, after all, is but a type—and if the object be worthy, a glorious type—of the great book of feeling: it is only the vapor from the caldron of the heart, and bears no deeper relation to its exhaustless sources than the letter, which my pen makes, bears to the thought that inspires it,—or than a single morning strain of your orioles and thrushes bears to that wide bird-chorus which is making every sunrise a worship, and every grove a temple!
My Aunt Tabithy nodded.
Nor is this a mere bachelor fling against constancy. I can believe, Heaven knows, in an unalterable and unflinching affection, which neither desires nor admits the prospect of any other. But when one is tasking his brain to talk for his heart,—when he is not writing positive history, but only making mention, as it were, of the heart's capacities,—who shall say that he has reached the fulness, that he has exhausted the stock of its feeling, or that he has touched its highest notes? It is true, there is but one heart in a man to be stirred; but every stir creates a new combination of feeling, that like the turn of a kaleidoscope will show some fresh color or form.
A bachelor, to be sure, has a marvellous advantage in this; and with the tenderest influences once anchored in the bay of marriage, there is little disposition to scud off under each pleasant breeze of feeling. Nay, I can even imagine—perhaps somewhat captiously—that after marriage, feeling would become a habit, a rich and holy habit certainly, but yet a habit, which weakens the omnivorous grasp of the affections, and schools one to a unity of emotion that doubts and ignores the promptness and variety of impulse which we bachelors possess.
My aunt nodded again.
Could it be that she approved what I had been saying? I hardly knew.
Poor old lady,—she did not know herself. She was asleep!
Having silenced my Aunt Tabithy, I shall be generous enough, in my triumph, to offer an explanatory chat to my reader.
This is a history of Dreams; and there will be those who will sneer at such a history, as the work of a dreamer. So indeed it is; and you, my courteous reader, are a dreamer too!
You would perhaps like to find your speculations about wealth, marriage, or influence called by some better name than Dreams. You would like to see the history of them—if written at all—baptized at the font of your own vanity, with some such title as—life's cares, or life's work. If there had been a philosophic naming to my observations, you might have reckoned them good; as it is, you count them all bald and palpable fiction.
But is it so? I care not how matter-of-fact you may be, you have in your own life at some time proved the very truth of what I have set down; and the chances are, that even now, gray as you may be, and economic as you may be, and devotional as you pretend to be, you light up your Sabbath reflections with just such dreams of wealth, of per centages, or of family, as you will find scattered over these pages.
I am not to be put aside with any talk about stocks, and duties, and respectability: all these, though very eminent matters, are but so many types in the volume of your thought; and your eager resolves about them are but so many ambitious waves breaking up from that great sea of dreamy speculation that has spread over your soul from its first start into the realm of Consciousness.
No man's brain is so dull, and no man's eye so blind, that they cannot catch food for dreams. Each little episode of life is full, had we but the perception of its fulness. There is no such thing as blank in the world of thought. Every action and emotion have their development growing and gaining on the soul. Every affection has its tears and smiles. Nay, the very material world is full of meaning, and by suggesting thought is making us what we are and what we will be.
The sparrow that is twittering on the edge of my balcony is calling up to me this moment a world of memories that reach over half my lifetime, and a world of hope that stretches farther than any flight of sparrows. The rose-tree which shades his mottled coat is full of buds and blossoms; and each bud and blossom is a token of promise that has issues covering life, and reaching beyond death. The quiet sunshine beyond the flower and beyond the sparrow,—glistening upon the leaves, and playing in delicious waves of warmth over the reeking earth,—is lighting both heart and hope, and quickening into activity a thousand thoughts of what has been and of what will be. The meadow stretching away under its golden flood,—waving with grain, and with the feathery blossoms of the grass, and golden buttercups, and white, nodding daisies,—comes to my eye like the lapse of fading childhood, studded here and there with the bright blossoms of joy, crimsoned all over with the flush of health, and enamelled with memories that perfume the soul. The blue hills beyond, with deep-blue shadows gathered in their bosom, lie before me like mountains of years, over which I shall climb through shadows to the slope of Age, and go down to the deeper shadows of Death.
Nor are dreams without their variety, whatever your character may be. I care not how much in the pride of your practical judgment, or in your learned fancies, you may sneer at any dream of love, and reckon it all a poet's fiction: there are times when such dreams come over you like a summer-cloud, and almost stifle you with their warmth.
Seek as you will for increase of lands or moneys, and there are moments when a spark of some giant mind will flash over your cravings, and wake your soul suddenly to a quick and yearning sense of that influence which is begotten of intellect; and you task your dreams—as I have copied them here—to build before you the pleasures of such a renown.
I care not how worldly you may be: there are times when all distinctions seem like dust, and when at the graves of the great you dream of a coming country, where your proudest hopes shall be dimmed forever.
Married or unmarried, young or old, poet or worker, you are still a dreamer, and will one time know, and feel, that your life is but a dream. Yet you call this fiction: you stave off the thoughts in print which come over you in reverie. You will not admit to the eye what is true to the heart. Poor weakling, and worldling, you are not strong enough to face yourself!
You will read perhaps with smiles; you will possibly praise the ingenuity; you will talk with a lip schooled against the slightest quiver of some bit of pathos, and say that it is—well done. Yet why is it well done?—only because it is stolen from your very life and heart. It is good, because it is so common; ingenious, because it is so honest; well-conceived, because it is not conceived at all.
There are thousands of mole-eyed people who count all passion in print a lie,—people who will grow into a rage at trifles, and weep in the dark, and love in secret, and hope without mention, and cover it all under the cloak of what they call—propriety. I can see before me now some gray-haired old gentleman, very money-getting, very correct, very cleanly, who reads the morning paper with unction, and his Bible with determination,—who listens to dull sermons with patience, and who prays with quiet self-applause; and yet there are moments belonging to his life, when his curdled affections yearn for something that they have not,—when his avarice oversteps all the commandments,—when his pride builds castles full of splendor; and yet put this before his eye, and he reads with the most careless air in the world, and condemns as arrant fiction, what cannot be proved to the elders.
We do not like to see our emotions unriddled: it is not agreeable to the proud man to find his weaknesses exposed; it is shocking to the disappointed lover to see his heart laid bare; it is a great grief to the pining maiden to witness the exposure of her loves. We do not like our fancies painted; we do not contrive them for rehearsal: our dreams are private, and when they are made public, we disown them.
I sometimes think that I must be a very honest fellow for writing down those fancies,—which every one else seems afraid to whisper. I shall at least come in for my share of the odium in entertaining such fancies: indeed I shall expect the charge of entertaining them exclusively, and shall scarce expect to find a single fellow-confessor, unless it be some pure and innocent-thoughted girl, who will say peccavi to—here and there—a single rainbow fancy.
Well, I can bear it; but in bearing it, I shall be consoled with the reflection that I have a great company of fellow-sufferers, who lack only the honesty to tell me of their sympathy. It will even relieve in no small degree my burden to watch the effort they will take to conceal what I have so boldly divulged.
Nature is very much the same thing in one man that it is in another; and, as I have already said, Feeling has a higher truth in it than circumstance. Let it only be touched fairly and honestly, and the heart of humanity answers; but if it be touched foully or one-sidedly, you may find here and there a lame-souled creature who will give response, but there is no heart-throb in it.
Of one thing I am sure:—if my pictures are fair, worthy, and hearty, you must see it in the reading; but if they are forced and hard, no amount of kindness can make you feel their truth, as I want them felt.
I make no self-praise out of this: if feeling has been honestly set down, it is only in virtue of a native impulse, over which I have altogether too little control, but if it is set down badly, I have wronged Nature, and (as Nature is kind) I have wronged myself.
A great many inquisitive people will, I do not doubt, be asking, after all this prelude, if my pictures are true pictures? The question—the courteous reader will allow me to say—is an impertinent one. It is but a shabby truth that wants an author's affidavit to make it trustworthy. I shall not help my story by any such poor support. If there are not enough elements of truth, honesty, and nature in my pictures to make them believed, they shall have no oath of mine to bolster them up.
I have been a sufferer in this way before now; and a little book that I had the whim to publish a year since, has been set down by many as an arrant piece of imposture. Claiming sympathy as a Bachelor, I have been recklessly set down as a cold, undeserving man of family! My story of troubles and loves has been sneered at as the sheerest gammon.
But among this crowd of cold-blooded critics, it was pleasant to hear of one or two pursy old fellows who railed at me for winning the affections of a sweet Italian girl, and then leaving her to pine in discontent! Yet in the face of this, an old companion of mine in Rome, with whom I accidentally met the other day, wondered how on earth I could have made so tempting a story out of the matronly and black-haired spinster with whom I happened to be quartered in the Eternal City!
I shall leave my critics to settle such differences between themselves; and consider it far better to bear with slanders from both sides of the house, than to bewray the pretty tenderness of the pursy old gentlemen, or to cast a doubt upon the practical testimony of my quondam companion. Both give me high and judicious compliment,—all the more grateful because only half deserved. For I never yet was conscious—alas, that the confession should be forced from me!—of winning the heart of any maiden, whether native or Italian; and as for such delicacy of imagination as to work up a lovely damsel out of the withered remnant that forty odd years of Italian life can spare, I can assure my middle-aged friends, (and it may serve as a caveat,) I can lay no claim to it whatever.
The trouble has been, that those who have believed one passage, have discredited another; and those who have sympathized with me in trifles, have deserted me when affairs grew earnest. I have had sympathy enough with my married griefs, but when it came to the perplexing torments of my single life—not a weeper could I find!
I would suggest to those who intend to believe only half of my present book, that they exercise a little discretion in their choice. I am not fastidious in the matter, and only ask them to believe what counts most toward the goodness of humanity, and to discredit—if they will persist in it—only what tells badly for our common nature. The man, or the woman, who believes well, is apt to work well; and Faith is as much the key to happiness here, as it is the key to happiness hereafter.
I have only one thing more to say before I get upon my story. A great many sharp-eyed people, who have a horror of light reading,—by which they mean whatever does not make mention of stocks, cottons, or moral homilies,—will find much fault with my book for its ephemeral character.
I am sorry that I cannot gratify such: homilies are not at all in my habit; and it does seem to me an exhausting way of disposing of a good moral, to hammer it down to a single point, so that there shall be only one chance of driving it home. For my own part, I count it a great deal better philosophy to fuse it, and rarefy it, so that it shall spread out into every crevice of a story, and give a color and a taste, as it were, to the whole mass.
I know there are very good people, who, if they cannot lay their finger on so much doctrine set down in old-fashioned phrase, will never get an inkling of it at all. With such people, goodness is a thing of understanding, more than of feeling, and all their morality has its action in the brain.
God forbid that I should sneer at this terrible infirmity, which Providence has seen fit to inflict; God forbid too, that I should not be grateful to the same kind Providence for bestowing upon others among his creatures a more genial apprehension of true goodness, and a hearty sympathy with every shade of human kindness.
But in all this I am not making out a case for my own correct teaching, or insinuating the propriety of my tone. I shall leave the book, in this regard, to speak for itself; and whoever feels himself growing worse for the reading, I advise to lay it down. It will be very harmless on the shelf, however it may be in the hand.
I shall lay no claim to the title of moralist, teacher, or romancist: my thoughts start pleasant pictures to my mind; and in a garrulous humor I put my finger in the button-hole of my indulgent friend, and tell him some of them,—giving him leave to quit me whenever he chooses.
Or, if a lady is my listener, let her fancy me only an honest, simple-hearted fellow, whose familiarities are so innocent that she can pardon them;—taking her hand in his, and talking on; sometimes looking in her eyes, and then looking into the sunshine for relief; sometimes prosy with narrative, and then sharpening up my matter with a few touches of honest pathos;—let her imagine this, I say, and we may become the most excellent friends in the world.
The old chroniclers made the year begin in the season of frosts; and they have launched us upon the current of the months from the snowy banks of January. I love better to count time from spring to spring; it seems to me far more cheerful to reckon the year by blossoms than by blight.
Bernardin de St. Pierre, in his sweet story of Virginia, makes the bloom of the cocoa-tree, or the growth of the banana, a yearly and a loved monitor of the passage of her life. How cold and cheerless in the comparison would be the icy chronology of the North;—So many years have I seen the lakes locked, and the foliage die!
The budding and blooming of spring seem to belong properly to the opening of the months. It is the season of the quickest expansion, of the warmest blood, of the readiest growth; it is the boy-age of the year. The birds sing in chorus in the spring—just as children prattle; the brooks run full—like the overflow of young hearts; the showers drop easily—as young tears flow; and the whole sky is as capricious as the mind of a boy.
Between tears and smiles, the year, like the child, struggles into the warmth of life. The old year—say what the chronologists will—lingers upon the very lap of spring, and is only fairly gone when the blossoms of April have strown their pall of glory upon his tomb, and the bluebirds have chanted his requiem.
It always seems to me as if an access of life came with the melting of the winter's snows, and as if every rootlet of grass, that lifted its first green blade from the matted débris of the old year's decay, bore my spirit upon it, nearer to the largess of Heaven.
I love to trace the break of spring step by step: I love even those long rain-storms, that sap the icy fortresses of the lingering winter,—that melt the snows upon the hills, and swell the mountain-brooks,—that make the pools heave up their glassy cerements of ice, and hurry down the crashing fragments into the wastes of ocean.
I love the gentle thaws that you can trace, day by day, by the stained snow-banks, shrinking from the grass; and by the gentle drip of the cottage-eaves. I love to search out the sunny slopes by a southern wall, where the reflected sun does double duty to the earth and where the frail anemone, or the faint blush of the arbutus, in the midst of the bleak March atmosphere, will touch your heart, like a hope of Heaven in a field of graves! Later come those soft, smoky days, when the patches of winter grain show green under the shelter of leafless woods, and the last snow-drifts, reduced to shrunken skeletons of ice, lie upon the slope of northern hills, leaking away their life.
Then the grass at your door grows into the color of the sprouting grain, and the buds upon the lilacs swell and burst. The peaches bloom upon the wall, and the plums wear bodices of white. The sparkling oriole picks string for his hammock on the sycamore, and the sparrows twitter in pairs. The old elms throw down their dingy flowers, and color their spray with green; and the brooks, where you throw your worm or the minnow, float down whole fleets of the crimson blossoms of the maple. Finally the oaks step into the opening quadrille of spring, with grayish tufts of a modest verdure, which by-and-by will be long and glossy leaves. The dogwood pitches his broad, white tent in the edge of the forest; the dandelions lie along the hillocks, like stars in a sky of green; and the wild cherry, growing in all the hedge-rows, without other culture than God's, lifts up to Him thankfully its tremulous white fingers.
Amid all this come the rich rains of spring. The affections of a boy grow up with tears to water them; and the year blooms with showers. But the clouds hover over an April sky timidly, like shadows upon innocence. The showers come gently, and drop daintily to the earth,—with now and then a glimpse of sunshine to make the drops bright—like so many tears of joy.
The rain of winter is cold, and it comes in bitter scuds that blind you; but the rain of April steals upon you coyly, half reluctantly,—yet lovingly—like the steps of a bride to the Altar.
It does not gather like the storm-clouds of winter, gray and heavy along the horizon, and creep with subtle and insensible approaches (like age) to the very zenith; but there are a score of white-winged swimmers afloat, that your eye has chased as you lay fatigued with the delicious languor of an April sun;—nor have you scarce noticed that a little bevy of those floating clouds had grouped together in a sombre company. But presently you see across the fields the dark gray streaks, stretching like lines of mists from the green bosom of the valley to that spot of sky where the company of clouds is loitering; and with an easy shifting of the helm the fleet of swimmers come drifting over you, and drop their burden into the dancing pools, and make the flowers glisten, and the eaves drip with their crystal bounty.
The cattle linger still, cropping the new-come grass; and childhood laughs joyously at the warm rain, or under the cottage-roof catches with eager ear the patter of its fall.
----And with that patter on the roof,—so like to the patter of childish feet,—my story of boyish dreams shall begin.
It is an old garret with big brown rafters; and the boards between are stained darkly with the rain-storms of fifty years. And as the sportive April shower quickens its flood, it seems as if its torrents would come dashing through the shingles upon you, and upon your play. But it will not; for you know that the old roof is strong, and that it has kept you, and all that love you, for long years from the rain and from the cold; you know that the hardest storms of winter will only make a little oozing leak, that trickles down the brown stains—like tears.
You love that old garret-roof; and you nestle down under its slope with a sense of its protecting power that no castle-walls can give to your maturer years. Aye, your heart clings in boyhood to the roof-tree of the old family garret with a grateful affection and an earnest confidence, that the after-years—whatever may be their successes, or their honors—can never re-create. Under the roof-tree of his home the boy feels safe: and where in the whole realm of life, with its bitter toils and its bitterer temptations, will he feel safe again?
But this you do not know. It seems only a grand old place; and it is capital fun to search in its corners, and drag out some bit of quaint old furniture, with a leg broken, and lay a cushion across it, and fix your reins upon the lion's claws of the feet, and then—gallop away! And you offer sister Nelly a chance, if she will be good; and throw out very patronizing words to little Charlie, who is mounted upon a much humbler horse,—to wit, a decrepit nursery-chair,—as he of right should be, since he is three years your junior.