PRAISE FOR SLOW TRAINS TO VENICE
'Like the trains he travels on, Tom Chesshyre meanders through Europe and the result is entertaining and enjoyable.'
Christian Wolmar, author of Blood, Iron and Gold: How the Railways Transformed the World
'At a time when European unity is fraying at an alarming rate, here comes Tom Chesshyre's travelogue to remind us of the virtues of connectedness. Better still, his explorations are made by train, and use the Continent's historic, unpredictable routes from the era before high-speed rail. A diverting and thought-provoking read.'
Simon Bradley, author of The Railways
'Meander through Europe in the excellent company of Tom Chesshyre, who relishes the joys of slow travel and seizes every opportunity that a journey presents: drifting as a flâneur in Lille, following in the tracks of James Joyce in a literary exploration of Ljubljana, cosseted in luxury on a trans-Ukrainian express, all decorated with a wealth of detail and intrigue.
As Tom discovers, it's not just Brexit Britain – the whole Continent is in disarray. But at least Europe's railways still bind us together.'
Simon Calder, The Independent
'One of the most engaging and enterprising of today's travel writers, Chesshyre has an eye ever-alert for telling detail and balances the romance of train travel with its sometimes-challenging realities… but for all its good humour, the book impresses as a poignant elegy for the Europe which Britain once embraced.'
Stephen McClarence, travel writer, The Daily Telegraph and The Times
'An engaging picaresque series of encounters and reflections on Europe as many of its countries struggle to find common ground amid the populist reaction to its dilemmas.'
Anthony Lambert, author of Lost Railway Journeys from Around the World
'Beethoven with attitude, masochism in Lviv, the smell of cigarettes in the corridor, adventurous great aunts who travelled on the roofs of crowded trains, Carniolan pork-garlic sausage, Jimi Hendrix in the Slovene Ethnographic Museum and, of course, the 13:49 from Wrocław. Tom Chesshyre pays homage to a Europe that we are leaving behind and perhaps never understood. Che bella corsa! He is the master of slow locomotion.'
Roger Boyes, The Times
'Far from being just another train travelogue, Slow Trains to Venice combines reports from a Europe on the brink of major change with amusing vignettes… An essential read.'
Tom Otley, editor of Business Traveller magazine
PRAISE FOR FROM SOURCE TO SEA
'An enjoyable refuge from everyday life.'
Clive Aslet, The Times
'Chesshyre's book stands out from other accounts of walking the Thames Path in its contemporary (post-Brexit, pre-Trump) immediacy. A portrait of England and the English in our time, it is peppered with fascinating historical and literary markers. It's also a usefully opinionated guide to watering-holes and B&Bs from the sleepy Cotswold villages to the dystopian edgelands of the estuary.'
Christina Hardyment, author of Writing the Thames
'Chesshyre's journey is rich in history and thick with characters, fables and happenstance – a highly readable and entertaining saunter along England's iconic river.'
Christopher Somerville, author of Britain's Best Walks
'I found myself quickly falling into step beside Tom Chesshyre, charmed by his amiable meanderings, pointed observations and meetings with strangers along the way... but most of all Chesshyre champions the joys of a good walk through fascinating surroundings – with beer and blisters at the end of the day.'
Fergus Collins, BBC Countryfile Magazine
'Readers should perhaps prepare themselves for a whole new wave of Whither England? type books in the months and years ahead, and Chesshyre's is a not unwelcome early attempt to answer that seemingly urgent question.'
Ian Sansom, The Times Literary Supplement
PRAISE FOR TICKET TO RIDE
'Trains, dry wit, evocative descriptions, fascinating people and more trains – what's not to like?'
Christian Wolmar, author of Blood, Iron and Gold: How the Railways Transformed the World
'This is an engaging, enjoyable and warm-hearted book that will appeal as much to general readers as to lovers of trains.'
Simon Bradley, author of The Railways: Nation, Network and People
'Like mini-odysseys, Chesshyre's railway journeys are by turns gentle and awesome, and full of surprises.'
John Gimlette, author of Elephant Complex: Travels in Sri Lanka
'Funny and illuminating from Crewe to Korea, Ticket to Ride is a hugely entertaining account of the author's travels on the rails the world over – chance encounters fly like sparks.'
Sara Wheeler, author of The Magnetic North
PRAISE FOR TALES FROM THE FAST TRAINS
'Compulsory reading.'
Mark Smith, The Man in Seat 61
'Transforms seemingly unsurprising familiar territory – whether the Eurostar terminal at St Pancras or the cities of Frankfurt and Antwerp – into the stage for insights and adventures.'
Dea Birkett, author of Serpent in Paradise
'If you've "done" Paris and Bruges and are wondering, "Where next?", then this may be a quiet revolution.'
Andrew Marr
'Splendid 21st-century railway adventure. At last this IS the age of train.'
Simon Calder, The Independent
PRAISE FOR TO HULL AND BACK
'Tom Chesshyre celebrates the UK... discovering pleasure in the unregarded wonders of the "unfashionable underbelly" of Britain. The moral, of course, is that heaven is where you find it.'
Frank Barrett, The Mail on Sunday
'You warm to Chesshyre, whose cultural references intelligently inform his postcards from locations less travelled.'
Iain Finlayson, The Times
PRAISE FOR HOW LOW CAN YOU GO?
'Highly readable Bill Bryson-esque travel writing.'
Clover Stroud, The Sunday Telegraph
'A hilarious record of a low-cost odyssey around the least salubrious corners of Europe.'
Celia Brayfield, The Times
PRAISE FOR A TOURIST IN THE ARAB SPRING
'This witty, perceptive book provides a fascinating read for lovers of thoughtful, imaginative and well-written travel literature.'
Frank Barrett, The Mail on Sunday
'A charming travel companion, entertaining and engaging.'
The Times Literary Supplement
PRAISE FOR GATECRASHING PARADISE
'Chesshyre, one of the most dependably interesting modern travel writers, explores the offbeat atolls of this sinking archipelago.'
Wanderlust
'It should be mandatory reading for all visitors [to the Maldives].'
Francisca Kellett, Tatler
'Tom Chesshyre gives a behind the scenes look at the islands [which] are among the most sought-after holiday destinations.'
The Mail on Sunday
SLOW TRAINS TO VENICE
This edition copyright © Tom Chesshyre, 2020
First published in 2019
Map on p.10 © Pyty/Shutterstock.com
All rights reserved.
No part of this book may be reproduced by any means, nor transmitted, nor translated into a machine language, without the written permission of the publishers.
Tom Chesshyre has asserted his right to be identified as the author of this work in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
Condition of Sale
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
We are grateful for permission to reproduce the following material in this volume: Notes on Nationalism by George Orwell (copyright © George Orwell, 1945) Reprinted by permission of Bill Hamilton as the Literary Executor of the Estate of the Late Sonia Brownell Orwell.
Locomotive by Julian Tuwim © Fundacja im. Juliana Tuwima i Ireny Tuwim, Warszawa 2006, Poland.
Disclaimer
Every effort has been made to obtain the necessary permissions with reference to copyrighted material; should there be any omissions in this respect we apologise and shall be pleased to make the appropriate acknowledgements in any future edition.
An Hachette UK Company
www.hachette.co.uk
Summersdale Publishers Ltd
Part of Octopus Publishing Group Limited
Carmelite House
50 Victoria Embankment
LONDON
EC4Y 0DZ
UK
www.summersdale.com
ISBN: 978-1-78783-875-8
Substantial discounts on bulk quantities of Summersdale books are available to corporations, professional associations and other organisations. For details contact general enquiries: telephone: +44 (0) 1243 771107 or email: enquiries@summersdale.com.
For Kasia
ABOUT THE AUTHOR
Tom Chesshyre worked as a travel writer on The Times for 21 years. He has contributed to The Guardian, The Daily Telegraph, The Sunday Telegraph, The Independent, Daily Express, Daily Mail and The Mail on Sunday. He has also written for Condé Nast Traveller, where he was contributing editor, National Geographic, and Geographical, the magazine of the Royal Geographical Society. He is the author of How Low Can You Go? Round Europe for 1p Each Way (Plus Tax); To Hull and Back: On Holiday in Unsung Britain; Tales from the Fast Trains: Europe at 186 MPH; A Tourist in the Arab Spring; Gatecrashing Paradise: Misadventures in the Real Maldives; Ticket to Ride: Around the World on 49 Unusual Train Journeys; and From Source to Sea: Notes from a 215-mile Walk Along the River Thames. He contributed pieces to The Irresponsible Traveller: Tales of Scrapes and Narrow Escapes and to The Times Companion 2017. He helped research WG Grace: An Intimate Biography by Robert Low and Carlos: Portrait of a Terrorist by Colin Smith. He lives in Mortlake in London.
In some instances, names of those encountered during the train journeys for this book have been altered.
CONTENTS
Preface
Chapter One
Mortlake in London to Calais in France: Continent calling
Chapter Two
Calais in France to Bruges in Belgium: 'Zer is no train today'
Chapter Three
Bruges in Belgium to Bonn in Germany, via Maastricht in the Netherlands: 'We must send you a tie!'
Chapter Four
Bonn in Germany to Wrocław in Poland, via Leipzig in Germany: 'Earl Grey or English Breakfast?'
Chapter Five
Wrocław in Poland to Lviv in Ukraine: 'I mean, what the heck! It really is a weird system'
Chapter Six
Lviv to Odessa in Ukraine, and back: Sleeper trains and beautiful people
Chapter Seven
Lviv in Ukraine to Belgrade in Serbia, via Budapest in Hungary: Dodgy politics and a few drinks
Chapter Eight
Belgrade in Serbia to Ljubljana in Slovenia, via Zagreb in Croatia: 'Thank God we don't look like what we've been through'
Chapter Nine
Ljubljana in Slovenia to Verona in Italy, via Innsbruck in Austria: Goulash, stations and grudges
Chapter Ten
Verona to Venice in Italy: Che bella corsa! (What a ride!)
Afterword
Acknowledgements
Trains Taken
Overnight Stays
Useful Websites
Notes on Swiss Trains: The Top of Europe
Bibliography
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop – only the name.
Edward Thomas, 'Adlestrop'
The general uncertainty as to what is really happening makes it easier to cling to lunatic beliefs. Since nothing is ever quite proved or disproved, the most unmistakable fact can be impudently denied.
George Orwell, Notes on Nationalism
The only way to be sure of catching a train is to miss the one before it.
G. K. Chesterton
PREFACE
On 19 September 1946, Winston Churchill delivered a speech at the University of Zurich in which he stated 'we must build a kind of United States of Europe'. Britain's leader during the war against fascism continued: 'In this way only will hundreds of millions of toilers be able to regain the simple joys and hopes which make life worth living.' He attacked 'frightful nationalistic quarrels' and exclaimed in his finale: 'Let Europe arise!'
I love Europe. I love trains. With Brexit negotiations tortuously unwinding I decided to combine these twin passions. I would let everything go for a while. I would set forth on trains from my home in London in mid-spring and slowly descend whichever way the rails took me to Venice. I would be a free spirit heading south towards the famous stop-off of the world's best-known service, the Orient Express.
My purpose was threefold. I wanted, with fresh eyes from my carriage, to see the continent that Churchill and our ancestors liberated. I wanted to get away from deliberations over 'tariff-free zones' and seemingly endless political rows about Britain's 'departure' from my destination.
I wanted also, quite simply, to enjoy the ride. To take as many slow trains as I could and allow lazy days to slip by while gazing at the scenery, meeting new people and listening to the clatter of wheels on the tracks.
CHAPTER ONE
MORTLAKE IN LONDON TO CALAIS IN FRANCE
CONTINENT CALLING
The 07:37 from Mortlake to Clapham Junction is two minutes late. Which is lucky, as that is exactly how late I happen to be.
On board commuters peck at mobile phones. Nobody reads a newspaper (not even a Metro). It is a grey, grisly morning and the carriage smells of wet dog. Suburbs slip by as do familiar stations: Barnes, Putney, Wandsworth Town. We arrive at Clapham Junction. I disembark Train Number One, with its cherry-red South Western Railway carriages, blue-and-yellow doors and tangerine stripes.
At platform 12, I board the 07:58 to Victoria, an apple-green Southern train with more twitchy-fingered passengers. Battersea Power Station's towers loom beside the Thames. An officious announcement requests we report anything that 'doesn't look right' to the British Transport Police – 'See it. Say it. Sorted.' – making me wonder how many terrorist attacks have ever been nipped in the bud by one of these Big Brother-style messages.
I cross Victoria Station's busy concourse, dodging yet more zombieswith-phones and a man in a hoodie who asks for spare change. At platform six, I board the 08:34 to Dover Priory, a lilac Southeastern train that re-crosses the river. I am on my way to France. All being well, in three weeks I shall arrive in Venice. In between I'm not quite sure what will happen... just as I've always planned.
Leaving Britain by slow trains is liberating. The Dover Priory carriages are almost empty. These days most train-goers to France opt for the high-speed Eurostar service: two hours and 15 minutes to Paris, or just 80 minutes to Lille (186 miles per hour). From Victoria to Dover is two hours and three minutes, with 17 stops along the way. This is the way I intend to get to La Serenissima. No rushing about. No hurry. No stressing. No need for it. Early on a weekday, going in the opposite direction to London commuters, the 08:34 feels like a ghost train.
For a while, at least. A man with gelled hair plonks himself in the set of four seats ahead of mine. Without seeming to notice me or care that he has chosen such close proximity when the rest of the carriage is free, he begins a long, loud scattergun phone conversation.
'She lay down starkers naked so she could get some last sun. She literally took off her trousers, the lot. I'll send you the link from the Daily Mail,' he begins, pausing for a split second before telling whoever is on the other end of the line (and me) that 'things are good' with him at the moment, that he has a date with a woman from Bromley this evening, that he will buy an iPad later today and has placed an advert to sell his car in Auto Trader magazine.
I move seats as we trundle past council estates in Peckham and pull into St Mary Cray Station, where the train's guard says: 'We're arriving five minutes early. We'll wait a while. There's nothing to worry about, we're just five minutes early.' My slow train has, evidently, been going too fast.
There is already a tantalising sense of escape – of slipping beneath the radar of modern life. Emails: I won't read them. Phone calls: let them leave messages. As the countryside opens up into mesmerising fields of lemon-yellow rape seed, I settle back and allow south-east England to pass gently by. The great train writer Paul Theroux once said that tourists 'don't know where they've been', whereas travellers 'don't know where they're going'. Well, I have my target, but there are plenty of don't knows ahead. It is a marvellous feeling.
The guard checks my ticket. I have an Interrail Pass covering a month. This golden ticket allows me to go wherever I want in 30 European countries on most services (a few private rail operators have not signed up). I have an Interrail Pass Guide explaining the ins-andouts, as well as a map showing the network of lines and which train companies require reservations, for which you must pay extra. Before boarding each train you are required to fill out a space in a logbook that comes with the Interrail Pass with the date of travel and time of your train as well as its departure point and destination. My first entry shows Mortlake and Dover; you do not have to worry about detailing each connection.
This ticket has an almost hallowed reputation among train guards, as I am soon to discover. The grey-haired Southeastern conductor barely glances at the floppy green document, such is his trust in its authenticity. The ticket covers one journey out of the UK and one journey back home. The rest must be taken abroad, with no limit on the number of trips with my type of pass.
'Where are you going?' he asks.
When I tell him Dover, he simply replies: 'Yes, you're on the right one,' and ambles off.
I close my eyes. The train judders and hums. We stop at Sole Street Station, then pass banks of cow parsley and ivy, undulating countryside and the Royal Mail depot at Rochester. The surface of the River Medway has a smoky-white glare as the turrets of Rochester Castle arise. We have been going about an hour. It seems almost impossible that Charles Dickens used to walk from London, sometimes through the night, to his house at Gad's Hill in Higham, not so far away here in Kent; a good 30 miles.
At Chatham, the eel-nosed locomotive of a high-speed train gleams on an adjacent platform. Terraced houses that remind me of Coronation Street mark the outskirts of Gillingham, where we pass close to the stands and floodlights of Gillingham Football Club's Priestfield Stadium. At Rainham there's a BRITAIN RUNS ON RAIL sign and a shuttered pub named The Railway. Electricity pylons, long glasshouses with fruit crops, and vineyards emerge on the run-up to Canterbury East, where flags bearing St George's crosses and Union Jacks flutter on poles in back gardens (Kent voted overwhelmingly to leave the European Union in the Brexit referendum in June 2016 with 59 per cent of its 970,000 voters wanting out). And so we arrive at Dover Priory, bang on time at 10:39.
* * *
During this description of an adventure by rail, I will from time to time, when I can, provide details of the exact trains on which I have travelled. I am well aware of the rail enthusiast contingency (never trainspotter – I know better than that). So, making an effort on my first trip, I go to the station supervisor's office to ask what kind of train the 08:43 from Victoria was. I cannot tell from looking at it, as some train lovers would in an instant (no doubt).
A tall employee eating a sausage roll looks at me, shrugs and turns to a shorter man sitting behind a counter at a desk. This is Simon, the Dover Priory Station supervisor. He seems pleased to have been asked and replies that it was an Electrostar 375 from the 1990s with eight carriages. So there you have it. I tell them about my journey ahead. Simon and Warren, the sausage-rolleating customer services officer, appear delighted. Warren asks if I know the way to the ferry port. I say I don't and he accompanies me to the front of the plain, white art deco station, giving me extensive directions.
'Good luck,' he beams, patting my hand twice during our handshake.
Nice people at Dover Priory Station.
Before going to the port, however, I take a look at the centre of town. It's not all about the trains on this foray by rail. I want to provide a series of snapshots of the places along the way (or else it could simply become a Groundhog Day of locomotives and carriages). Destinations matter.
The town centre is down a hill and has a pedestrianised high street with a PRICEL£SS FURNITURE shop, a Poundland and a PoundStore. A group of drunks clutch cider cans and put the world to rights on a corner by an HSBC bank. Poppies hang from lamp posts and a mural by the town hall war memorial shows soldiers gazing seawards. Lines written by the poet Laurence Binyon in the 1914 poem 'For the Fallen' are inscribed across the mural's skyline.
They mingle not with their laughing comrades again;
They sit no more with familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England's foam.
Dover has, of course, always been in a crucial defensive position. With Binyon's words reverberating I go up to the medieval castle. It was in tunnels here that the evacuation of soldiers from Dunkirk was overseen during Operation Dynamo in May 1940. William the Conqueror passed by in October 1066 on his way to Westminster. Fortifications were reinforced during the Napoleonic Wars; garrison numbers at the time were increased, with underground lodgings added by the clifftop. It is for good reason that Dover is nicknamed the Key to England. It feels as though this is a place where many important decisions have been made over the centuries (which indeed they have). A tantalising sense of history hangs in the air.
After inspecting the ancient battlements, I look across the silvery sea and the sprawl of the ferry port. Then I scamper down the hill and walk along the main road as lorries roar by (their drivers without a worry in the world about tariffs and traffic jams, for the time being). The port has become a 'secure area' due to illegal immigration and 'other concerns' says the P&O Ferries ticket man, so I cannot just walk to the ferry. Instead I wait for the Port Service Bus in a room with a work of art made of tiles saying 'Port of Dover: Gateway to Britain'. Beneath the words, Stonehenge, St Paul's Cathedral and a village cricket game are depicted (all white faces among the players).
The bus whisks the eight foot passengers across the secure area. We board the Spirit of Britain, where I sit on the afterdeck with a beer (why not?) and regard the not-so-white cliffs of Dover (they're quite grey, really). Massive seagulls with cold yellow eyes rest on the handrails. The engine growls softly. We pull away in a trail of English foam, heading for Calais. 'Goodbye, England,' says a child with his mother.
To maintain my train mood I begin reading Murder on the Orient Express by Agatha Christie. The opening scene has Hercule Poirot wrapped in scarves and wearing a hat on a freezing platform at the station in Aleppo in Syria. He is heading to Istanbul on the Taurus Express and of him 'nothing was visible but a pink-tipped nose and the two points of an upward curled moustache'.
It does not take the world famous detective long to start poking about, quickly noticing the close relationship between a colonel and a 'young English lady', two of his fellow passengers. 'The train, it is as dangerous as a sea voyage!' he muses. 'Rather an odd little comedy that I watch here.'
The Spirit of Britain was not built in Britain. It was made in Rauma in Finland and completed in 2011. The length is 213 metres. The gross tonnage is 48,000. The top speed is 22 knots. There are a dozen decks. It can hold 180 lorries, 195 cars and 2,000 passengers. I learn all of this from a model of the vessel near the Shop Ahoy! duty-free shop. Good transport buff stuff.
Televisions built into walls and hanging from the ceiling advertise breathalyser tests, cheap wine with a 'carry to car' service and deals on Johnny Depp cologne. I stare ahead at the dark-grey sea through the salt-stained windows of one of the bow lounges. Little black wavelets ripple across the otherwise placid water and, before long, cliffs and long oatmeal-coloured beaches appear. A church steeple shoots upwards. Vodafone sends me a text message telling me 'WELCOME TO FRANCE' and an announcement is made that the Vegas Slots fruit machines are being switched off: 'Do not insert further coins!' We enter the harbour at Calais. Foot passengers are assembled and I am soon walking through drizzle past high walls with rolls of barbed wire and graffiti scrawled on the road that (rather optimistically) demands: 'OPEN THE BORDER'.
I am on European Union soil, with its funny rules written by funny bureaucrats with funny accents.
I am off around the Continent – trains all the way.
CHAPTER TWO
CALAIS IN FRANCE TO BRUGES IN BELGIUM
'ZER IS NO TRAIN TODAY'
Calais is 21 miles from Britain and it's a strange place with an intriguing history. Recent notoriety, of course, came in the form of the Jungle camp of asylum seekers hoping to enter Britain (not far from the ferry port). This was closed in October 2016 after complaints from the UK that France was not doing enough to prevent people hiding on vehicles on trains through the Channel Tunnel; President Macron has since informed any would-be refugees and migrants that northern France is a 'dead end' and that attempting to cross the Channel is pointless. Nevertheless, more than 115,000 such attempts were made in the year before my journey (this is just the figure covering those caught).
For more than 200 years Calais was part of Britain, so in the past asylum seekers would have achieved their aim simply by being here. From 1347, when Edward III of England annexed Calais after the Battle of Crécy, until 1558, when the French led by Henry II won it back, Calais was a key English port. At its peak, a third of the English government's revenue is said to have come from the port's customs duties, with wool trade being the most important source of income. At the time it was known as 'the brightest jewel in the English crown'. It was also an official parliamentary borough. Dick Whittington was mayor for a while (in 1407, while also acting as Lord Mayor of London). Upon losing the port, Mary Tudor famously said: 'When I am dead and opened, you shall find Calais lying in my heart.'
The port played an important role in World War Two. During the Siege of Calais in May 1940, more than 3,000 British troops alongside
800 French soldiers faced a German barrage for six days. This brave resistance diverted Nazi divisions from Dunkirk, giving the evacuation there a greater chance of success.
Julius Caesar set sail to Britain from Calais. Napoleon considered invading Britain from Calais. A lot has gone on in Calais.
Première Classe in a downpour
Arrival in Calais
It is a three-mile walk from the ferry port to the centre of Calais along a long nondescript road lined with warehouses with more high fences with barbed wire. I am the only passenger who has chosen this route into the city. The other foot passengers appear to have taken taxis or buses. Perhaps that is because it is pouring. I have put on my pac-amac – looking like a true rail enthusiast – and I am splashing through puddles following a road that leads to what I take to be the main church tower, the one I had seen from the sea.
In this bedraggled fashion I head towards the Hôtel Première Classe Calais Centre-Gare, right opposite Gare de Calais Ville. During these journeys I am going to put up for the night as close to stations as possible to make onward trips easier the next day. I have also chosen to go cheaply, if not dirt cheap. My budget is around 40–50 euros a night. The Première Classe Calais Centre-Gare ticks all the boxes.
The long road eventually curves round towards the 'church'. Beyond a sex shop offering 'gadgets and films', I come to this structure and find it is not, in fact, a place of worship. It is the ornate Hôtel de Ville, built in an OTT Flemish Renaissance style with a rocket-shaped bell tower rising to 75 metres. So says a little information panel. The building dates from 1925 and was damaged during World War Two but remarkably survived the worst of the bombing. Most of the city centre was razed.
Hôtel Première Classe Calais Centre-Gare is just around the corner next to Le Klub and Les Pirates Bar.
First impressions are not the best. It looks like a small prison with a grey concrete facade and a front door that has been permanently, one would presume, concreted up. To enter you must go to a side entrance by a car park. I am soon in a tiny red and white room complete with a bed with a beige blanket and a cereal-boxsized television on a high shelf. Not so bad after all – comfortable enough. I look outside through a grimy window. A group of furtive individuals walks past; surely asylum seekers considering how to cross the Channel, although perhaps I'm jumping to conclusions. My room, rather pleasingly, directly faces the station and the Buffet de la Gare.
It has stopped raining. I go for a wander and soon find myself in Parc Richelieu, inspecting a statue of General de Gaulle and Winston Churchill, erected in 2017. Churchill has been captured smoking a cigar and leaning on a cane. De Gaulle, who is about a foot taller, wears a long buttoned-up mackintosh and a determined expression. Further on in this little park, I come to a plaque remembering Emma, Lady Hamilton, Lord Nelson's lover who died in Calais after falling into debt and hard times aged just 49.
Calais has plenty of watering holes, catering no doubt to those on booze cruises, although I cannot see many Brits about. L'Hovercraft Bar, Le Buzz and Le London Bridge pub by the main square seem the most popular. There's another statue of de Gaulle here, this time with his wife, who was from Calais.
I cross to the other side of the square and walk along the harbour to Fort Risban, originally built by the English to help take Calais in the fourteenth century. Rain begins to pelt down and I take shelter in Brasserie de la Mer, where I eat a delicious bubbling bouillabaisse listening to Stevie Wonder hits on a stereo before returning to my room to read Murder on the Orient Express. Poirot is about to take 'sleeping-car accommodation in the Stamboul–Calais coach'. I am at the destination of the detective with the 'upward curled moustache'.
Back at my hotel, feeling content after the excellent bouillabaisse, I find it is not, however, easy to sleep.
Through the thin walls of my room I hear a rather worrying domestic drama unfold.
'Why were you talking that ****?' says the man, in Cockney-English.
Female response, also in Cockney-English: 'No, no, no.'
Man: 'Let's just get all this **** out and throw it all away.'
Woman: 'No, no, no.'
Man: 'What have I done wrong?'
Inaudible response.
Man: 'Your attitude makes me feel that it's all gone to pot.'
Woman: 'No, no, no.'
Never mind Murder on the Orient Express, for a while I'm concerned about Murder in the Hôtel Première Classe Calais Centre-Gare. Eventually I drop off, wondering: Why do people go on holiday to argue with one another? Why now? And, I must heartlessly admit: Why can't they do it somewhere else?
'This polis cracked my tooth'
A morning in Calais
In the morning I meet the Eritreans, but before I do so I go to the station. My intention today is to travel to Dunkirk, as I have never been and I would like to see the famous beaches where Britain – and Europe, for that matter – was saved from the Nazis. However, there is a problem.
'Zer is no train today,' says the almost bald station guard. He has fluffy clumps of hair, hazel eyes, glasses and an inscrutable manner.
'What do you mean?' I ask.
'Zer is a strike,' he replies. 'You may take a bus to Dunkirk at twelve thirty.'
'But I don't want to take a bus.'
'Zer is no train today,' he says.
Damn it. I should have checked this out before setting off. The French railway people seem to be on strike. Of course they are! What a great start. I go outside and contemplate my next step. The station guard has informed me that the strike will also be on tomorrow. I am stuck in Calais, train-less, for the foreseeable future.
Or so it would appear.
I go back into the station and look at the bus options on the departure screen. Then I notice that the 15:39 to Lille has a little train symbol, rather than a bus symbol. I ask the station guard about this.
'Oui, zer is a train to Lille,' he concedes.
It is the only train of the day. One of the French train drivers, it would appear, is not on strike. Très bien! Or even, magnifique!
So, I'm going to Lille.
First, however, I head for the neighbourhood of Calais that was once the Jungle. My target is L'Auberge des Migrants. Even though the Jungle has officially shut down, many Channel-crossing hopefuls are still to be found on the streets of Calais.
The route takes me through a suburb with a football ground and the local communist party headquarters. Outside the latter posters belonging to the General Confederation of Labour, the second largest trade union in France, declare: 'La régression sociale ne se négocie pas, elle se combat!' (Social regression does not negotiate, it fights). This is the biggest union within the Société Nationale des Chemins de Fer Français (SNCF), the state-owned French rail company, and its members are behind the current rail disruption. President Macron intends to cut pay and reduce retirement and benefit terms for rail employees in return for helping to bail out SNCF's debt, currently running at a staggering fifty billion euros. The union, naturally, is unhappy and there are fears that the move could be a first step towards privatisation.
It's an intriguing scenario that some are referring to as Macron's 'Thatcher Moment'. Will he really see off the unions? French rail workers, known as cheminots and who number about 150,000, do have it rather good. The retirement age for conductors and train drivers is 52 and for those in administrative positions, 57 years old. This compares to an average retirement age in France in the private sector of 62. On top of this, pension payment is based on the previous six months' salary, not an average of the employee's salary over the previous 25 years (the norm elsewhere in France). Then add a condition of employment known as licenciement économique, a redundancy rule that some regard as a 'job for life', so long as employees do not retire, resign or get sacked for poor behaviour, a 35-hour week, 28 days of annual holiday (three more days than other French workers) and the possibility of 22 days of RTT, réduction de temps de travail, for drivers, which is effectively extra holiday for those working over 35 hours a week. Then bear in mind that spouses and children under the age of 16 can receive 16 rail fares a year for ten per cent of the full ticket price (an allowance that costs SNCF around 25 million euros a year).
Yes, the cheminots do have it extremely good, which is why they are on strike: they want to keep it extremely good. Yet to understand the stand-off, the outsider must also appreciate that the French railway, nationalised since the 1930s, is a much-loved part of the nation's welfare state. The French take pride in their railway, especially its grands projets such as the Ligne à Grande Vitesse Sud-Est between Paris and Lyons that opened in 1983, Europe's first fully-fledged high-speed railway. Do not underestimate the power of your driver or conductor in France. This is a country where strikes still work – if that is not a contradiction in terms – although SNCF is considering a radical option to get round the stalemate: driverless trains. With no drivers, there can be no driver strikes. That's the idea, anyway. Téléconducteurs at control centres may soon oversee 'drone trains'. Welcome to the future! Let's hope the computers don't crash, causing the trains to do the same.
Pondering this I plod on past a retail estate and a Japanese Wok restaurant in the direction of the former Jungle.
I'm drawn here as I want to lay eyes on this key neighbourhood in Britain's recent history. The threat of a 'flood' of migrants and refugees to the UK was, after all, one of the main reasons Britain voted out of Europe in June 2016. Leavers wanted to 'take back control' and the Jungle was, if you like, the symbolic epicentre of their worst fears.
Down Boulevard de l'Égalité I go, eventually turning left at a Lidl supermarket into Rue Clément Ader.
This is where I meet the Eritreans. Fikru and Girma are idling along Rue Clément Ader and I ask if they have a moment to talk. They do. They probably have a lot of moments while waiting around homeless and stateless in Calais.
Fikru wears a leather jacket, ripped jeans and a green headscarf. He has a wide smile with a prominent broken front tooth. Girma is clothed in jeans, a green jacket and a hooded top. They say they are 18 years old, brothers and that they left Eritrea three years ago via Sudan, Libya and a ship to Italy that took four days across the Mediterranean Sea.
I am with people who have risked all to reach Calais.
Fikru is despondent. 'We have no life,' he says. 'Problem with polis.'
He pauses.
'We have no working. Three years, no working. Three years we are not calling Eritrea.'
Girma cuts in. 'It is problem. We have no one.'
Fikru tells me: 'This polis cracked my tooth.'
He grins to reveal the full damage to his ruined smile.
Then he clutches his leg.
'Seven days ago, stick on leg.'
The police, he says, attacked him.
We talk a little longer. I can sense they are nervous about drawing attention to themselves (too much publicity could be painful). So I wish them luck, offer Fikru ten euros – which he gladly accepts – and ask if I can take their picture.
Both quickly shake their heads.
Then they shuffle and limp along Rue Clément Ader. Not far from the Lidl they sit on old plastic crates beneath a litter-strewn hedge.
For now, at least, this seems to be home.
* * *
L'Auberge des Migrants is across the way. It is not, as the name suggests, an inn. It is a depot offering support to the 400 or so asylum seekers still in Calais despite the dismantling of the Jungle (probably many more, 400 is an official figure). The outfit is run by 30 volunteers. Food, clothing, free mobile phone charging and legal information on asylum rules are offered from vans that circulate in the city.
At first I talk to Luke, a bushy-bearded British man, who cagily tells me: 'All across Europe there is hostility towards refugees. France is not exempt from that. We are trying to show humanity to refugees.'
Luke is sitting in a hut by a chalkboard upon which figures are scrawled referring to the number of sleeping bags, duvets and emergency foil blankets that have been distributed in the previous month. Another board reports that 1,200 meals have been delivered in the past day. A sign says: 'À coeurs vaillants, rien d'impossible' (With valiant hearts, nothing is impossible).
Across from this hut is a van with a small table at the back.
Inside I find another Brit: Rowan Farrell, co-founder of the Refugee Info Bus. This UK-registered charity helps immigrants seeking asylum understand the intricacies of asylum laws. The van has a generator and Wi-Fi antennae that allows up to 80 people to use the internet for free. Leaflets are in seven languages including Pashto (spoken in Afghanistan). The majority of those in Calais are from Afghanistan, Eritrea, Ethiopia, Iran, Iraq and Syria.
'If someone's in Calais, they're trying to get to the UK, obviously,' says Rowan. 'They must prove that they are in fear of recrimination in their country. It's individual. Food and shelter are important but so is the bigger view. Often refugees just don't know anything regarding their rights.'
The whole point of the Refugee Info Bus is to fill this void. Rowan founded the charity after coming to work on behalf of refugees in the Jungle and realising that a lack of legal know-how was a major problem. Previously he had worked as a photographer.
He asks about my trip, and I explain what I'm up to.
It turns out Rowan loves trains, too, and he is soon telling me that he once went on the overnight sleeper train between Lviv and Odessa in Ukraine. Lviv, he says, is a beautiful city that feels strongly part of Europe without being within the European Union (which gives me ideas about the route ahead). He had gone there for a photography project soon after Russia, breaking international law, invaded Ukraine to 'take back' Crimea in 2014.
There seems to be a lot of 'taking back' going on at the moment.
My eye is caught by a pile of cricket bats in a corner of the yard.
'Afghanis love cricket,' Rowan explains matter-of-factly.
After an appeal, a team in the UK has kindly donated their spares so Afghani asylum seekers in Calais can practise their favourite game while waiting for their paperwork (should it be forthcoming).
We say goodbye and I return along Boulevard de L'Égalité.
I have two pit stops to make before the train to Lille.
The first is just along the boulevard at Ville de Calais Cimetière Sud, where I pay homage to the Britons who defended the city against the Germans in May 1940. Row upon row of Commonwealth War Graves are surrounded by neat box hedges. Each inscription on the gravestones is a reminder of the great debt owed to the soldiers of World War Two.
'P. W Amos. The King's Royal Rifle Corps. 26/5/40. Aged 24,' reads one stone, 'H. J. Dungay. The Rifle Brigade. 24/5/40. Aged 29,' says another. 'A soldier of the 1939–1945 war. The King's Royal Rifle Corps. Known Unto God,' says yet another. Not all bodies were identified. About 300 British troops were killed in the heroic, bloody siege.
Afterwards I go to the Musée Mémoir 39–45 Calais in Parc SaintPierre, right by the station. The museum is in an eerie former Nazi bunker that stretches almost 200 metres. Inside, displays cover the terrifying events of May 1940 as well as the outcome of the war, when Canadian units freed the port in 1944. An original poster dated 13 July 1940 catches my eye: 'Every English People [sic] who lives in Calais as well as every English person who is staying here for some time and who is more than eighteen years old, is obliged to come immediately to the ORTSKOMMANDANTUR in the Town Hall of Calais. Every English people, who will not come immediately, will be considered as a spy and judged accordingly.'
Spine-chilling words, just 21 miles from Dover.
Churchill's 'frightful nationalistic quarrels' came very close to our shores.
'Not all those who wander are lost'
Calais to Lille
Before boarding the 15:39 to Lille, I check out the cosy little Buffet de la Gare. How could any train lover not poke their nose in the cosy little Buffet de la Gare in Calais?
Inside are faux leather booths, a copper-topped bar, a flashing pinball machine and a drinker who has slumped his head on the table while clutching his mobile phone (perhaps he's been here all day waiting for the only train out of Calais). A lovely old railway poster bears a picture of the Calais town hall and the words: CHEMIN DE FER DU NORD. CALAIS: SON PORT, SA PLAGE, SES DENTELLES (NORTHERN RAILWAY. CALAIS: ITS PORT, ITS BEACH, ITS LACE).
Calais has long been famous for its lace. In the nineteenth century many English manufacturers moved from Nottingham to Calais to take advantage of cheaper working conditions. Apparently, the Duchess of Cambridge and Amal Clooney, no less, wore dentelles de Calais dresses at their weddings.
So it must be pretty good.
I pick up a copy of Nord Littoral, a local paper that runs a story headlined: '4 MOIS DE PRISON POUR AVOIR FRAPPÉ UN POLICIER' (FOUR MONTHS JAIL FOR HITTING A POLICE OFFICER). A man named Jamal Khurchach from Morocco, who has been in the country since 2007, has been found guilty of an attack on La Police Aux Frontières after crying 'Allahu akbar'. The court decision is: ' Il a l'obligation de quitter le territoire français.'
Goodbye and good riddance, more or less.
* * *
The only train out of Calais is a sleek double-decker due to call at Audruicq, Watten-Éperlecques, Saint-Omer, Hazebrouck, Strazeele, Bailleul and Armentières. It is to arrive in Lille at 16:59. This is, as it happens, exactly the same journey time (80 minutes) for the Eurostar service from London's St Pancras Station to Lille.
A group of refugees huddles by the platform. They must have imagined that this would be a quiet place to rest for a while in the city centre. When they see the passengers of the day's only train heading for them en masse they nervously leap up and scurry to the exit.
Calais is such an unusual, transitory place. Amid the booze cruisers and transport lorries refugees float like ghosts. Sit still for a while on a public bench just about anywhere in the port and the apparitions will come and go, each with a story of a long journey behind them and an uncertain future ahead. The city feels like a frontier where lives hang in the balance and business is done; as it has for centuries past. Ghosts of the past mingle with the ghosts of today. It is the perfect place to begin a continental train ride. From one famous frontier the tracks stretch ahead, with many more to come.
On board the 15:39 I settle into a blue-grey seat on the top deck. The train departs on time and we pass a terrace of redbrick houses and sidings occupied by locomotives and carriages; out of action due to the strike, no doubt. Street art and graffiti of the sort found in ghettoes in American cities covers the walls along the track before the train rattles across a canal and countryside opens up. The horn blows. A startled pheasant flaps across a field. Tan-coloured cows raise their heads at this unusual interruption to their afternoon: a train in France that is actually moving.
The toilets, I discover, are locked; part of the cheminots' strike. Small towns and villages come and go. At Audruicq we cross a muddy brown river. At Watten-Éperlecques a conductor with a flat cap enters the carriage but does not check tickets (yet another act of protest?). At Hazebrouck we pull in by a Skoda dealership and a church with a tall steeple. At Saint-Omer a caravan park and a series of enormous glasshouses materialise. Bailleul is home to a Lidl and a musical instrument shop. Armentières is notable for its large number of rusty disused train tracks with broken electricity cables hanging above. Maybe Armentières was once a much bigger deal than today. Something seems to have gone wrong in Armentières.
We continue beneath a mushroom-coloured sky. The countryside between stations is moss-green with wispy poplar trees lining lanes leading to remote villages in folds of undulating land. The dreamy feeling of escape that I enjoyed in Kent returns. Trains soon deliver you from the reality of everyday life... if you let them. Just sit back and follow the tracks.
In the dim light of this overcast day the carriage lights flicker as though considering going on strike themselves. We depart the countryside and enter a suburb of terraced houses. Shiny apartments rise next to cranes on building sites with the skeletons of more shiny apartments to come. The train pulls into platform 15 of Gare de Lille Flandres. We are bang on time.
I gather my backpack. This bag is small but heavy. Inside are several books: Murder on the Orient Express (of course), The Lady Vanishes (a thriller by Ethel Lina White published in 1936 and later turned into a film by Alfred Hitchcock), A Legacy of Spies by John le Carré, From Russia, With Love by Ian Fleming (which includes train scenes), the European Rail Timetable, produced by the former compilers of the Thomas Cook European Rail Timetable, and a copy of Europe By Rail: The Definitive Guide by Nicky Gardner and Susanne Kries.
The latter makes essential reading. The authors clearly understand the freedom of train travel without much of a plan. 'Serendipity' is key and rail travellers such as myself should be 'led by a whim', they say. J. R. R. Tolkien is their hero. 'Not all those who wander are lost,' as he writes in The Lord of the Rings.
With this in mind – having had no idea this morning that I would go to Lille – I step onto platform 15.
grève