John Nichol

Thomas Carlyle

Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066165321

Table of Contents


CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
APPENDIX
INDEX

CHAPTER I

Table of Contents

INTRODUCTORY SUMMARY

Four Scotchmen, born within the limits of the same hundred years, all in the first rank of writers, if not of thinkers, represent much of the spirit of four successive generations. They are leading links in an intellectual chain.

DAVID HUME (1711-1776) remains the most salient type in our island of the scepticism, half conservative, half destructive, but never revolutionary, which marked the third quarter of the eighteenth century. He had some points of intellectual contact with Voltaire, though substituting a staid temper and passionless logic for the incisive brilliancy of a mocking Mercury; he had no relation, save an unhappy personal one, to Rousseau.

ROBERT BURNS (1759-1796), last of great lyrists inspired by a local genius, keenest of popular satirists, narrative poet of the people, spokesman of their higher as of their lower natures, stood on the verge between two eras. Half Jacobite, nursling of old minstrelsy, he was also half Jacobin, an early-born child of the upheaval that closed the century; as essentially a foe of Calvinism as Hume himself. Master musician of his race, he was, as Thomas Campbell notes, severed, for good and ill, from his fellow Scots, by an utter want of their protecting or paralysing caution.

WALTER SCOTT (1771-1832), broadest and most generous, if not loftiest of the group—"no sounder piece of British manhood," says Carlyle himself in his inadequate review, "was put together in that century"—the great revivalist of the mediaeval past, lighting up its scenes with a magic glamour, the wizard of northern tradition, was also, like Burns, the humorist of contemporary life. Dealing with Feudal themes, but in the manner of the Romantic school, he was the heir of the Troubadours, the sympathetic peer of Byron, and in his translation of Goetz von Berlichingen he laid the first rafters of our bridge to Germany.

THOMAS CARLYLE (1795-1881) is on the whole the strongest, though far from the finest spirit of the age succeeding—an age of criticism threatening to crowd creation out, of jostling interests and of surging streams, some of which he has striven to direct, more to stem. Even now what Mill twenty-five years ago wrote of Coleridge is still true of Carlyle: "The reading public is apt to be divided between those to whom his views are everything and those to whom they are nothing." But it is possible to extricate from a mass of often turbid eloquence the strands of his thought and to measure his influence by indicating its range.

Travellers in the Hartz, ascending the Brocken, are in certain atmospheres startled by the apparition of a shadowy figure,—a giant image of themselves, thrown on the horizon by the dawn. Similar is the relation of Carlyle to the common types of his countrymen. Burns, despite his perfervid patriotism, was in many ways "a starry stranger." Carlyle was Scotch to the core and to the close, in every respect a macrocosm of the higher peasant class of the Lowlanders. Saturated to the last with the spirit of a dismissed creed, he fretted in bonds from which he could never get wholly free. Intrepid, independent, steadfast, frugal, prudent, dauntless, he trampled on the pride of kings with the pride of Lucifer. He was clannish to excess, painfully jealous of proximate rivals, self-centred if not self-seeking, fired by zeal and inflamed by almost mean emulations, resenting benefits as debts, ungenerous—with one exception, that of Goethe,—to his intellectual creditors; and, with reference to men and manners around him at variance with himself, violently intolerant. He bore a strange relation to the great poet, in many ways his predecessor in influence, whom with persistent inconsistency he alternately eulogised and disparaged, the half Scot Lord Byron. One had by nature many affinities to the Latin races, the other was purely Teutonic: but the power of both was Titanic rather than Olympian; both were forces of revolution; both protested, in widely different fashion, against the tendency of the age to submerge Individualism; both were to a large extent egoists: the one whining, the other roaring, against the "Philistine" restraints of ordinary society. Both had hot hearts, big brains, and an exhaustless store of winged and fiery words; both were wrapt in a measureless discontent, and made constant appeal against what they deemed the shallows of Optimism; Carlylism is the prose rather than "the male of Byronism." The contrasts are no less obvious: the author of Sartor Resartus, however vaguely, defended the System of the Universe; the author of Cain, with an audacity that in its essence went beyond that of Shelley, arraigned it. In both we find vehemence and substantial honesty; but, in the one, there is a dominant faith, tempered by pride, in the "caste of Vere de Vere," in Freedom for itself—a faith marred by shifting purposes, the garrulous incontinence of vanity, and a broken life; in the other unwavering belief in Law. The record of their fame is diverse. Byron leapt into the citadel, awoke and found himself the greatest inheritor of an ancient name. Carlyle, a peasant's son, laid slow siege to his eminence, and, only after outliving twice the years of the other, attained it. His career was a struggle, sterner than that of either Johnson or Wordsworth, from obscurity, almost from contempt, to a rarely challenged renown. Fifty years ago few "so poor to do him reverence": at his death, in a sunset storm of praise, the air was full of him, and deafening was the Babel of the reviews; for the progress of every original thinker is accompanied by a stream of commentary that swells as it runs till it ends in a dismal swamp of platitude. Carlyle's first recognition was from America, his last from his own countrymen. His teaching came home to their hearts "late in the gloamin'." In Scotland, where, for good or ill, passions are in extremes, he was long howled down, lampooned, preached at, prayed for: till, after his Edinburgh Inaugural Address, he of a sudden became the object of an equally blind devotion; and was, often by the very men who had tried and condemned him for blasphemy, as senselessly credited with essential orthodoxy. "The stone which the builders rejected became the headstone of the corner," the terror of the pulpit its text. Carlyle's decease was marked by a dirge of rhapsodists whose measureless acclamations stifled the voice of sober criticism. In the realm of contemporary English prose he has left no adequate successor; [Footnote: The nearest being the now foremost prose writers of our time, Mr. Ruskin and Mr. Froude.] the throne that does not pass by primogeniture is vacant, and the bleak northern skies seem colder and grayer since that venerable head was laid to rest by the village churchyard, far from the smoke and din of the great city on whose streets his figure was long familiar and his name was at last so honoured.

Carlyle first saw the world tempest-tossed by the events he celebrates in his earliest History. In its opening pages, we are made to listen to the feet and chariots of "Dubarrydom" hurrying from the "Armida Palace," where Louis XV. and the ancien régime lay dying; later to the ticking of the clocks in Launay's doomed Bastile; again to the tocsin of the steeples that roused the singers of the Marseillaise to march from "their bright Phocaean city" and grapple with the Swiss guard, last bulwark of the Bourbons. "The Swiss would have won," the historian characteristically quotes from Napoleon, "if they had had a commander." Already, over little more than the space of the author's life—for he was a contemporary of Keats, born seven months before the death of Burns, Shelley's junior by three, Scott's by twenty-four, Byron's by seven years—three years after Goethe went to feel the pulse of the "cannon-fever" at Argonne—already these sounds are across a sea. Two whole generations have passed with the memory of half their storms. "Another race hath been, and other palms are won." Old policies, governments, councils, creeds, modes and hopes of life have been sifted in strange fires. Assaye, Trafalgar, Austerlitz, Jena, Leipzig, Inkermann, Sadowa,—Waterloo when he was twenty and Sedan when he was seventy-five,—have been fought and won. Born under the French Directory and the Presidency of Washington, Carlyle survived two French empires, two kingdoms, and two republics; elsewhere partitions, abolitions, revivals and deaths of States innumerable. During his life our sway in the East doubled its area, two peoples (the German with, the Italian without, his sympathy) were consolidated on the Continent, while another across the Atlantic developed to a magnitude that amazes and sometimes alarms the rest. Aggressions were made and repelled, patriots perorated and fought, diplomatists finessed with a zeal worthy of the world's most restless, if not its wisest, age. In the internal affairs of the leading nations the transformation scenes were often as rapid as those of a pantomime. The Art and Literature of those eighty-six years—stirred to new thought and form at their commencement by the so-called Romantic movement, more recently influenced by the Classic reaction, the Pre-Raphaelite protest, the Aesthetic mode,—followed various, even contradictory, standards. But, in one line of progress, there was no shadow of turning. Over the road which Bacon laid roughly down and Newton made safe for transit, Physical Science, during the whole period, advanced without let and beyond the cavil of ignorance. If the dreams of the New Atlantis have not even in our days been wholly realised, Science has been brought from heaven to earth, and the elements made ministers of Prospero's wand. This apparent, and partially real, conquest of matter has doubtless done much to "relieve our estate," to make life in some directions run more smoothly, and to multiply resources to meet the demands of rapidly-increasing multitudes: but it is in danger of becoming a conquest of matter over us; for the agencies we have called into almost fearful activity threaten, like Frankenstein's miscreated goblin, to beat us down to the same level. Sanguine spirits who

throw out acclamations of self-thanking, self-admiring, With, at every mile run taster, O the wondrous, wondrous age,

are apt to forget that the electric light can do nothing to dispel the darkness of the mind; that there are strict limits to the power of prosperity to supply man's wants or satisfy his aspirations. This is a great part of Carlyle's teaching. It is impossible, were it desirable, accurately to define his religious, social, or political creed. He swallows formulae with the voracity of Mirabeau, and like Proteus escapes analysis. No printed labels will stick to him: when we seek to corner him by argument he thunders and lightens. Emerson complains that he failed to extract from him a definite answer about Immortality. Neither by syllogism nor by crucible could Bacon himself have made the "Form" of Carlyle to confess itself. But call him what we will—essential Calvinist or recalcitrant Neologist, Mystic, Idealist, Deist or Pantheist, practical Absolutist, or "the strayed reveller" of Radicalism—he is consistent in his even bigoted antagonism to all Utilitarian solutions of the problems of the world. One of the foremost physicists of our time was among his truest and most loyal friends; they were bound together by the link of genius and kindred political views; and Carlyle was himself an expert in mathematics, the mental science that most obviously subserves physical research: but of Physics themselves (astronomy being scarcely a physical science) his ignorance was profound, and his abusive criticisms of such men as Darwin are infantile. This intellectual defect, or rather vacuum, left him free to denounce material views of life with unconditioned vehemence. "Will the whole upholsterers," he exclaims in his half comic, sometimes nonsensical, vein, "and confectioners of modern Europe undertake to make one single shoeblack happy!" And more seriously of the railways, without whose noisy aid he had never been able to visit the battle-fields of Friedrich II.—

Our stupendous railway miracles I have stopped short in admiring…. The distances of London to Aberdeen, to Ostend, to Vienna, are still infinitely inadequate to me. Will you teach me the winged flight through immensity, up to the throne dark with excess of bright? You unfortunate, you grin as an ape would at such a question: you do not know that unless you can reach thither in some effectual most veritable sense, you are lost, doomed to Hela's death-realm and the abyss where mere brutes are buried. I do not want cheaper cotton, swifter railways; I want what Novalis calls "God, Freedom, and Immortality." Will swift railways and sacrifices to Hudson help me towards that?

The ECONOMIC AND MECHANICAL SPIRIT of the age, faith in mere steel or stone, was one of Carlyle's red rags. The others were INSINCERITY in Politics and in Life, DEMOCRACY without Reverence, and PHILANTHROPY without Sense. In our time these two last powers have made such strides as to threaten the Reign of Law. The Democrat without a ruler, who protests that one man is by nature as good as another, according to Carlyle is "shooting Niagara." In deference to the mandate of the philanthropist the last shred of brutality, with much of decision, has vanished from our code. Sentiment is in office and Mercy not only tempers, but threatens to gag Justice. When Sir Samuel Romilly began his beneficent agitation, and Carlyle was at school, talkers of treason were liable to be disembowelled before execution; now the crime of treason is practically erased, and the free use of dynamite brings so-called reforms "within the range of practical politics." Individualism was still a mark of the early years of the century. The spirit of "L'Etat c'est moi" survived in Mirabeau's "never name to me that bête of a word 'impossible';" in the first Napoleon's threat to the Austrian ambassador, "I will break your empire like this vase"; in Nelson turning his blind eye to the signal of retreat at Copenhagen, and Wellington fencing Torres Vedras against the world: it lingered in Nicholas the Czar, and has found perhaps its latest political representative in Prince Bismarck.

This is the spirit to which Carlyle has always given his undivided sympathy. He has held out hands to Knox, Francia, Friedrich, to the men who have made manners, not to the manners which have made men, to the rulers of people, not to their representatives: and the not inconsiderable following he has obtained is the most conspicuous tribute to a power resolute to pull against the stream. How strong its currents may be illustrated by a few lines from our leading literary journal, the Athenaeum, of the Saturday after his death :—

"The future historian of the century will have to record the marvellous fact that while in the reign of Queen Victoria there was initiated, formulated, and methodised an entirely new cosmogony, its most powerful and highly-gifted man of letters was preaching a polity and a philosophy of history that would have better harmonised with the time of Queen Semiramis. . . . Long before he launched his sarcasms at human progress, there had been a conviction among thinkers that it was not the hero that developed the race, but a deep mysterious energy in the race that produced the hero; that the wave produced the bubble, and not the bubble the wave. But the moment a theory of evolution saw the light it was a fact. The old cosmogony, on which were built Sartor Resartus and the Calvinism of Ecclefechan, were gone. Ecclefechan had declared that the earth did not move; but it moved nevertheless. The great stream of modern thought has advanced; the theory of evolution has been universally accepted; nations, it is acknowledged, produce kings, and kings are denied the faculty of producing nations."

Taliter, qualiter; but one or two remarks on the incisive summary of this adroit and able theorist are obvious. First, the implied assertion,—"Ecclefechan had declared that the earth did not move,"—that Carlyle was in essential sympathy with the Inquisitors who confronted Galileo with the rack, is perhaps the strangest piece of recent criticism extant: for what is his French Revolution but a cannonade in three volumes, reverberating, as no other book has done, a hurricane of revolutionary thought and deed, a final storming of old fortresses, an assertion of the necessity of movement, progress, and upheaval? Secondly, every new discovery is apt to be discredited by new shibboleths, and one-sided exaggerations of its range. It were platitude to say that Mr. Darwin was not only an almost unrivalled student of nature, as careful and conscientious in his methods, as fearless in stating his results, but—pace Mr. Carlyle—a man of genius, who has thrown Hoods of light on the inter-relations of the organic world. But there are whole troops of serfs, "addicti jururo in verba magistri," who, accepting, without attempt or capacity to verify the conclusions of the master mind, think to solve all the mysteries of the universe by ejaculating the word "Evolution." If I ask what was the secret of Dante's or of Shakespeare's divining rod, and you answer "Evolution," 'tis as if, when sick in heart and sick in head, I were referred, as medicine for "a mind diseased," to Grimm's Law or to the Magnetic Belt.

Let us grant that Cæsar was evolved from the currents in the air about the Roman Capitol, that Marcus Aurelius was a blend of Plato and Cleanthes, Charlemagne a graft of Frankish blood on Gallic soil, William I. a rill from Rollo filtered in Neustrian fields, Hildebrand a flame from the altar of the mediæval church, Barbarossa a plant grown to masterdom in German woods, or later—not to heap up figures whose memories still possess the world—that Columbus was a Genoan breeze, Bacon a réchauffé of Elizabethan thought, Orange the Silent a Dutch dyke, Chatham the frontispiece of eighteenth-century England, or Corsican Buonaparte the "armed soldier of Democracy." These men, at all events, were no bubbles on the froth of the waves which they defied and dominated.

So much, and more, is to be said for Carlyle's insistence that great men are creators as well as creatures of their age. Doubtless, as we advance in history, direct personal influence, happily or unhappily, declines. In an era of overwrought activity, of superficial, however free, education, when we run the risk of being associated into nothingness and criticised to death, it remains a question whether, in the interests of the highest civilisation (which means opportunity for every capable citizen to lead the highest life), the subordination of the one to the many ought to be accelerated or retarded. It is said that the triumph of Democracy is a mere "matter of time." But time is in this case of the essence of the matter, and the party of resistance will all the more earnestly maintain that the defenders should hold the forts till the invaders have become civilised. "The individual withers and the world is more and more," preludes, though over a long interval, the cynic comment of the second "Locksley Hall" on the "increasing purpose" of the age. At an earlier date "Luria" had protested against the arrogance of mere majorities.

A people is but the attempt of many
To rise to the completer life of one;
And those who live as models to the mass
Are singly of more value than they all.

Carlyle set these notes to Tennyson and to Browning in his Hero-Worship—a creed, though in thought, and more in action, older than Buddha or than Achilles, which he first launched as a dogma on our times, clenching it with the asseveration that on two men, Mirabeau and Napoleon, mainly hung the fates of the most nominally levelling of Revolutions. The stamp his teaching made remains marked on the minds of the men of light who lead, and cannot be wholly effaced by the clamour of the men of words who orate. If he leans unduly to the exaltation of personal power, Carlyle is on the side of those whose defeat can be beneficent only if it be slow. Further to account for his attitude, we must refer to his life and to its surroundings, i.e. to the circumstances amid which he was "evolved."

CHAPTER II

Table of Contents

ECCLEFECHAN AND EDINBURGH

[1795-1826]

In the introduction to one of his essays, Carlyle has warned us against giving too much weight to genealogy: but all his biographies, from the sketch of the Riquetti kindred to his full-length Friedrich, prefaced by two volumes of ancestry, recognise, if they do not overrate, inherited influences; and similarly his fragments of autobiography abound in suggestive reference. His family portraits are to be accepted with the deductions due to the family fever that was the earliest form of his hero-worship. Carlyle, says the Athenaeum critic before quoted, divides contemporary mankind into the fools and the wise: the wise are the Carlyles, the Welshes, the Aitkens, and Edward Irving; the fools all the rest of unfortunate mortals: a Fuseli stroke of the critic rivalling any of the author criticised; yet the comment has a grain of truth.

[Footnote: Even the most adverse critics of Carlyle are often his imitators, their hands taking a dye from what they work in.]

The Carlyles are said to have come, from the English town somewhat differently spelt, to Annandale, with David II.; and, according to a legend which the great author did not disdain to accept, among them was a certain Lord of Torthorwald, so created for defences of the Border. The churchyard of Ecclefechan is profusely strewn with the graves of the family, all with coats of arms—two griffins with adders' stings. More definitely we find Thomas, the author's grandfather, settled in that dullest of county villages as a carpenter. In 1745 he saw the rebel Highlanders on their southward march: he was notable for his study of Anson's Voyages and of the Arabian Nights: "a fiery man, his stroke as ready as his word; of the toughness and springiness of steel; an honest but not an industrious man;" subsequently tenant of a small farm, in which capacity he does not seem to have managed his affairs with much effect; the family were subjected to severe privations, the mother having, on occasion, to heat the meal into cakes by straw taken from the sacks on which the children slept. In such an atmosphere there grew and throve the five sons known as the five fighting masons—"a curious sample of folks," said an old apprentice of one of them, "pithy, bitter speaking bodies, and awfu' fighters." The second of the group, James, born 1757, married—first, a full cousin, Janet Carlyle (the sole issue of which marriage was John, who lived at Cockermouth); second, Margaret Aitken, by whom he had four sons—THOMAS, 1795-1881; Alexander, 1797-1876; John (Dr. Carlyle, translator of Dante), 1801-1879; and James, 1805-1890; also five daughters, one of whom, Jane, became the wife of her cousin James Aitken of Dumfries, and the mother of Mary, the niece who tended her famous uncle so faithfully during the last years of his life. Nowhere is Carlyle's loyalty to his race shown in a fairer light than in the first of the papers published under the name of Reminiscences. It differs from the others in being of an early date and free from all offence. From this pathetic sketch, written when on a visit to London in 1832 he had sudden news of his father's death, we may, even in our brief space, extract a few passages which throw light on the characters, i.e. the points of contact and contrast of the writer and his theme:—

In several respects I consider my father as one of the most interesting men I have known, … of perhaps the very largest natural endowment of any it has been my lot to converse with. None of you will ever forget that bold glowing style of his, flowing free from his untutored soul, full of metaphors (though he knew not what a metaphor was), with all manner of potent words…. Nothing did I ever hear him undertake to render visible which did not become almost ocularly so. Emphatic I have heard him beyond all men. In anger he had no need of oaths: his words were like sharp arrows that smote into the very heart. The fault was that he exaggerated (which tendency I also inherit), yet in description, and for the sake chiefly of humorous effect. He was a man of rigid, even scrupulous veracity…. He was never visited with doubt. The old Theorem of the Universe was sufficient for him … he stood a true man, while his son stands here on the verge of the new…. A virtue he had which I should learn to imitate: he never spoke of what was disagreeable and past. His was a healthy mind. He had the most open contempt for all "clatter."… He was irascible, choleric, and we all dreaded his wrath, but passion never mastered him…. Man's face he did not fear: God he always feared. His reverence was, I think, considerably mixed with fear—rather awe, as of unutterable depths of silence through which flickered a trembling hope…. Let me learn of him. Let me write my books as he built his houses, and walk as blamelessly through this shadow world…. Though genuine and coherent, living and life-giving, he was nevertheless but half developed. We had all to complain that we durst not freely love him. His heart seemed as if walled in: he had not the free means to unbosom himself…. It seemed as if an atmosphere of fear repelled us from him. To me it was especially so. Till late years I was ever more or less awed and chilled by him.

James Carlyle has been compared to the father of Burns. The failings of both leant to virtue's side, in different ways. They were at one in their integrity, independence, fighting force at stress, and their command of winged words; but the elder had a softer heart, more love of letters, a broader spirit; the younger more power to stem adverse tides, he was a better man of business, made of tougher clay, and a grimmer Calvinist. "Mr. Lawson," he writes in 1817, "is doing very well, and has given us no more paraphrases." He seems to have grown more rigid as he aged, under the narrowing influences of the Covenanting land; but he remained stable and compact as the Auldgarth Bridge, built with his own hands. James Carlyle hammered on at Ecclefechan, making in his best year £100, till, after the first decade of the century, the family migrated to Mainhill, a bleak farm two miles from Lockerbie, where he so throve by work and thrift that he left on his death in 1832 about £1000. Strong, rough, and eminently straight, intolerant of contradiction and ready with words like blows, his unsympathetic side recalls rather the father of the Brontës on the wild Yorkshire moor than William Burness by the ingle of Mount Oliphant. Margaret Carlyle was in theological theory as strict as her husband, and for a time made more moan over the aberrations of her favourite son. Like most Scotch mothers of her rank, she had set her heart on seeing him in a pulpit, from which any other eminence seemed a fall; but she became, though comparatively illiterate, having only late in life learnt to write a letter, a student of his books. Over these they talked, smoking together in old country fashion by the hearth; and she was to the last proud of the genius which grew in large measure under the unfailing sunshine of her anxious love.

Book II. of Sartor is an acknowledged fragment of autobiography, mainly a record of the author's inner life, but with numerous references to his environment. There is not much to identify the foster parents of Teufelsdröckh, and the dramatic drollery of the child's advent takes the place of ancestry: Entepfuhl is obviously Ecclefechan, where the ducks are paddling in the ditch that has to pass muster for a stream, to-day as a century gone: the severe frugality which (as in the case of Wordsworth and Carlyle himself) survived the need for it, is clearly recalled; also the discipline of the Roman-like domestic law, "In an orderly house, where the litter of children's sports is hateful, your training is rather to bear than to do. I was forbid much, wishes in any measure bold I had to renounce; everywhere a strait bond of obedience inflexibly held me down. It was not a joyful life, yet … a wholesome one." The following oft-quoted passage is characteristic of his early love of nature and the humorous touches by which he was wont to relieve his fits of sentiment:—

On fine evenings I was wont to carry forth my supper (bread crumb boiled in milk) and eat it out of doors. On the coping of the wall, which I could reach by climbing, my porringer was placed: there many a sunset have I, looking at the distant mountains, consumed, not without relish, my evening meal. Those hues of gold and azure, that hush of world's expectation as day died, were still a Hebrew speech for me: nevertheless I was looking at the fair illumined letters, and had an eye for the gilding.

In all that relates to the writer's own education, the Dichtung of Sartor and the Wahrheit of the Reminiscences are in accord. By Carlyle's own account, an "insignificant portion" of it "depended on schools." Like Burns, he was for some years trained in his own parish, where home influences counted for more than the teaching of not very competent masters. He soon read eagerly and variously. At the age of seven he was, by an Inspector of the old order, reported to be "complete in English." In his tenth year (1805) he was sent to the Grammar School of Annan, the "Hinterschlag Gymnasium," where his "evil days" began. Every oversensitive child finds the life of a public school one long misery. Ordinary boys—those of the Scotch borderland being of the most savage type—are more brutal than ordinary men; they hate singularity as the world at first hates originality, and have none of the restraints which the later semi-civilisation of life imposes. "They obey the impulse of rude Nature which bids the deer herd fall upon any stricken hart, the duck flock put to death any broken-winged brother or sister, and on all hands the strong tyrannise over the weak." Young Carlyle was mocked for his moody ways, laughed at for his love of solitude, and called "Tom the Tearful" because of his habit of crying. To add much to his discomfort, he had made a rash promise to his pious mother, who seems, in contrast to her husband's race, to have adopted non-resistance principles—a promise to abstain from fighting, provocative of many cuffs till it was well broken by a hinterschlag, applied to some blustering bully. Nor had he refuge in the sympathy of his teachers, "hide-bound pedants, who knew Syntax enough, and of the human soul thus much: that it had a faculty called Memory, which could be acted on through the muscular integument by appliance of birch rods." At Annan, however, he acquired a fair knowledge of Latin and French, the rudiments of algebra, the Greek alphabet, began to study history, and had his first glimpse of Edward Irving, the bright prize-taker from Edinburgh, later his Mentor and then life-long friend. On Thomas's return home it was decided to send him to the University, despite the cynical warning of one of the village cronies, "Educate a boy, and he grows up to despise his ignorant parents." "Thou hast not done so," said old James in after years, "God be thanked for it;" and the son pays due tribute to the tolerant patience and substantial generosity of the father: "With a noble faith he launched me forth into a world which he himself had never been permitted to visit." Carlyle walked through Moffat all the way to Edinburgh with a senior student, Tom Smail (who owes to this fact the preservation of his name), with eyes open to every shade on the moors, as is attested in two passages of the Reminiscences. The boys, as is the fashion still, clubbed together in cheap lodgings, and Carlyle attended the curriculum from 1809 to 1814. Comparatively little is known of his college life, which seems to have been for the majority of Scotch students much as it is now, a compulsorily frugal life, with too little variety, relaxation, or society outside Class rooms; and, within them, a constant tug at Science, mental or physical, at the gateway to dissecting souls or bodies. We infer, from hints in later conversations and memorials, that Carlyle lived much with his own fancies, and owed little to any system. He is clearly thinking of his own youth in his account of Dr. Francia: "Josè must have been a loose-made tawny creature, much given to taciturn reflection, probably to crying humours, with fits of vehement ill nature—subject to the terriblest fits of hypochondria." His explosion in Sartor, "It is my painful duty to say that out of England and Spain, ours was the worst of all hitherto discovered Universities," is the first of a long series of libels on things and persons he did not like. The Scotch capital was still a literary centre of some original brilliancy, in the light of the circle of Scott, which followed that of Burns, in the early fame of Cockburn and of Clerk (Lord Eldin), of the Quarterly and Edinburgh Reviews, and of the elder Alison. The Chairs of the University were conspicuously well filled by men of the sedate sort of ability required from Professors, some of them—conspicuously Brown (the more original if less "sound" successor of Dugald Stewart), Playfair, and Leslie—rising to a higher rank. But great Educational Institutions must adapt themselves to the training of average minds by requirements and restrictions against which genius always rebels. Biography more than History repeats itself, and the murmurs of Carlyle are, like those of Milton, Gibbon, Locke, and Wordsworth, the protests or growls of irrepressible individuality kicking against the pricks. He was never in any sense a classic; read Greek with difficulty—Aeschylus and Sophocles mainly in translations—and while appreciating Tacitus disparaged Horace. For Scotch Metaphysics, or any logical system, he never cared, and in his days there was written over the Academic entrances "No Mysticism." He distinguished himself in Mathematics, and soon found, by his own vaunt, the Principia of Newton prostrate at his feet: he was a favourite pupil of Leslie, who escaped the frequent penalty of befriending him, but he took no prizes: the noise in the class room hindered his answers, and he said later to Mr. Froude that thoughts only came to him properly when alone.

[Footnote: He went so far as to say in 1847 that "the man who had mastered the first forty-seven propositions of Euclid stood nearer to God than he had done before."]

The social leader of a select set of young men in his own rank, by choice and necessity integer vitae, he divided his time between the seclusion of study and writing letters, in which kind of literature he was perhaps the most prolific writer of his time. In 1814 Carlyle completed his course without taking a degree, did some tutorial work, and, in the same year, accepted the post of Mathematical Usher at Annan as successor to Irving, who had been translated to Haddington. Still in formal pursuit of the ministry, though beginning to fight shy of its fences, he went up twice a year to deliver addresses at the Divinity Hall, one of which, "on the uses of affliction," was afterwards by himself condemned as flowery; another was a Latin thesis on the theme, "num detur religio naturalis." The posthumous publication of some of his writings, e.g. of the fragment of the novel Wotton Reinfred, reconciles us to the loss of those which have not been recovered.

In the vacations, spent at Mainhill, he began to study German, and corresponded with his College friends. Many of Carlyle's early letters, reproduced in the volumes edited by Mr. Charles E. Norton, are written in that which, according to Voltaire, is the only unpermissible style, "the tiresome"; and the thought, far from being precocious, is distinctly commonplace, e.g. the letter to Robert Mitchell on the fall of Napoleon; or the following to his parents: "There are few things in this world more valuable than knowledge, and youth is the season for acquiring it"; or to James Johnstone the trite quotation, "Truly pale death overturns with impartial foot the hut of the poor man and the palace of the king." Several are marred by the egotism which in most Scotch peasants of aspiring talent takes the form of perpetual comparison of themselves with others; refrains of the ambition against which the writer elsewhere inveighs as the "kettle tied to the dog's tail." In a note to Thomas Murray he writes:—

Ever since I have been able to form a wish, the wish of being known has been the foremost. Oh, Fortune! bestow coronets and crowns and principalities and purses, and pudding and power, upon the great and noble and fat ones of the earth. Grant me that, with a heart unyielding to thy favours and unbending to thy frowns, I may attain to literary fame.

That his critical and literary instincts were yet undeveloped there is ample proof. Take his comment, at the age of nineteen, on the verses of Leyden :—

Shout, Britons, for the battle of Assaye,
For that was a day
When we stood in our array
Like the lion's might at bay.

"Can anything be grander?" To Johnstone (who with Mitchell consumes almost a volume) he writes: "Read Shakespeare. If you have not, then I desire you read it (sic) and tell me what you think of him," etc. Elsewhere the dogmatic summary of Hume's "Essays" illustrates the lingering eighteenth-century Latinism that had been previously travestied in the more stilted passages of the letters of Burns. "Many of his opinions are not to be adopted. How odd does it look to refer all the modifications of national character to the influence of moral causes. Might it not be asserted with some plausibility that even those which he denominates moral causes originate from physical circumstances?" The whole first volume of this somewhat overexpanded collection overflows with ebullitions of bile, in comparison with which the misanthropy of Byron's early romances seems philanthropy, e.g.—

How weary, flat, stale, and unprofitable seem to me all the uses of this world. For what are its inhabitants? Its great men and its little, its fat ones and its lean … pitiful automatons, despicable Yahoos, yea, they are altogether an insufferable thing. "O for a lodge in some vast wilderness, some boundless contiguity of shade, where the scowl of the purse-proud nabob, the sneer and strut of the coxcomb, the bray of the ninny and the clodpole might never reach me more!"

On the other hand, there are frequent evidences of the imperial intrepidity, the matchless industry, and the splendid independence of the writer. In his twenty-first year Carlyle again succeeded his Annan predecessor (who seems to have given dissatisfaction by some vagaries of severity) as mathematical teacher in the main school of Kirkcaldy. The Reminiscences of Irving's generous reception of his protégé present one of the pleasantest pictures in the records of their friendship. The same chapter is illustrated by a series of sketches of the scenery of the east coast rarely rivalled in descriptive literature. It is elsewhere enlivened, if also defaced, by the earliest examples of the cynical criticisms of character that make most readers rejoice in having escaped the author's observation.

During the two years of his residence in Fifeshire, Carlyle encountered his first romance, in making acquaintance with a well-born young lady, "by far the brightest and cleverest" of Irving's pupils—Margaret Gordon—"an acquaintance which might easily have been more" had not relatives and circumstances intervened. Doubtless Mr. Froude is right in asserting this lady to have been the original of Sartor's "Blumine"; and in leaving him to marry "Herr Towgood," ultimately governor of Nova Scotia, she bequeathed, though in antithetical style, advice that attests her discrimination of character. "Cultivate the milder dispositions of the heart, subdue the mere extravagant visions of the brain. Genius will render you great. May virtue render you beloved. Remove the awful distance between you and other men by kind and gentle manners. Deal gently with their inferiority, and be convinced that they will respect you as much and like you more." To this advice, which he never even tried to take, she adds, happily perhaps for herself, "I give you not my address, because I dare not promise to see you." In 1818 Carlyle, always intolerant of work imposed, came to the conclusion that "it were better to perish than to continue schoolmastering," and left Kirkcaldy, with £90 saved, for Edinburgh, where he lived over three years, taking private pupils, and trying to enter on his real mission through the gates of literature—gates constantly barred; for, even in those older days of laxer competition, obstinate eccentricity unredeemed by any social advantages led to failure and rebuff. Men with the literary form of genius highly developed have rarely much endurance of defeat. Carlyle, even in his best moods, resented real or fancied injuries, and at this stage of his career complained that he got nothing but vinegar from his fellows, comparing himself to a worm that trodden on would "turn into a torpedo." He had begun to be tormented by the dyspepsia, which "gnawed like a rat" at its life-long tenement, his stomach, and by sleeplessness, due in part to internal causes, but also to the "Bedlam" noises of men, machines, and animals, which pestered him in town and country from first to last. He kept hesitating about his career, tried law, mathematical teaching, contributions to magazines and dictionaries, everything but journalism, to which he had a rooted repugnance, and the Church, which he had definitely abandoned. How far the change in his views may have been due to his reading of Gibbon, Rousseau, Voltaire, etc., how far to self- reflection, is uncertain; but he already found himself unable, in any plain sense, to subscribe to the Westminster Confession or to any "orthodox" Articles, and equally unable by any philosophical reconciliation of contraries to write black with white on a ground of neutral gray.

[Footnote: He refers to Gibbon's Decline and Fall as "of all books the most impressive on me in my then stage of investigation and state of mind. His winged sarcasms, so quiet and yet so conclusively transpiercing, were often admirably potent and illustrative to me."]

Mentally and physically adrift he was midway in the valley of the shadow, which he represents as "The Everlasting No," and beset by "temptations in the wilderness." At this crisis he writes, "The biographies of men of letters are the wretchedest chapters in our history, except perhaps the Newgate Calendar," a remark that recalls the similar cry of Burns, "There is not among the martyrologies so rueful a narrative as the lives of the poets." Carlyle, reverting to this crisis, refers with constant bitterness to the absence of a popularity which he yet professes to scorn.—I was entirely unknown in Edinburgh circles; solitary eating my own heart, misgivings as to whether there shall be presently anything else to eat, fast losing health, a prey to numerous struggles and miseries … three weeks without any kind of sleep, from impossibility to be free of noise, … wanderings through mazes of doubt, perpetual questions unanswered, etc.

What is this but Byron's cry, "I am not happy," which his afterwards stern critic compares to the screaming of a meat-jack?

Carlyle carried with him from town to country the same dismal mood. "Mainhill," says his biographer, "was never a less happy home to him than it was this summer (1819). He could not conceal the condition of his mind; and to his family, to whom the truth of their creed was no more a matter of doubt than the presence of the sun in the sky, he must have seemed as if possessed."

Returning to Edinburgh in the early winter, he for a time wrote hopefully about his studies. "The law I find to be a most complicated subject, yet I like it pretty well. Its great charm in my eyes is that no mean compliances are requisite for prospering in it." But this strain soon gave way to a fresh fit of perversity, and we have a record of his throwing up the cards in one of his most ill-natured notes.

I did read some law books, attend Hume's lectures on Scotch law, and converse with and question various dull people of the practical sort. But it and they and the admired lecturing Hume himself appeared to me mere denizens of the kingdom of dulness, pointing towards nothing but money as wages for all that bogpool of disgust.

The same year (that of Peterloo) was that of the Radical rising in Glasgow against the poverty which was the natural aftermath of the great war, oppressions, half real, half imaginary, of the military force, and the yeomanry in particular. Carlyle's contribution to the reminiscences of the time is doubly interesting because written (in the article on Irving, 1836) from memory, when he had long ceased to be a Radical. A few sentences suffice to illustrate this phase or stage of his political progress:—

A time of great rages and absurd terrors and expectations, a very fierce Radical and anti-Radical time. Edinburgh, endlessly agitated by it all around me … gentry people full of zeal and foolish terror and fury, and looking disgustingly busy and important…. One bleared Sunday morning I had gone out for my walk. At the Riding-house in Nicolson Street was a kind of straggly group, with red-coats interspersed. They took their way, not very dangerous-looking men of war; but there rose from the little crowd the strangest shout I have heard human throats utter, not very loud, but it said as plain as words, and with infinitely more emphasis of sincerity, "May the devil go with you, ye peculiarly contemptible, and dead to the distresses of your fellow-creatures!" Another morning … I met an advocate slightly of my acquaintance hurrying along, musket in hand, towards the Links, there to be drilled as item of the "gentlemen" volunteers now afoot. "You should have the like of this," said he, cheerily patting his musket "Hm, yes; but I haven't yet quite settled on which side"—which probably he hoped was quiz, though it really expressed my feeling … mutiny and revolt being a light matter to the young.

This period is illustrated by numerous letters from Irving, who had migrated to Glasgow as an assistant to Dr. Chalmers, abounding in sound counsels to persevere in some profession and make the best of practical opportunities. Carlyle's answers have in no instance been preserved, but the sole trace of his having been influenced by his friend's advice is his contribution (1820-1823) of sixteen articles to the Edinburgh Encyclopedia